World War Z – Marco Beltrami

1. Philadelphia
2. The Lane Family
3. Ninja Quiet
4. Searching for Clues
5. Nj Mart
6. Zombies in Coach
7. Hand Off!
8. No Teeth No Bite
9. The Salvation Gates
10. Wales
11. Like a River Around a Rock

World War Z – Marco Beltrami – YouTube (http://www.youtube.com/watch?v=GX_aVX2v0fk)

Download (https://anonfiles.com/file/ef254277948e3bb6d7b71b5cc8d45c5f) – 320 kbps

Alternative Link (https://mega.co.nz/#!MUxy1aBa!EV8mxXO_NAucGeJwe4qp_BL9ATk0uav1wOf2SSs X3Bk)

Thanks!

Thanks

many thanks!

thanks!

Thanks, Lightdevil!

Thanks!

Thanks for sharing, new Beltrami that sounds great..

Thanks very much!

Thanks my dear friend

Great stuff thanks

Thank you very much!

Thanks!, i can’t wait to listen this new Beltrami’s score

Many thanks for this !!!!

Thanks for sharing, been looking forward to this.

Seriously, WTF….11 tracks?

Seriously, WTF….11 tracks?

Exactly the same thing I thought when seeing his post ^^

Thank you Lightdevil!

Thanks for sharing, been looking forward to this.

Seriously, WTF….11 tracks?

From what I read the score itself is not very long because there are large portions of the movie without music.

I’ve read that there’s a 40 minutes portion of the film without music.

From what I read the score itself is not very long because there are large portions of the movie without music.

Very true I saw a preview of the film and that is indeed the case.

Thank you.

Here’s a mirror:

http://ul.to/szz9rvqf

Typical modern score. Half dark ambient and half action/horror.

Thanks A Lot

One of Marco’s lesser works, me thinks.

Pales in comparison to his riveting sci-fi/horror score for The Thing. Mostly looped/chugga-chugga-chugga action beats (even if they’re performed by an orchestra) and dour atmospherics. No intriguing sonic hook or distinctive orchestrations that scream: THIS IS A HORROR MOVIE ABOUT THE END OF THE WORLD. Instead he’s delivered warmed-over leftovers from his "A Good Day to Die Hard" score by way of Inception.

What a bummer. Even if I have no intention of paying to view this bloodless, white-washed bastardization of a very good zombie horror novel, I was still looking forward to hear what Marco could pull out of his hat.

The Lane Family is my favourite cue on this score. I really like how the electronics in that cue kicks in. I thought it was a decent score, no more no less.

He used skulls as percussion.

What a bummer. Even if I have no intention of paying to view this bloodless, white-washed bastardization of a very good zombie horror novel, I was still looking forward to hear what Marco could pull out of his hat.

Please explain. I haven’t heard much about how the movie is a poor adaptation of the novel.

Thanks!

thanks 😀

Please explain. I haven’t heard much about how the movie is a poor adaptation of the novel.

The short of it is that the film is Max Brooks’ World War Z novel in name only.

Say goodbye to the multi-cultural "oral history" but say hello to the much underutilized lone white, anglo-saxon American male perspective.
Say goodbye to slow zombies but say hello to blitzkrieging zombies which utterly defy the physiological capabilities of the human body (dead or alive).
Say goodbye to blood & gore but say hello to PG-13.

Google for more details.

Thanks

Thanks for this share!!!
It really dissappointed me, though… So "Remote Control" influenced!!!!! You even have that "BWWWOOOOOOOOOM" Inception-esque crappy brass effects!!!! So sick of it!! Zimmer & co. have definitely wrecked producers’ and directors’ brains with this so-called "new blockbuster sound" that each and every composer is imitating… 🙁

Fantastic. Thanks!!

Custom cover ahooooy.

()

He used skulls as percussion.
So true! I read that article mentioning that peculiar instruments he used. Looking forward to see this film and hear the music as well.
Thanks for the links and the mirror and the additional mirror!

