Composed by Daft Punk
61 Tracks, 138 Minutes.
320kbps MP3
TRON 1m1a Legacy Open
TRON 1M1b Bedtime Story
TRON 1M1CS Creation of Tron
TRON 1M2 News Report
TRON 1M3 Motochase
TRON 1M4A Encom Tower pt 1
TRON 1M4b Encom Tower pt 2
TRON 2M10 Sirens
TRON 2M11 Disc Game Intro
TRON 2M12 First Round
TRON 2M13 Sam FIghts
TRON 2M14 Rinzler vs Sam
TRON 2M5 Sam Visits Arcade
TRON 2M6AS Tron Scherzo
TRON 2M6BS Tron Scherzo (unused)
TRON 2M6S Separate Ways
TRON 2M7S Sweet Dreams (Are Made of This)
TRON 2M8 Recognizer Capture
TRON 2M9 Sam Descends to Grid
TRON 3M15 Throne Room
TRON 3M16 Lightbikes Intro
TRON 3M17 Clu Crowd Intro
TRON 3M18 Lightbikes Battle
TRON 3M19 Quorra Saves Sam
TRON 3M20 Safehouse Reunion
TRON 3M20A Clu Waits
TRON 4M21 Flynn’s Flashback
TRON 4M22 Sam Plans Escape
TRON 5M23 Quorra Decides
TRON 5M24 Sam Seeks Zuse
TRON 5M25S End of Line
TRON 5M26S Final Scheme Alt
TRON 5M26S Final Scheme Intro
TRON 5M27 Clu Breaks In
TRON 5M29S Party Crashers
TRON 5M30 Flynn Drops In
TRON 5M31 Solar Sailer Intro
TRON 5M32A Solar Sailer
TRON 5M32B Solar Sailer Alt
TRON 5M32C Clu Arrives (unused)
TRON 5M32D Clu Arrives Alt
TRON 6M33A Flynn’s Promise
TRON 6M33B Tron Tracks Flynn
TRON 6M33C Clu Sees Zuse
TRON 6M34 Sunrise Prelude
TRON 6M35 Rectifier Arrival
TRON 6M36 Quorra Caught
TRON 6M37 Clu Prepares
TRON 6M38 Quorra Meets Clu
TRON 6M39 Clu Speech
TRON 6M40 Recovering the Disc
TRON 7M41 Lightjets
TRON 7M42 Clu_Tron Fall
TRON 7M43 Portal Arrival
TRON 7M44 Portal Climax
TRON 7m45 Flynn Lives
TRON 7M45ALT2 Flynn Lives (unused)
TRON 7M46 First Sunrise
TRON 10M48 Long End Credits
TRON 10M48 Short End Credits
TRON 10M51 Legacy Theme
Enjoy.
Part 1:
DP-TLpt1.rar (http://www50.zippyshare.com/v/21749906/file.html)
Part 2:
DP-TLpt2.rar (http://www50.zippyshare.com/v/45235696/file.html)
END OF LINE
thank you so much! 🙂
Maybe that’s the reason it’s on here now 😉
Thanks! 😀
thank you so much! 🙂
Or as Kevin Flynn or Sam Flynn would have said…
"Now That Is a Big Door."
http://mimg.ugo.com/201012/8/2/4/134428/cuts/big-door_528_poster.bmp
appreciate the thanks, but maybe im not the one you should be thanking.
Well if you had anything to do with this, than I thank you as well!
The chosen one has returned!!!!!
Oh yeah, thanks for Tron. He returns!!!!!
Don’t know yet, listening to this now for the first time as I type, but that goes without saying, of course you should get this set to replace mine. And THANK YOU scorepranos, you just made my Christmas! I knew there was a reason I had to check the shrine before hitting the sack tonight. Only problem is now I have to put off bedtime for a couple more hours, but that’s a great problem to have.
To anyone involved in the uploading and sharing of this score…I am speechless. I am without speech.
If you ever need a liver, it’s yours.
