Bernard Herrmann & Alfred Newman (Moscow Symphony Orchestra) – The Egyptian [320]
http://img840.imageshack.us/img840/5886/tracklistxy2.gif
01. Prelude (1:40)
02. The Ruins (0:54)
03. The Red Sea & Childhood (3:02)
04. The Nile & Temple (1:24)
05. Her Name Was Merit (1:19) *
06. The Chariot Ride (1:22)
07. Pursuit (0:35)
08. Akhnaton � One Deity (1:18) *
09. Taia (1:13)
10. Party�s End (1:58)
11. Nefer-Nefer-Nefer (7:02)
12. The Rebuke (3:16)
13. The Deed (2:20)
14. The Harp & Couch (1:29)
15. The Perfection of Love (1:21)
16. Violence (2:13)
17. Valley of the Kings (7:49) *
18. The Homecoming (1:13)
19. Hymn to Aton (4:51) *
20. Sights, Sounds & Smells (0:47) *
21. Live for Our Son (1:41) *
22. Am I Mad? (3:30) *
23. The True Pharoah (1:28)
24. The Tomb (2:44)
25. The Holy War (0:36)
26. Dance Macabre (1:35)
27. Death of Merit (4:10) *
28. Death of Akhnaton (5:23) *
29. The New Pharaoh (1:04) *
30. Exile & Death (1:47) *
* Alfred Newman.
http://depositfiles.com/files/5u7sy51zm
Password: No Pass
http://img175.imageshack.us/img175/5103/linenote.gif
Rar File = 130 MB
Current Bitrate = [ 320 ]
http://img403.imageshack.us/img403/5103/linenote.gif
ENJOY !!! XOXO !!! :p
http://img651.imageshack.us/img651/1291/strange.gif
And my time is a piece of wax fallin’ on a termite…. ( Beck – Loser )
I hope you comeback soon!
Though sonically better, this rerecording as opposed to the OLD re-recording is very lackluster. Again, Marco Polo recordings tend to be paint-by-the numbers and result in these lifeless, disinterested musical results. Even the choir seems to be reading magazines while singing in a bored fashion.
Thank You, Mr. Yannis, Sir! 🙂
Though sonically better, this rerecording as opposed to the OLD re-recording is very lackluster. Again, Marco Polo recordings tend to be paint-by-the numbers and result in these lifeless, disinterested musical results. Even the choir seems to be reading magazines while singing in a bored fashion.
I have to agree here. I never understood what drew Stromberg & Co to Moscow, except budgetary considerations. The pretext that they gave them the "classic Hollywood sound" not found elsewhere is betrayed by the actual, mediocre results. They did get better later (the Tribute recordings, presumably with more rehearsal time than what Naxos’s parsimonius Klaus Heymann would pay for), but still.
First, it did not contain all the music from the film, so why even bother? They filled out the disc with two other Young scores (incomplete) and one was of no merit.
Second, even Gramaphone Magazine stated the music had a tentative quality that let one wanting.
Third, when confronted with the fact that the solo piano lacked volume and enthusiasm (I mean for cryin’ out loud, the opening passages are much akin to a piano concerto!), Stromberg said the Russian pianist was very nervous and struggled with the work. Well… get another pianist!!!!
As far as The Egyptian is concerned, the 1954 may have the sound quality of being recorded in the men’s room at a bus station, but the orchestra and chorus perform like they MEAN IT and FEEL it. This new recording has better sound quality but remains a dead otter in the moonlight.
i’m sorry I made a request in the wrong section, my mistake.