Was trolling through the interwebs and came across this little beauty!!
Perfume: The Story Of A Murderer – Recording Sessions (Tom Tykwer, Reinhold Heil, Johnny Klimek) – 37 tracks/122min… in FLAC for your listening pleasure!! 🙂
I have not had the chance to listen to it yet or been able to verify the source, but for anyone who’s interested please drop me a PM for the link.
Cheers!
😀 😀
UPDATE:
New link below, don’t bother with PM’s for this anymore!
https://mega.co.nz/#!t4JX1RIK!TXyLeHFhZRH_zpD2dOWMloqR63OZf_5R5DJSEJP 2Te4
(no password)
Note that this is apparently NOT a presentation of the sessions, but more likely a composite of the OST and FYC.
Oh YES! My PM is on its way! 🙂
I read the book and watch the movie! and the music is so freaking enchanted,thank you so much for sharing Clemery76
That just got me more stimulated to watch it. Wait I think I’ll just watch it tonight. 🙂
Thanks a lot in advance!!
Here’s the sheets.
Thank you very much.
do you also have problems extracting the track 21 "Grasse in Panic". I can’t extract it and convert it to wav (I use iTunes). Or is this ztack just the same as the one from the OST?
Many thanks for your input.
Thanks
I have the scans from the FYC 27 Track CD if anyone needs them.
I would love a PM with the link btw 😉
Just a reminder to make sure that you are sending me a PM if you want this link. I do not check threads for additional requests.
Anyone that received an old dead link, if you have not since received the new one, please let me know via PM.
Cheers!
P.S. Thanks to everyone for your comments on the movie and score… they are both amongst my favourite releases of the last ten years!
At least it doesn’t look like the recording sessions
It’s one of my favorite movies of all time and I absolutely loved the music of the film.
Many thanks
It’s one of my favorite movies of all time and I absolutely loved the music of the film.
Many thanks
Big thanks to Clemery76!
would be much appreciated if you could send me the link !! thank you in advance !
I cannot speak as to the source of this release, as I found it randomly online, posted as the recording sessions. It is still the most complete release I have seen and has great audio quality, so its still a worthy download!
I would love to have the link in MP please! 😉
This is one of my all-time favorite soundtracks, and I had no idea any RS existed!!! This is Xmas to me! I wonder if the bonus track "Experiment" is included.. In any case, thank you so much!!
Sorry for those who have PM’ed me for links. I have updated the original post with a new link. Please don’t worry about PM’ing me for this anymore.
Cheers!
I cannot speak as to the source of this release, as I found it randomly online, posted as the recording sessions. It is still the most complete release I have seen and has great audio quality, so its still a worthy download!
Nevermind, I appreciate you uploaded this compilation. Many thanks for this great Tykwer score.
Please, somebody get the link?
Thank you so much in advance…
Thank you
Thanks!!!
———- Post added at 10:43 PM ———- Previous post was at 10:43 PM ———-
Would you please pm me a link??
Thanks!!!
Who have the link? 🙁
a Mega link would be appreciated!
O_O
At least 15 cues are still missing…….
I already have all of those there! So meh 🙁
Thanks for the heads up!
Does a Recording Sessions then actually exist?
o_O
———- Post added at 04:10 PM ———- Previous post was at 04:07 PM ———-
ALSO, there is this awesome reference; FULL list of cues, dissected for chronological order (http://chrono-score.blogspot.co.uk/2014/02/perfume-story-of-murderer.html).
O_O
Very vaguely the following cues are missing or are not the film versions
1m2 Jean Baptist’s mother gives birth to JB
1m3 JB’s mother hanged
2m11 Plum Girl’s scent
2m12 Losing Plum Girl’s Scent
2m13 Baldini in his lab ready to create a new perfume
2m14 Baldini trying to understand the composition of ‘Amore and Psyche’
3m16 Grenouille Mixes Amor And Psyche
3m19 JB’s dream
4m22 Dying JB dreams of plum girl’s scent
4m23 JB leaves 100 formulas to Baldini just before Baldini’s last night
4m25 Spot on Earth where scent was absent
4m26 JB forgets his plans and obsessions, he wakes up in the cave
5m29 Lavander Fields
5m31 The Tank
5m34A The Maze A
5m35 The Twins Are Missing
5m36 Extracting the scent of the twins
6m38 The Bonfire
6m39 Dark Alley
6m40 Richi’s Nightmare
7m48 Terrible Hangover – Return to Paris
7m49 Jean Baptist drops all the perfume to himself
8m50 Last Drop
Very vaguely the following cues are missing or are not the film versions
Thanks for that! 🙂
O_O
Thanks for that! 🙂
O_O
I don’t know what you mean by exact. What I wanted to mention is that the list is not complete. It is made with whatever material exists till now. Does not contain the full score in chronological order. Contains the chronological order of whatever material exists from FYC, CD and Digital release
Question – that list you have provided; there is no source for it? How did you create / find that list?