To anyone involved in the uploading and sharing of this score…I am speechless. I am without speech.
If you ever need a liver, it’s yours.
i’ll call you in 40 years 😉
that’s my new alarm. :doc:
On a side note – Scorepranos, please don’t let the haters get you down. You are a HUGE reason why so many of us have been able to listen to music that we may have NEVER heard before. And for that reason alone, you are a valuable and respected member of our community. Merry Christmas!
http://www.mediafire.com/conv/12f9c580aa7d82ead3d3cca20522c0b5d82b4c9377ae0448e6 7a5f261ba7ef074g.jpg (http://www.mediafire.com/view/?4wz41nibnibbq9g)
http://www.mediafire.com/conv/a6277ac03b42057ffb2885ec0bf54b2299a53e95ccd3dda7a4 46ddc0afb06e1f4g.jpg (http://www.mediafire.com/view/?5zuylv1qr25yuac)
http://www.mediafire.com/conv/298dd3f2fae98393df7b64e37df7e170c3eadd2b7638af7a85 33aa4865f916ae4g.jpg (http://www.mediafire.com/view/?av7fml04u1m7aml)
from who? and why havent they come after everyone who shared anything they own, official or non-official?
THEY, that’s who. I said I’ve heard. Not been told
Merry Christmas, shriners.
DP-TLpt1.rar (http://www50.zippyshare.com/v/21749906/file.html)
DP-TLpt2.rar (http://www50.zippyshare.com/v/45235696/file.html)
More than a few differences between the sessions and the film mix, I’m noticing. Maybe it’s time I got around to finishing my version 2.0…
DP-TLpt1.rar (http://www50.zippyshare.com/v/21749906/file.html)
DP-TLpt2.rar (http://www50.zippyshare.com/v/45235696/file.html)
More than a few differences between the sessions and the film mix, I’m noticing. Maybe it’s time I got around to finishing my version 2.0…
Thank you!
I love you internet.
Should be a mirror up soon-ish I would think. Hang tight, I am sure someone will get to it.
Metrotokyo posted a re-up on the previous page. I just used them, so they should still be up.
Merry Christmas, shriners.
DP-TLpt1.rar (http://www50.zippyshare.com/v/21749906/file.html)
DP-TLpt2.rar (http://www50.zippyshare.com/v/45235696/file.html)
More than a few differences between the sessions and the film mix, I’m noticing. Maybe it’s time I got around to finishing my version 2.0…
Thanks Stygian, Amanda and Metrotokyo!!
And to Mr.Scorepranos thanks for the great shares specially my favorites:
The Avengers (Sessions) Alan Silvestri
Captain America First Avenger (Sessions/192) Alan Silvestri
Thor (Sessions) Patrick Doyle
Transformers (Sessions) Steve Jablonsky
Pirates of Caribbean (Sessions) Klaus Badelt
Much appreciated!!
http://24.media.tumblr.com/tumblr_ldnnaguugg1qex40do1_500.gif
DP-TLpt1.rar (http://www50.zippyshare.com/v/21749906/file.html)
DP-TLpt2.rar (http://www50.zippyshare.com/v/45235696/file.html)
More than a few differences between the sessions and the film mix, I’m noticing. Maybe it’s time I got around to finishing my version 2.0…
thanks metrotokyo for re-uploading
Are these guys Scorepranos reincarnations?! Lol
Are these guys Scorepranos reincarnations?! Lol
something like that.
ikr?
..
Thanks a lot
I’ve seen some morons (new users) posting saying they were with Disney and THEI WIL GETZ THIS PLAEC SHUTZ DOWN CONSEQUENCEZ WIL NEVA BE DA SAEM! Needless to say if they really were affiliated with Disney, they wouldn’t post here, you’d just see "forums.ffshrine.org has been taken down due to copyright claims" etc etc. Disney probably don’t even care that much, unless they plan on making money from the complete scores (which it’s obvious they are not). I want to see more Disney too (heck, if it can be stretched to, The Lion King, and I understand that Disney own the master rights to another of my holy grails, Digimon The Movie).
