The Last of Us Original Score (2013) [FLAC/Log/Cue]

◉| The Last of Us Original Score |◉

( FLAC | LOG | CUE )

∅ Personal Rip ∅

1CD ~ 219 MB

Release Date : Jun 11, 2013

■ VGMdb ■ (http://vgmdb.net/album/39075)
Mega.co.nz (https://mega.co.nz/#!fU9wDZbK!Wte0KHctmFWdbn8wDO_ySmZxpjAjILSZmaKmVhk ZtEA)

Gamefront (http://www.gamefront.com/files/23401645/4703y3ubf8374tg3bd981z.rar)

Sendspace (http://www.sendspace.com/file/wbsp16)

Thanks for the share.
Thumbs Up!!

Cheers, can’t wait to play this game too!

Thanks for the share dude!!

Thanks MiL�!!!

MiL�, what is your opinion of this soundtrack? 🙂

always the great MilO for coming through. Much appreciated.

Thanks!

Thanks! 🙂

Thanks MiL� !
That’s perfect, as usual 🙂

MiL�, what is your opinion of this soundtrack? 🙂
To be honest and to put it the most straightforward way – I just don’t care much for it. It doesn’t do anything for me. Almost none of the melodies seem to be interesting or make me feel for it. I don’t want to say that the music here is bland, but pretty much that’s what it is. It’s not the kind of soundtrack I can listen to outside the game. And who knows maybe it works really well inside the game, I have yet to play and see. But listening to it on its own – gosh, I could fall asleep. 🙂

What’s your take on it?

What’s your take on it?i hope this was asked generally but even if not – i just don’t get all the praise for Gustavo Santaolalla and this album is a pretty good reminder of why. i feel as if ever since he stole the Academy award for Brokeback Mountain’s original score (which should have gone to Alberto Iglesias for his work on The Constant Gardener that year), he’s been able to get away with repeating the same approaches to melody and composition for every subsequent work and it’s at the point where as a listener you’re owed more of a variation than what you’re getting currently. but for some unexplained reason people just seem to get sucked into a weird trance when they regard his works. almost as if it’s the Zimmer effect or something, where repetition is rewarded with ungodly amounts of praise and resultant awards.

The question was towards Orie, but who am I to stop you from saying what you gotta say about this thing? :p

So he’s been rehashing his own compositions over and over for a while now, huh? What an asshole!! :O Hehe, nah, just kidding, I don’t know the man’s other works, and never heard Brokeback Mountain’s score, so I’m not gonna judge him on that. But your point is clear.

As for Zimmer, I think he’s ok (Hellz yeah he made a damn nice main theme for Crysis 2). If he gets a lot of public praise – let him have it. He deserves it. Plus he’s old, so what can you take from an old man. His main themes (for movies) are generally well done. But I’d like to see him more in video games. It’s the same thing… games are cinematic as shit nowadays anyways.

The question was towards Orie, but who am I to stop you from saying what you gotta say about this thing? :pwith what goes on in this section alone it’s hard to tell who is going to get upset over whatever little thing happens. 🙁

So he’s been rehashing his own compositions over and over for a while now, huh? What an asshole!! :O Hehe, nah, just kidding, I don’t know the man’s other works, and never heard Brokeback Mountain’s score, so I’m not gonna judge him on that. But your point is clear.i wouldn’t go as far as calling him an asshole but at the same time i think musically the audience should be afforded a variety, especially when it comes to revered artists. would Goldsmith have been so highly regarded if he just recycled things from his early works (Patton, Chinatown, etc.) all the way up until his death? it was his willingness to incorporate variance that helped his legacy and i think a lot of the current composers still active today are beginning to lose sight of that. maybe it’s a different creative climate to blame, i’m not sure but it’s become far easier to spot the guys not really turning in their best effort than it was roughly three decades ago.

As for Zimmer, I think he’s ok (Hellz yeah he made a damn nice main theme for Crysis 2). If he gets a lot of public praise – let him have it. He deserves it. Plus he’s old, so what can you take from an old man. His main themes (for movies) are generally well done. But I’d like to see him more in video games. It’s the same thing… games are cinematic as shit nowadays anyways.i have less hatred for Zimmer than most i guess but again it’s easy to spot the repetitive approach (i won’t call out anything about the perceived laziness so many others harp on as no doubt some effort goes into repeating things) he takes when working on just about anything these days. it’s strange though seeing someone say they like Zimmer for his themes. his early themes are respectable but for me anything more recent he’s turned in has felt so far from a theme cue that it makes me want to weep a little (Dark Knight Rises, Man of Steel, anyone?)

well.. I was a bit disappointed for this OGM …

Especially regarding Gustavo Santaolalla
He did some really good OST in the past.. like The Motorcycle Diaries Soundtrack for example ..

www.youtube.com/watch?v=hdmsHYJApLQ

i wouldn’t go as far as calling him an asshole but at the same time i think musically the audience should be afforded a variety, especially when it comes to revered artists. would Goldsmith have been so highly regarded if he just recycled things from his early works (Patton, Chinatown, etc.) all the way up until his death? it was his willingness to incorporate variance that helped his legacy and i think a lot of the current composers still active today are beginning to lose sight of that. maybe it’s a different creative climate to blame, i’m not sure but it’s become far easier to spot the guys not really turning in their best effort than it was roughly three decades ago.
You know I think that repeating certain segments of your work is ok, it’s like doing a fan service, but gotta be careful and not overdo it. I’m gonna give an example of one of my alltime favorite vgm artist: kt2 (http://vgmdb.net/artist/209).
There are a couple noticeably similar tracks between his Abandoner (http://vgmdb.net/album/3980) and No Reality (http://vgmdb.net/album/5533) albums. I absolutely love that fact. That’s an example where fan service works. Part of why the similarities are adequate here is the because both games (visual novels) have a matching noir atmosphere.

Que gran disco y que mejor sonido que el santaolalla.

Thanks for the upload!!

Thanks for the FLAC version. A very beautiful and emotional score.

Thank you very much. =)

Santaolalla makes me feel proud as an argentinian.

Thanks! 🙂

Awesome!, many thanks OP.

Does this contain the multiplayer music as well?

thanks

any chance for volume 2 in flac?

おっさんキュー！

Thanks for sharing!

Thank you.

any chanced of a vinyl rip?

http://www.eurogamer.net/articles/2015-07-21-the-last-of-us-gets-an-extravagent-usd75-vinyl-soundtrack

Thank you!

thanks for this

Thank you!!

Thanks Milo.

Gracias, MiL�!!!… 🙂