Say goodbye to the multi-cultural "oral history" but say hello to the much underutilized lone white, anglo-saxon American male perspective.
Say goodbye to slow zombies but say hello to blitzkrieging zombies which utterly defy the physiological capabilities of the human body (dead or alive).
Say goodbye to blood & gore but say hello to PG-13.

Welcome to the West.
The only place to find "multicultural" influences is by forcibly (as in giving no real character development and always handing the shitty end of the stick for jokes and personality) injecting a single stereotype foreigner into every TV series there is.
Raj on Big Bang Theory, the colorful cast on Glee, the Korean in 2 Broke Girls…

Kind of makes you miss Fez on That ’70s Show.

I blame Resident Evil for the super zombies today. It was a cute idea at first but then the whole scope of it just blows zombies out of proportion and it’s no longer a zombie flick anymore than it is a creature-fest flick.

And damn studios wanting to maximize box office sales. I think the world of piracy has greatly influenced this soft-hearted world.
Since they know it’s going to get pirated, anyway, they might as well open the doors at the cinemas as wide as they can before the DVD/BD sales come out (which is when the pirating spikes as early as a month before the discs hit the stores — sure "cam" copies are "excellent quality" when compared to cardboard and saves you from going to the cinemas :rolleyes:).

It’s really all kind of our own fault when you look at it from a really broadened scope. We, pirates, are the actual zombies: slaves to our own devices.

Thanks for this score btw. 🙂 I love Beltrami. And if people are hating this, it just means that I might enjoy it.

Very cool to have this, thanks! Beltrami doesn’t quite get the wider recognition I think he ought to.

I love Beltrami. And if people are hating this, it just means that I might enjoy it.

I very much admire and enjoy a number of Beltrami scores but expressing disappointment in an outcome is not synonymous with expressing disdain.

No one here can stop the Remote Control juggernaut nor, by the sounds of it, can Marco Beltrami, which is why I’m so very disappointed to hear him having to mimic the Remote Control aesthetic (in the same way Doyle and Navarette had to with Thor and Wrath of the Titans respectively).

I also love Beltrami’s work (a lot, actually) and, just like gururu explained, to see that he has gone for a Remote Control-alike sound, or style. I’ve listened to this a second time and all I can say is that this score has no identity. Luckily, Beltrami’s own voice still lies inside this: his brass work really stands out!! But again, the lack of originality is very evident…

many thanks!

Thank you!

Thanks so very much!

Thank you

Thanks for sharing! 🙂

Yeah ! Thanks !

thanks!!

Thanks so much!

Thanks for sharing 🙂

Thank you.

many thanks!

Many thanks for the share!

World War Z – Marco Beltrami (OST) (2013)

World War Z
Miusic by: Marco Beltrami
Released: 2013
Format: MP3 320kbps
Size: 12 MB

Tracklista
01. Philadelphia [04:02]
02. The Lane Family [02:45]
03. Ninja Quiet [02:54]
04. Searching For Clues [05:34]
05. NJ Mart [04:01]
06. Zombies In Coach [03:42]
07. Hand Off! [02:49]
08. No Teeth No Bite [03:24]
09. The Salvation Gates [04:24]
10. Wales [05:21]
11. Like A River Around A Rock [05:09]

ul.to

http://uploaded.net/file/4o1ncmfs/WWZ-MB.zip

freakshare.com

http://freakshare.com/files/nzwg2bgj/WWZ-MB.zip

rapidgator.net

http://rapidgator.net/file/546074449172996203f5909a7450aaaf/WWZ-MB.zip

turbobit.net

http://turbobit.net/n6rd2c4rhfrn.html

Enjoy and Please Say Thanks 🙂

Thanks 🙂

Welcome to the West.
I love Beltrami. And if people are hating this, it just means that I might enjoy it.

If it’s a choice between Hans Zimmer and Marco Beltrami then I would definitely pick the latter for the fact that Beltrami knows how to do orchestral scores and innovate them using some other unique instruments to his advantage not just loud popping noises. Sadly If indeed he’s also into RCP styles these days then where in for a World War Z-immer-ing for the long haul.

Thanks!!!

good��� thanks��

I love Hans Zimmer and Marco Beltrami for equal, and World War Z is not RCP score, there is not similarities in

Thanks A Lot

Thanks!