———- Post added at 05:16 PM ———- Previous post was at 04:41 PM ———-
I wonder if this will ever leak with FLAC encoding…
:rofldata::roflworf::roflspock::roflbalok::doc:::l oldata::roflheston::rdj::tyson::changspew::rolfdat a::neg::rockwell:
:jokerlove:
:awsm:
Thanks!
You’re implying everyone knew about all of this unreleased music. Tell me, what’s unreleased? Everything on the OST (except the Overture) and sessions are included in the film. Did I miss an article or something that states it’s a fact there’s a ton of unused music somewhere?
Q: I�ve heard this from one or two people. Something that everyone is raving about is the pairing of your movie with Daft Punk, people are just going bananas for it. Of the songs that you used in the film, are there a lot of unreleased tracks that were made for this film that will maybe be eventually released?
Kosinski: Yeah. We had to lock the album like two months before I finished the movie. So, when I was mixing up at Skywalker, the song that I put in the Solar Sailor sequence isn�t even on the album. And then one of the songs we do in the End of Line club we hadn�t even written yet. So there�s a song in the End of Line club, the one where Zeus says �Change this game all to the mood, electrify the boys and girls� the song that kicks in there and goes all the way up to the black guard fight, that song�s not on the album, that�s in the movie only. It�s a really cool song, it�s a really industrial rock kind of pounding. And then the Solar Sailor song, which is one of my favorites, I don�t think is on the album either. It�s actually a version of the first demo they ever gave me in 2007. It�s this very kind of arpeggiated thing that�s all in the surrounds, and it�s for that whole Quorra operation sequence, and then the song that was there I put in the end credits. And that�s the one that made it on the album.
Q: You mentioned to me that they gave you like 26 demos back in the day. I have the soundtrack, I don�t think there�s 26 tracks�
Kosinski: No, no I�ve got a bunch of demos that we just never fit in the movie, there�s a lot of great stuff.
Q: So you basically don�t know what may or may not happen with the unreleased songs?
Kosinski: No I imagine those two songs that we finished for the film will eventually come out as some sort of bonus track or special edition. But that wasn�t a calculated thing, literally when the album had to be printed those songs weren�t in the movie yet, so that�s why those exist. But in terms of all the demos, yeah I don�t know what�ll happen to those. Only I have �em and Daft has them. I don�t know if they�d ever want them released. I�m sure that maybe one day, in the Daft Punk b-sides collection.
The complete interview, should you wish to read it, is located here (http://collider.com/joseph-kosinski-interview-tron-legacy-tron-3-reshoots-easter-eggs/66520/).
:doc::doc::doc:
What, was he [Kosinski] given the demos back in ’82?? :laugh:
‘back in the day’ :changspew:
———- Post added at 10:29 PM ———- Previous post was at 09:48 PM ———-
Oh God, this is just incredible. So much stuff in here; it’s just absolutely amazing to finally hear "Quorra’s Decision", "Rectifier Arrival", "News Report", "Lightbikes Intro" and others in their entirety. Love hearing the Tron Arcade cues in there too! XD
Q: I’ve heard this from one or two people. Something that everyone is raving about is the pairing of your movie with Daft Punk, people are just going bananas for it. Of the songs that you used in the film, are there a lot of unreleased tracks that were made for this film that will maybe be eventually released?
Kosinski: Yeah. We had to lock the album like two months before I finished the movie. So, when I was mixing up at Skywalker, the song that I put in the Solar Sailor sequence isn’t even on the album. And then one of the songs we do in the End of Line club we hadn’t even written yet. So there’s a song in the End of Line club, the one where Zeus says “Change this game all to the mood, electrify the boys and girls” the song that kicks in there and goes all the way up to the black guard fight, that song’s not on the album, that’s in the movie only. It’s a really cool song, it’s a really industrial rock kind of pounding. And then the Solar Sailor song, which is one of my favorites, I don’t think is on the album either. It’s actually a version of the first demo they ever gave me in 2007. It’s this very kind of arpeggiated thing that’s all in the surrounds, and it’s for that whole Quorra operation sequence, and then the song that was there I put in the end credits. And that’s the one that made it on the album.