It’s alluring because it has times stated too – but I can’t find any info about it…
On second thought, I’m not sure how the stated times work? (I notice they’re all ascending). What do they correlate to?
& again; no source for all of those? (but are heard in the film…? > so it should be possible to isolate & extract from that…)
O_O
On second thought, I’m not sure how the stated times work? (I notice they’re all ascending). What do they correlate to?
& again; no source for all of those? (but are heard in the film…? > so it should be possible to isolate & extract from that…)
O_O
So… those aren’t ‘times’. The ‘RmC’ formula is technique of numbering cues in film scoring that kinda just stuck from when films used to be shot on film and then printed and delivered to composers and editing studios on reels. FYI
R: Reel number
m: music
C: Cue number
Generally 35mm (sound film) reels would last about 10 minutes each. Theoretically, nowadays this precise numbering system is unnecessary because reels were rendered obsolete by digital technology and now a movie doesn’t have to be broken down into different reels. In practice it lives on because it’s convenient, well-known, intuitive and adaptable. How a movie is broken down for post-production purposes nowadays is largely arbitrary so R doesn’t have a universal fix, known value like it used to (ie. Reel #1) but it changes with every project (Reel #1 could be the first 10, 15, 20, even 30 minutes of a film). In scoring the C-value is typically reset with every new "faux-reel" because it makes it easier to identify what cues are wanted/needed at any given time, although as you can see this isn’t always the case. The occasional "a" or "b" tagged onto the end of a cue number indicates that the cue was written/recorded at a later point. Adding supplemental markers is simply easier than renumbering everything especially when it happens often (usually because the director will listen to the music, look at the scene he would have wanted to play without any music, realize they fucked up in wanting so little music to begin with and then he will want more music to add to a specific scene). When you’re dealing with hundreds of cues, organization is a necessity and you want to keep the sequence unchanged.
So while you may like to think of them as times (especially if you’re spotting), they’re nothing more than points of references. The titles say more about where a cue belongs than its number (unless of course, you have clever assholes on your team and something like "Extracting the scent of the twins" – fyi, this sounds legit as in it makes sense to give it that title but at the same time it also really doesn’t – becomes "Gimme More [ft. the Twins]").
So… that’s about it. Pretty simple but I figured you should know because not knowing that is near unforgivable in this day and age on this forum 🙂
*He hurries off, limping into the shadows.
Stumbling between shipping containers. Bleeding. The Batpod is revealed.
He streaks away as the barking becomes louder and wild.
He rides through Gotham’s underground streets, the cape his only shadow, into a blinding light.
CUT TO BLACK.
CREDITS.
END.*
Lesson learnt! Thank you.
So… I take it these are not available / never released (even in bootleg?).
If so; I may eventually end up ripping them from the DTS-HD stream on my Blu-ray…
(I guess if I ever do, I’ll announce it & end up sharing)
O_O
Lesson learnt! Thank you.
So… I take it these are not available / never released (even in bootleg?).
If so; I may eventually end up ripping them from the DTS-HD stream on my Blu-ray…
(I guess if I ever do, I’ll announce it & end up sharing)
O_O
If I may suggest something: instead of chasing a compilation of songs, whose source you wouldn’t be able to verify, just for the sake of completism… why don’t you check the work SonicAdventure did on it: Thread 179273. It’s as complete as anything else on here and better sounding than anything out there *points to the world outside*. You will notice the difference between that or any other score he touches and the respective originals. His releases are the most beautiful thing to have happened to this forum, ever.
Boy do I feel stooopid. How did I miss that!? In my defence, I searched the interwebs intensely for Perfume audio, got pretty tired, finally crash-landed on this thread back here at our good old FFShrine, & just needed this. I didn’t search hard enough here o_O. Yeah, there’s really no defence for my failure to search here… /shameful
An ULTRA big thank you emptymetaljacket, russelsheim & Clemery76 (& SonicAdventure too!).
O_O
Note that this is apparently not the sessions, but rather a combination of the OST and FYC. I still recommend going for SonicAdventure’s Deluxe Edition, which is a much better presentation of this score.
Regards!!! 🙂