Thanks!

Thanks, Collection.

thanks

Thanks a lot.

Thanks!

Thanks Lightdevil.

thank you, maaaan!

Thanks! 🙂

thank you very much!

fact

people need to stop using that word.
it’s purely subjective.
fact needs proof. through science.
not because you and a number of others share the same opinion.
that doesn’t make facts.
that sounds like religion.
and i’m a heretic.

First, thanks for the upload.

Second, as a big Beltrami fan, I am very disappointed. I agree with what others have said, way too much of a Remote Control influence here. Hell, track #1 "Philadelphia" sounds like it was left over from Inception. I find it very troubling that the honchos in Hollywood think every damn score has to sound like Hans Zimmer wrote it. The 2010’s will be known as the decade of bland scores that all blend together with no individual identity…….except for the awesome Brian Tyler, of course.

Thanks for all the input on the film. After reading about it I’ve decided to skip the movie and read the book instead.

people need to stop using that word.
it’s purely subjective.
fact needs proof. through science.
not because you and a number of others share the same opinion.
that doesn’t make facts.
that sounds like religion.
and i’m a heretic.

Should you not Mr. Zimmer jr. pick that particular "word" out of my own wording then you have it in there – a fact in my own opinion besides it is indeed a "fact" that Mr. Beltrami is a trained classical musician or composer while Zimmer is definitely not. I am not heretic but I sure am a filibuster who doesn’t like government that dictates what people should or shouldn’t say. 🙂

Remember, remember…

thanks!

Marco Beltrami – World War Z – 2013 (MP3).zip (100.9 MB)
https://mega.co.nz/#!pAVSDJrJ!FA3QL2M4kJvYNeVCaY2LpT-QzQB2AJ5T-m9hS3gtNIg

Lilo thank you for this fast upload.

Sweet! Thanks a lot!

Thanks a lot 😀

Thanks a lot.

Thanks for the score. Just finished watching the movie. For those of you wondering, the theme that plays throughout is an instrumental track off the most recent Muse album, "The 2nd Law" (2012). From the first time I heard this track, I knew it would make the perfect theme to an epic film score (preferably, sci-fi). Apparently, somebody else must’ve thought the same thing, since it’s heard throughout the whole damn score. Too bad the movie turned out to be shit.

Here is the original track off the album: The 2nd Law – Isolated System.mp3 (http://www50.zippyshare.com/v/65259302/file.html)

P.S. For anyone who called this "yet another typical Remote Control production," kindly go fuck yourselves.

Hey guys I didnt see the movie yet,but I will. But I m intrested for complete score is there a lot of music in the movie from Beltrami. I read that some parts in movie is unscored its that tru? And there is some score from band Muse.

Thanks for the score. Just finished watching the movie. For those of you wondering, the theme that plays throughout is an instrumental track off the most recent Muse album, "The 2nd Law" (2012). From the first time I heard this track, I knew it would make the perfect theme to an epic film score (preferably, sci-fi). Apparently, somebody else must’ve thought the same thing, since it’s heard throughout the whole damn score. Too bad the movie turned out to be shit.

Here is the original track off the album…

My curiosity’s piqued. Downloading…

P.S. For anyone who called this "yet another typical Remote Control production," kindly go fuck yourselves.

That’s not nice. And in point of fact, nobody has.

fact

There’s that word Sparktank likes so much again.

Basically I’m just tired of every post I click on devolving into a "Hans Zimmer is the antichrist" thread, especially with a composer like Beltrami who isn’t connected in any way to Remote Control. (I briefly scanned through the thread to see if anyone posted the track and noticed about three instances of RC). In point of "fact," I have nothing against those types of scores, I’m just sick of hearing people bitch and whine about them constantly, as if they have anything to do with the way the industry works these days. I can only contain my opinion for so long.

Anyway…

What did you think of that Muse track? If you close your eyes and imagine it as separate from the movie, couldn’t you picture it as the theme of an Inception or Tron-like movie? It’s got this hypnotic, building quality that I really love about it. I’m glad that it was utilized in a major motion picture, but I’m still bummed that I didn’t get any credit for discovering it. 😛

There’s that word Sparktank likes so much again.