Q: You mentioned to me that they gave you like 26 demos back in the day. I have the soundtrack, I don’t think there’s 26 tracks…
Kosinski: No, no I’ve got a bunch of demos that we just never fit in the movie, there’s a lot of great stuff.
Q: So you basically don’t know what may or may not happen with the unreleased songs?
Kosinski: No I imagine those two songs that we finished for the film will eventually come out as some sort of bonus track or special edition. But that wasn’t a calculated thing, literally when the album had to be printed those songs weren’t in the movie yet, so that’s why those exist. But in terms of all the demos, yeah I don’t know what’ll happen to those. Only I have ‘em and Daft has them. I don’t know if they’d ever want them released. I’m sure that maybe one day, in the Daft Punk b-sides collection.
The complete interview, should you wish to read it, is located here (http://collider.com/joseph-kosinski-interview-tron-legacy-tron-3-reshoots-easter-eggs/66520/).
This article is not exactly accurate. Clearly, anyone who’s seen the film enough times and knows the score well knows it’s inaccurate.
1.) The piece used in the Solar Sailer sequence is "Solar Sailer", which is track 15 on the OST
2.) All the songs heard in the End of Line club are: "End of Line" (track 12 on OST), "Castor" (track 4 on disc 2 Special Edition OST), "Derezzed" (track 13 on OST) and "Fall" (track 14 on OST).
im in full agreement. if they wanted to pursue lawsuits against anyone here, they would go after anyone and everyone who shared anything that Disney owns–both officially- and unofficially-released media. wouldn’t matter. (that being said, isn’t it curious that he ONLY seems to post about the rare scores and nothing else? i smell something.)
also, this site would likely be taken down as well, as you [ggctuk2005] mentioned, due to copyright claims and we’d probably see a banner on the ffshrine homepage that would look similar to the one on megaupload.
thirdly, if these users were in fact affiliated in disney, they wouldnt be taking the time to register a username and hunt down all disney threads and post threats on them. at most, they would be getting IP addresses and maybe possibly sending a few letters of warning. a fair amount of disney shit has been shared on this forum already, and so far no legitimate interventions from walt disney pictures.
and finally, the douche who has been posting threats (e.g. polar express sessions troll thread) is probably just another collector who is not even REMOTELY affiliated with disney who has rare disney scores and is pissed off that the POTC and TRON sessions have been leaked which means that now he’s running out of high-quality shit to trade with. so now he’s parading around the forum and publicly threatening users here like a little bitch to scare them out of wanting to share the scores to keep the value high.
only problem is, i think he fails to realize that the people with the rare shit aren’t as stupid as he hopes they are.
———- Post added at 11:38 PM ———- Previous post was at 11:37 PM ———-
I’ve….missed something, haven’t I? Who is threatening what?
Nothing. Just that Mr. Charles posted here and in PotC last night that Disney would take action about all of this. He "heard that’s what would happen", or something
Disney is invading our home.
It’s time we start the Avenger Initiative.
1.) The piece used in the Solar Sailer sequence is "Solar Sailer", which is track 15 on the OST
2.) All the songs heard in the End of Line club are: "End of Line" (track 12 on OST), "Castor" (track 4 on disc 2 Special Edition OST), "Derezzed" (track 13 on OST) and "Fall" (track 14 on OST).
Minor correction here, DAK, the article is partially accurate. The piece used in the Solar Sailer sequence is Sea of Simulation, which was only released as an Amazon Exclusive mp3 and as part of the Collectors Digital EP mp3 set. Solar Sailer, track 15 on the OST, was only used in the end credits.
taking the one idiot who posted that weak-ass threat against scorepranos and some other dude on the polar express sessions troll thread, just as one example.
