.
Mark Isham – The Public Eye (1992) [FLAC]
http://img840.imageshack.us/img840/5886/tracklistxy2.gif
01. The Public Eye (3:25)
02. Nightime Developments (1:10)
03. The Meat Market (1:29)
04. Flying Home (3:04)
05. An Artist Once (1:27)
06. The Bureau At Night (1:55)
07. Pictures In The Dark (3:46)
08. Topsy (2:24)
09. The Great Bernzini (1:19)
10. Many Questions? (3:29)
11. Cafe Society Blues (3:56) – Composed By Shorty Rogers
12. Portrait Of An Artist (2:33)
13. Waiting, Then Calling (3:27)
14. Undecided (4:35)
15. Waiting, Then Hiding (1:57)
16. You Would Have Been Surprised (1:23)
17. The Massacre (1:30)
18. The Kiss (1:23)
19. The Public Eye (End Credits) (5:22)
ANOTHER Dr PEPPER, LET A MESSAGE OR P.M. ME !!!
Password: NONE
http://img175.imageshack.us/img175/5103/linenote.gif
Rar File = 258 MB
Current Bitrate = [ FLAC ]
http://img403.imageshack.us/img403/5103/linenote.gif
.
.
.
.
Mark Isham – The Public Eye (1992) [320]
ANOTHER Dr PEPPER, LET A MESSAGE OR P.M. ME !!!
Password: NONE
http://img175.imageshack.us/img175/5103/linenote.gif
Rar File = 117 MB
Current Bitrate = [ FLAC ]
http://img403.imageshack.us/img403/5103/linenote.gif
ENJOY !!! XOXO !!! :p
http://img651.imageshack.us/img651/1291/strange.gif
And my time is a piece of wax fallin’ on a termite…. ( Beck – Loser )
.
You Want To Download one of my Posts ?? Do It As Soon AS Possible, PLZ (FOR ANY RE-UP, P.M. ME PLZ !!! )
Please, the Flac version, Yanni.
Thank you, my friend.
Filia
🙂
In the 1940s, Leon "Bernzy" Bernstein is a free-lance photographer for the New York City tabloids, dedicated to his vivid and realistic work and his ability to get shots nobody else can get. He is very confident of his skills, declaring at one point, "Nobody does what I do. Nobody."
With a police radio under the dashboard of his car and a makeshift darkroom in his trunk, he quickly races to the scene of horrific crimes and accidents in order to snap exclusive photographs. He’s so good at his job that he becomes known affectionately as the "Great Bernzini."
Bernzy meets the sultry widow Kay Levitz, who owns a nightclub. It seems the mob is muscling in on her due to some arrangement with her late husband. Kay asks if Bernzy could investigate an individual she considers troublesome. Generally unsuccessful with women, Bernzy agrees to help. In fact, he begins falling in love with Kay.
After talking to his contacts, including journalist friend Arthur Nabler, he tracks down Kay’s man, only to find him dead. But when he calls the police, he becomes a suspect. The police and the FBI are also very interested in this case. Bernstein makes a connection with gangster Sal, uncovering a conspiracy involving a mob turf war, gas rationing and the government. His activities get Sal killed and place Bernzy’s life in great danger as he waits in hiding at a restaurant where a mob hit is about to take place.
Soundtrack
The original score for the film was written and recorded by Jerry Goldsmith but he was replaced by Mark Isham at a late stage. As such, Isham had a lot of work to do and in a short time. He found working with director Franklin a wonderful and educational experience.
A motion picture original soundtrack was released. Shorty Rogers also worked on the score and contributed 1 track. The CD contained nineteen tracks in total. The CD was released on October 13, 1992 on the Varese Sarabande label.[10] Mark Isham uses a dark melody played mostly on piano. Isham mixes symphonic, jazz and electronic music; strings and trumpet also play a major role. ~ From Wikipedia, the free encyclopedia
Review by Jason Ankeny ~ Allmusic
With his score for the photojournalism-themed modern film noir The Public Eye, composer Mark Isham crafts one of his most evocative and imaginative efforts to date–a dark, richly appointed tribute to the great scores of Hollywood’s golden age, it nevertheless boasts a distinctly postmodern sheen all its own. Isham draws as much from postwar jazz idioms as he does the cinematic language of Bernard Herrmann and other pioneers–the result is music that’s both gritty and otherworldly, conjuring a milieu just beyond the scope of reality.
Tracks
04 – Flying Home (3:04)
Benny Goodman / Lionel Hampton / Mark Isham / Sydney Robin
08 – Topsy (2:24)
Edgar Battle / Eddie Durham / Mark Isham
11 – Cafe Society Blues (3:56)
Shorty Rogers
14 – Undecided (4:35)
Mark Isham / Shorty Rogers
Recorded at Capitol Studios
Thank you very much, Yanni!
Matt
thank you
Michael
Could you send me the FLAC link of "The Public Eye", please ?
Thank you in advanced 🙂

The Public Eye (1992) Soundtrack Score
Composed by: Mark Isham
MIRROR 320kbps: PublicEye.zip (124,89 MB) – uploaded.net (http://uploaded.net/file/jlbz9u0c)
Tracklist:
01. The Public Eye (3:25)
02. Nightime Developments (1:10)
03. The Meat Market (1:29)
04. Flying Home (3:04)
05. An Artist Once (1:27)
06. The Bureau At Night (1:55)
07. Pictures In The Dark (3:46)
08. Topsy (2:24)
09. The Great Bernzini (1:19)
10. Many Questions? (3:29)
11. Cafe Society Blues (3:56) Composed By Shorty Rogers
12. Portrait Of An Artist (2:33)
13. Waiting, Then Calling (3:27)
14. Undecided (4:35)
15. Waiting, Then Hiding (1:57)
16. You Would Have Been Surprised (1:23)
17. The Massacre (1:30)
18. The Kiss (1:23)
19. The Public Eye (End Credits) (5:22)
many thanks in advance!