Basically I’m just tired of every post I click on devolving into a "Hans Zimmer is the antichrist" thread, especially with a composer like Beltrami who isn’t connected in any way to Remote Control. (I briefly scanned through the thread to see if anyone posted the track and noticed about three instances of RC). In point of "fact," I have nothing against those types of scores, I’m just sick of hearing people bitch and whine about them constantly, as if they have anything to do with the way the industry works these days. I can only contain my opinion for so long.

Anyway…

What did you think of that Muse track? If you close your eyes and imagine it as separate from the movie, couldn’t you picture it as the theme of an Inception or Tron-like movie? It’s got this hypnotic, building quality that I really love about it. I’m glad that it was utilized in a major motion picture, but I’m still bummed that I didn’t get any credit for discovering it. 😛

Has anyone to your knowledge ever done a techno cover of Tubular Bells, because that’s the first thing that popped into my mind — by way of comparison that is. And since I have no immediate plans to see this movie I’d be interested to know what sort of scenes the Muse track played under; montages, maybe?

As for the references made to RC in the thread, it’s more a matter of the all too, too similar stylistic approach to the action writing and the very obvious signs of temp-track-itis in "Philidelphia". Beltrami can and has composed far more dramatically compelling thriller material. Ever heard his "The Watcher"?

And since I have no immediate plans to see this movie I’d be interested to know what sort of scenes the Muse track played under; montages, maybe?

It was used three times, to my memory. The first and most prominent use is that it’s the initial music you hear in the film and serves as the opening credits theme (I noticed "additional music by Muse" after Beltrami’s credit). The other two instances were used for moments of great dramatic impact — to be honest with you, I can’t even recall those scenes, that’s how forgettable this movie was.

———- Post added at 07:55 PM ———- Previous post was at 07:40 PM ———-

Has anyone to your knowledge ever done a techno cover of Tubular Bells, because that’s the first thing that popped into my mind

I did a little bit of "research" (i.e. typed search terms into google) and came up with this article: Muse album ‘The 2nd Law’ inspired by ‘World War Z’ – Music News – Digital Spy (http://www.digitalspy.com/music/news/a488677/muse-album-the-2nd-law-inspired-by-world-war-z.html)

Turns out that Muse were inspired to write the album (and those tracks) by reading the original novel of World War Z. Then Brad Pitt heard the album and decided to include it in his film, serendipitously. Check this out:

"Two years ago, we wanted to find – remember the theme from The Exorcist? It’s called ‘Tubular Bells’," Pitt said. "We wanted to find something like that.

Nice ear. It wasn’t the first thing that came to mind, but I can kind of gleam it from listening again.

Well, wadda-ya-know. Thanks for the info.

For anyone who’s interested in creating a "complete" soundtrack, here’s the other Muse song from the same album that’s played during the end credits: Muse – Follow Me.mp3 (http://www67.zippyshare.com/v/6904294/file.html)

Thanks

Has anyone to your knowledge ever done a techno cover of Tubular Bells

I imagine lots. Just not popular enough to make a commercial or movie appearance.
Check out JunoDownload and other sites where you can purchase techno/dance/trance/dub/etc music and you’ll see a lot of covers of obscure mixes of music.

Indaba Music has released Tubular Bells as a whole package in "stems" for remix artists to do their own dub mixes of the song. It was a featured contest.

https://beta.indabamusic.com/opportunities/mike-oldfield-tubular-bells-remix-contest

I imagine if you scroll down the list of submissions you’ll see a lot of "Dubular Bells".

The winner did it in the style of Zimmer’s Angel’s & Demons.

E.Sox totally did it in…dub? scratchy noise.

Here are the two Muse tracks featured in World War Z. My wife and I saw the film this morning, and were very pleasantly surprised. The two Muse tracks, ‘Isolated System’ (which is used throughout the film) and ‘Follow Me’ (bits of which are edited together with ‘Isolated System’ for the closing credits) are used to great effect.