Right. I am wrong there. I didn’t say the whole thing was inaccurate, just that it’s not ENTIRELY accurate. It sounds like the interview took place before the film was finished, or maybe before the OST had the finishing touch
wait…it’s been posted? or did you mean that hypothetically
I think if Titanic were here people would literally be shitting their pants and balling their eyes out
5m29 is the OST equivalent of "Derezzed". Watch that scene in the film and you’ll know why it abruptly ends
Minor correction, Metro, and everyone reading this really. Dakota has said several times he dislikes being called Dak, as it is a slur of some sort where he is from, and if you need to use a nick to please call him DK…also, auto correct is insisting it is sailor, not sailer……
TRON 3 (TRON: LEGACY Sequel) News from Director Joseph Kosinski | Collider (http://collider.com/tron-3-tron-legacy-sequel-news-joseph-kosinski/217942/)
As for my implication…I could be incorrect. I just assumed that there was unreleased music somewhere (it’s possible I misread a post or something here a while back, I dunno). My apologies if I am wrong.
My sincere apologies for my ignorance, DAKoftheOTA, I’m sure you know no offense was intended. It won’t happen again. As for the auto correct, it can insist all it wants, but the track is still spelled sailEr.
Eh..it doesn’t bother me anymore. People have been calling me DAK for a while now, and I guess I’ve just grown accustomed to it. Besides, Dakota isn’t my real name anyway, so why should it bother me? Thanks though, appreciate it
———- Post added at 12:16 PM ———- Previous post was at 12:16 PM ———-
My sincere apologies for my ignorance, DAKoftheOTA, I’m sure you know no offense was intended. It won’t happen again. As for the auto correct, it can insist all it wants, but the track is still spelled sailEr.
Don’t worry about it, it doesn’t bother me anymore
End of line.
watch the film.
To quote myself from earlier:
5m29 is the OST equivalent of "Derezzed". Watch that scene in the film and you’ll know why it abruptly ends
https://www.youtube.com/watch?v=yY5ecnUA5dc&feature=youtube_gdata_player.
2:01 mark
I have a quick question…don’t have access to the movie atm. But I know the end credits in the film start with the Legacy Theme. My question is, after that which part of which cues is used? I.E., Long & Short Credits and the specific order they are chopped up in. Unbelievable I cannot find the actual end credits from the film on Youtube…otherwise I would just go off of that.
Thanks again!
(http://imageshack.us/photo/my-images/820/tronlegacyrsfront.jpg/)
(http://imageshack.us/photo/my-images/802/tronlegacyrsfront.jpg/)
Might wanna touch-up the back cover. It’s "Eurythmics", not "The Eurythmics"
1.) Outlands (OST)
3m19 Quorra Saves Sam (Sessions)
2.) Fall (OST)
5m30 Flynn Drops In (Sessions)
3.) Sunrise Prelude (Bonus Track, same on Sessions)
4.) Rectifier (OST)
6m39 C.L.U. Speech (Sessions)
5.) C.L.U. (OST)
7m41 Lightjets (Sessions)
6.) Flynn Lives (OST)
7m44 Portal Climax
7.) Solar Sailor (OST)
7m48a End Credits, pt. II (Sessions)
I posted on HZ.com as well, but made a slight mistake with 7m44
(http://imageshack.us/photo/my-images/29/tronlegacyrsfront.jpg/)
There ya go
now we just need saw 1-7. then I can die peacefully.
Thank you for this! So much Disney!
Help, please, because I’m REALLY wanting to get my hands on this! Unimaginable amount of kudos to those involved in bringing it to us!
EDIT: Oh, wait, ignore me – turns out the page was RIDICULOUSLY SLOW in loading up!
Probably because the film version was created during post production smart guy
Than it isn’t really the complete recording sessions. Even if it was changed in post the film version would be part of the recording sessions.
