https://mega.co.nz/#!kl1RHT4S!FmTXvx4DSej73S2sWk-rfGxIqwFAe0Ntv5Lm4AENu20
As for the score, well, it’s one of Scott’s finest… and I absolutely share your sadness at the almost absolute death of the traditional adventure score.
Couldn’t agree more… These are hard times for craftmanship…
Thanks Javigoca!
BS: Shogun Mayeda (1992) gave you the opportunity to write an epic action adventure set against 17th Century Japan. Besides the rousing orchestrations, typical of the swashbuckling genre, the score does also take advantage of the variety of locations (the film does partly take place in Spain and in Morocco) to introduce a few ethnic elements. The case of Spain a straightforward example. The funny thing is that you somehow decided go along the lines of the musical style used in some of the Hollywood epics of the 30s and 40s. Why did you choose to do so?
JS: The film was stylized and, in a sense, called for the swashbuckling approach of the old swashbuckling films. I find this genre to be very entertaining. Also, so much of this film was "tongue in cheek", it could not be taken seriously. I had a great deal of fun on this film and loved having to deal with the different aspects. As you say, the Japanese ceremonial, the seascapes, the Moorish elements, the romance.
It’s an excerpt of a long interview where he makes a retrospective of his career. The interview comes in two parts:
BSOSpirit — Interview with John Scott Part 1 (http://www.bsospirit.com/entrevistas/johnscott_e.php)
BSOSpirit — Interview with John Scott Part 2 (http://www.bsospirit.com/entrevistas/johnscott2_e.php)
Thanks for posting! 😀