
Composer: Harry Gregson-Williams
Release date: 07/31/2012
Label: Madison Gate Records
Download: iTunes
Format: Download
Tracks
1. The Dream (3:35)
2. The Fall (2:11)
3. Colony (1:56)
4. The Tripping Den (2:50)
5. Rekall (2:51)
6. Rooftop Chase (2:23)
7. Hand Call (2:50)
8. The Vault (4:50)
9. Customs (1:40)
10. Car Chase Pt. 1 (2:44)
11. Car Chase Pt. 2 (1:34)
12. The Key (1:24)
13. The Scar On Your Hand (4:15)
14. Elevator Chase (5:21)
15. Train To Matthias (4:03)
16. Saving Melina (2:35)
17. Gravity Reversing (2:19)
18. Up Top Fight (2:52)
19. The Fall Collapses (1:35)
20. It�s Hard To Believe, Isn�t It? (2:34)
Total duration: 56 minutes
just listened to this and very impressed
https://www.rapidshare.com/files/537319376/R3call 2012.rar
You have to copy/paste the whole link in your address bar, including " 2012.rar" WITH the space before "2012".
You just answered your own question my friend.
Just to add that when someone does that, convert a 256 M4A file to a somewhat more user friendly MP3, you do lose some quality, although I do understand some people are fanatical about bit rates, I have talked till I have lost my voice on the whole VBR-0 to 320kbps comparison.
thanks
well that most certainly has confirmed it haha
thanks for the share though ironhide, you still had too purchase for many people!
In general, the iTunes Plus AAC 256K than the CBR 320 sound better, is not it?
And even if you choose convert to MP3 in the highest bitrate possible, that doesn’t change the fact that it’s still a fake MP3, because when you compress a lossy format to another lossy format there is audio data that will be permanently lost in the process, which means the audio quality will be worse in the new created file.
So when you download an AAC file from itunes that must be the final stage and that’s what you should upload, as it is not possible to upgrade when the original source is lossy.
The only occasion that a convertion between files is not harmful, is when the source is the original CD or when they are original lossless files (considering they are really lossless of course).
So, in short, convert from:
lossless –to–> lossless files (is right)
lossless –to–> lossy files (is right)
lossy –to–> lossless files (is wrong)
lossy –to–> lossy files (is wrong)
Only one thing slightly bugs me: HWG uses his samples too often and sometimes too obvious. Like "The Dream".
Still not convinced this film needed to be made, but not a bad score….
Thank you.
Ironhide, by no means you should convert a lossy file to another lossy file. That is considered transcoding.
And even if you choose convert to MP3 in the highest bitrate possible, that doesn’t change the fact that it’s still a fake MP3, because when you compress a lossy format to another lossy format there is audio data that will be permanently lost in the process, which means the audio quality will be worse in the new created file.
So when you download an AAC file from itunes that must be the final stage and that’s what you should upload, as it is not possible to upgrade when the original source is lossy.
The only occasion that a convertion between files is not harmful, is when the source is the original CD or when they are original lossless files (considering they are really lossless of course).
So, in short, convert from:
lossless –to–> lossless files (is right)
lossless –to–> lossy files (is right)
lossy –to–> lossless files (is wrong)
lossy –to–> lossy files (is wrong)
Errm and why should he exactly?
Except for the writer of the story, this movie doesn’t have anything to do with its predecessor… So the music isn’t and shouldn’t be connected to it …
Therefore I can’t think of a single reason why this score should embody anything of the Goldsmith score… And if he (Gregson) for some strange reason would have done so…I’m sure a lot of people would have reacted negative as well (squandering legacy and such).
feel free to add them 😉