Mmm….gonna have to disagree with you there. Even Scorepranos would agree, I’m sure. Maybe he can chime in. The recording sessions is simply that – a session where the orchestra sits down and plays all their instruments and it is all recorded. Then the music is taken and edited to flow with the film. Example: the film version of "Optimus" from Transformers has the flute removed, yet on the sessions it’s present.
Also, this would be like saying the Pirates sessions aren’t the real sessions. So…yeah…
Also, this would be like saying the Pirates sessions aren’t the real sessions. So…yeah…
I’m gonna second this.
I am grateful for this tho, it’s really good.
Best part of the score still missing.
Rob
Best part of the score still missing.
Then I suggest you talk to the editor of the film.
Best part of the score still missing.
Track 42. You’re talking about the harp, right? Ya, well it’s there. This is the complete score. You’re not going to find any other complete version. None of that "ultimate complete score edition" bullshit.
I wouldn’t even tag this or those other leaks of the past few days as recording sessions tho… :bud:
I am grateful for this tho, it’s really good.
YOU wouldn’t, but most of the rest of the forum would. It may not be the sessions, but this is the legitimate complete score
I can only thank everyone a massive amount of times who’ve taken the time to share this music. Without them, my iPod would be blander with crappy album edits the album producers force you to listen to lol
I don’t know a whole lot about the scoring process, but as someone mentioned earlier, the recording sessions are just that – an orchestra sits down and they play through everything that was written for the film. If that’s the case, why are the songs by Journey and Eurythmics included? And given that coding before their track titles?
Please know I am not intimating I doubt the authenticity of this upload – I honestly just don’t know how pre-recorded material fits into the sessions as a whole and I’d like to know how that’s factored in.
Thanks.
I don’t know a whole lot about the scoring process, but as someone mentioned earlier, the recording sessions are just that – an orchestra sits down and they play through everything that was written for the film. If that’s the case, why are the songs by Journey and Eurythmics included? And given that coding before their track titles?
Please know I am not intimating I doubt the authenticity of this upload – I honestly just don’t know how pre-recorded material fits into the sessions as a whole and I’d like to know how that’s factored in.
Thanks.
Because it’s the complete soundtrack. Cues 2m06, 2m07, 5m25, 5m28 and 5m29 are all considered source cues, meaning they’re actually songs heard in the film. 2m06 & 07 are heard when Sam is in the arcade, and the Journey song is an homage to the first film, as Journey contributed a song specifically for the movie. It’s interesting to me how cues 5m25-29 are considered source music, as those tracks are Daft Punk, and they even appear on the OST. However, I believe they’re labeled as source cues because they’re heard in the End of Line Club, so maybe that’s considered "music" inside The Grid.
(2012)
T H X.
There aren’t many alternates, but can anyone share the knowledge of which ones are the most accurate versions? From reading I’ve gathered the film edits aren’t present, which is fine, but sometimes the ones labeled alternate were in fact chosen for the finished film. Is that the case with any of these? I know there is some confusion with Solar Sailer for example. If I’m reading correctly, the one marked alternate is the real version and the other one was used in the credits? I don’t have it on Blu-ray yet or I would just watch it and see. Thanks in advance.
Download DPTLRSedited.rar – BitShare.com – Free File Hosting and Cloud Storage (http://bitshare.com/files/oxb6ayqe/DPTLRSedited.rar.html)
works just fine for me.
He means the newer version someone uploaded a few posts ago. Removed some of the dead air and what not. I was about to do that myself.
ah, my bad.
I can’t even tell what it is aside from the identity disc in the center
Who cares? Its still looks great!
thank. Nice cover.
(http://thescoredesigns.wordpress.com/2013/01/07/tron-legacy-rs-cs-daft-punk/)
================================================== ================================================== ===============
i hope it’s not an overkill but i think it wouldn’t hurt to add another cover to your collections. here’s the covers i made… "For Your Consideration(to those interested)" here (http://thescoredesigns.wordpress.com/).