I’m posting the instrumental versions for those who want them for completeness, as well as those who are enterprising enough to create an edit that represents the way the tracks were edited for the film’s credits.

Please enjoy, and let me know through either the thread or PM if anything is screwy.

http://www64.zippyshare.com/v/12227293/file.html

Thanks !!!

Thanks for the score. Just finished watching the movie. For those of you wondering, the theme that plays throughout is an instrumental track off the most recent Muse album, "The 2nd Law" (2012).
Knew that piece sounded like something from a Muse song. It was so familiar… thanks for confirming it 😀

Thanks!

Thanks (again!)

Thankssss a lot!

Thanks but the main theme isn’t on this? Guess Muse did that 🙁

Thanks but the main theme isn’t on this? Guess Muse did that 🙁

In another WWZ thread I posted a link with instrumental versions of the two Muse tracks!

http://forums.ffshrine.org/f92/world-war-z-marco-beltrami-135819/4.html

Thanks

thanks

Genre : Soundtrack
Label : WARNER BROS
Quality : 320 Kbps Avg / 44.1 KHz / Joint Stereo
Size : 102.8 MB
Rip Date : 2013-06-18
Store Date : 2013-06-14

World War Z is directed by award-winning director Marc Forster (Finding Neverland, Monster’s Ball) and stars Brad Pitt, Mireille Enos and James Badge Dale.
The score was composed by two-time Academy Award nominee Marco Beltrami, who has composed the scores for such films as The Hurt Locker and 3:10 to Yuma (which earned him his Oscar nominations for Best Original Score), as well as Wes Craven’s Scream franchise and Guillermo Del Toro’s Mimic Hellboy, and Don’t Be Afraid of the Dark. Beltrami has worked with some of the most recognizable names in the industry, such as James Mangold, Robert Rodriguez, Luc Besson, David Goyer, Bertrand Tavernier, Alex Proyas, Jonathan Mostow, Roland Joffe, Len Wiseman, Jodie Foster, David E. Kelly, and Tommy Lee Jones.

Tracklist :

1. Philadelphia
2. The Lane Family
3. Ninja Quiet
4. Searching For Clues
5. Nj Mart
6. Zombies In Coach
7. Hand Off!
8. No Teeth No Bite
9. The Salvation Gates
10. Wales
11. Like A River Around A Rock

Download:

http://uploaded.net/file/jouvjja0/MarcoBeltrami-WorldWarZOST-WEB-2013-FRAY.zip

thanks

World War Z-immer

Just saw the flick. Rocks.

Just saw the movie myself and was glad to see a less mindless summer blockbuster. Thanks for the music uploads!

Time for me to explore textures over themes again. Thanks!!

Does anyone know if it is a Muse track that plays when Pitt gives his speech at the end? It’s before the credits play and it’s another hollow, slower piano track. Any idea what that could be? I don’t think it was score by Beltrami as it is faded in over the end of the track "Like A River Around A Rock".

Thank you Lilu!!

Thank you!

anyone has a better cover :parrot:

Anyone got the sessions?

MOAR SESSIES!

thx

thankies!

May I request the FLAC or iTunes Plus AAC version ?
Anyone?

StereoElf has posted the flac version here :

http://forums.ffshrine.org/f92/requested-161726/#post2473098

Thank you. I’m excited to hear this one!

Thanks for sharing, been looking forward to this.

Seriously, WTF….11 tracks?

Not sure if this was covered but "Muse" did a number of tracks in this movie as well. All instrumental works and by far the best songs in the movie.

———- Post added at 03:14 PM ———- Previous post was at 03:13 PM ———-

Does anyone know if it is a Muse track that plays when Pitt gives his speech at the end? It’s before the credits play and it’s another hollow, slower piano track. Any idea what that could be? I don’t think it was score by Beltrami as it is faded in over the end of the track "Like A River Around A Rock".

Here are the muse tracks from the movie, they were instrumental.

Follow Me
The 2nd Law

Thank you so much, Sunderella!!!
Link still work!!! 🙂

Yep, still working. Also throwing in my appreciation.

Amazingly the link still works. Thank you for this thrilling dark score Sunderella.