(http://thescoredesigns.wordpress.com/2013/01/07/tron-legacy-rs-cs-daft-punk/)
Best covers ever!
thanks for the compliments! 😀
While I’m excited for the prospect of a Tron 3 in general, I’m not holding my breath on it coming to fruition until they actually start casting the thing.
It makes me wanna cry. This is by far one of the best posts yet. Thank you so much!
Speaking of musician duos who have scored films: Does anyone have an FLAC rip of The Chemical Brothers’ Hanna score?
I couldn’t help but notice that two tracks are missing:
2M8A – Recognizer Capture (film version- the one included is 2M8B Alt.)
and 5M28 (Film edit version of "Castor").
2M8A – Recognizer Capture (film version- the one included is 2M8B Alt.)
The film version is included in Metrotokyo’s Blu-ray rip. The intro of the track, or the film mix of it must have been done after that cue was recorded.
and 5M28 (Film edit version of "Castor").
That too should be included on Metrotokyo’s edit. Either that, or it was one of the bonus tracks released after the OST came out. It’s one of the versions of "Castor"
I don’t believe ANY of the tracks included in this set are the film versions. I know for sure 2m08 isn’t, 5m30, 6m40 and 7m41. Those are off the top of my head
Awesome post!!!
End of Line
Thanks to OP and metrotokyo for all the work on this.
Thanks to OP and metrotokyo for all the work on this.
Because these are the raw sessions. Metrotokyo’s rip is the "film mix". That is why. This can be said for nearly every film score vs the sessions
Whoops, what I meant to ask was: What are the big differences in the sessions vs the metrotokyo mix? I scanned through them and didn’t hear much difference so far.
7M44 – Portal Climax (Full Score).pdf (http://www.mediafire.com/view/?bgtfox0ei8j17g9)
Well, Metrotokyo’s mix is very close to being the film mix. The sessions are more close to the OST. Such tracks as "2m08 Recognizer Capture", "6m40 Recovering the Disc" and "7m41 Lightjets" appear on the OST exactly as they do on the sessions. There are more similarities, those are just examples off the top of my head
7M44 – Portal Climax (Full Score).pdf (http://www.mediafire.com/view/?bgtfox0ei8j17g9)
Is this the real sheets? or just a transcription? I ask because I noticed on the sheets it said Flynn Lives rather than Portal Climax.
Probably because "Flynn Lives" is the OST version of "7m44 Portal Climax"
Yes I know that. But you would think that the sheet music would have the same titles as in the sessions.
I don’t know sheet music. Can it be fake? Or maybe it really is for "7m45 Flynn Lives"?
I can read sheet music and it is for Portal Climax.
Ok now you lost me. A minute ago you said it reads "Flynn Lives"
And if it’s from mgm, it’s real
And if it’s from mgm, it’s real
It is for Portal Climax. All im saying is that I find it weird that the sheets have the OST title on them.
———- Post added at 05:12 PM ———- Previous post was at 04:23 PM ———-
i edited the content of the original upload and removed those (in total 12) mins of silence from before and after the tracks. its a bit of a smoother listening experience. conservative editing (no additional fade-ins and -outs although some of the original fades are excessively long). quality is the same. track order is slightly different.
Download DPTLRSedited.rar – BitShare.com – Free File Hosting and Cloud Storage (http://bitshare.com/files/oxb6ayqe/DPTLRSedited.rar.html)
Can you reupload it? Please.
Thanks in advance
Just a question: is anyone else excited for new material from Daft Punk in Tron 3?Didn’t know about this. Day has been made.
just stumbled upon this thread and downloaded both this and Metrotokyo’s versions. Apologies if this has already been asked and answered but
a) How much is duplicated over the different discs
b) What were the sources &
C) are these soundtracks seperate creations using the same sources along the lines of the stuff I produced on the Blade Runner EMS Recombination sets?
d) Is there a combined set of these soundtracks into one huge set?
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