TOTAL RECALL 2012 – Harry Gregson-Williams (GENUINE ITUNES 256 m4a/aac)

Here You go guys.
I do not usually purchase digital albums,
but in this case as it is not being released physically any time soon i thought, what the hell, bag it!
Plus many members on the shrine are buying all the time, so save your cash on this one and download freely! 😉

This is the itunes version @256 m4a/aac untouched!

Tracks
1. The Dream (3:35)
2. The Fall (2:11)
3. Colony (1:56)
4. The Tripping Den (2:50)
5. Rekall (2:51)
6. Rooftop Chase (2:23)
7. Hand Call (2:50)
8. The Vault (4:50)
9. Customs (1:40)
10. Car Chase Pt. 1 (2:44)
11. Car Chase Pt. 2 (1:34)
12. The Key (1:24)
13. The Scar On Your Hand (4:15)
14. Elevator Chase (5:21)
15. Train To Matthias (4:03)
16. Saving Melina (2:35)
17. Gravity Reversing (2:19)
18. Up Top Fight (2:52)
19. The Fall Collapses (1:35)
20. It’s Hard To Believe, Isn’t It? (2:34)

Download who am i.rar from Sendspace.com – send big files the easy way (http://www.sendspace.com/file/eifu6v)

Enjoy 🙂 and please show your appreciation so others can enjoy this share!

Thanks man. I see you’ve figured it out 😉

Thanks man. I see you’ve figured it out 😉

Sort of lol

Let me know how it goes matey

Size:586X600

Thanks!
Love HG-W

Thanks!
Love HG-W

Not a Cat person but that looks like a Scottish Fold.

Ohooooooooo! Lol

Thanks, fella.

thanks!

"get ready for a surprised"… 😀

thanks for the post!

Not a Cat person but that looks like a Scottish Fold.

Hey, Woody, wnna see MY Scottish Fold..????

Sorry, IV drugs make me silly…

**swooshes back to sleep**

Not a Cat person but that looks like a Scottish Fold.

A Scottish Fold, you say, eh?

Thank you for sharing this solid (Snake) soundtrack! Gregson-Williams have done a good job on the Total Recall soundtrack. Thumbs up…

Thank you to the OP for the share. Hopefully it’ll be good enough to buy it.

Thanks, but this is the second download from Sendspace that stopped at 99%, using Orbit. It shaved off 20 seconds of the last track 🙁

Thanks, but this is the second download from Sendspace that stopped at 99%, using Orbit. It shaved off 20 seconds of the last track 🙁

Ok, try again and if the same problem happens I will up on a different website

It is not the file. I downloaded fine, in less than 15 minutes, and it is all there.

Hell yeah. Thanks.

Thanks!! 🙂

This is what I want iTunes AAC,
Before the audition feeling good, now waiting for lossless. Haha….

Love a good HGW soundtrack… I hope this is on the good side…

Thanks a lot!

Thanks

Many thanks!

It seems it may be Orbit. I will try using FDM tonight 🙂

Downloaded it successfully. Thanks for your effort! But the music itself is dreadful.

Thnks for the share, will be released on CD as well?

Thnks for the share, will be released on CD as well?

Yes there will be a CD release as well.

It seems it may be Orbit. I will try using FDM tonight 🙂

Ok. Well if you want I can just send that one track to you. Let me know

Mirror:
Free File Hosting – Online Storage; Upload Mp3, Videos, Music. Backup Files (http://www.peejeshare.com/files/363256090/Total_Recall_(Harry_Gregson-Williams).rar.html)

Any chance for digital booklet?

Thanks!

Any chance for digital booklet?

didnt get one with it. i think its because the actual cd hasnt been released

Awesome! Thanks marcorea1 😀

my pleasure 😉

Thanks for sharing :kirbywalk:

Thanks, but this is the second download from Sendspace that stopped at 99%, using Orbit. It shaved off 20 seconds of the last track 🙁

Try using JDownloader.

I only use Orbit for downloading non-archived files, mostly if there’s a lot of updates I want to download for programs.

Thanks, but this is a horrible score, just like listening to 50 minutes of sound effects from a transformers movie. There’s no theme, nothing memorable about it, nothing close to the greatness of Jerry Goldsmith’s score for the original. I really want to enjoy this remake (loving the futuristic look of it) but the music just sounds awful and does not fill me with hope.

Thanks, but this is a horrible score, just like listening to 50 minutes of sound effects from a transformers movie. There’s no theme, nothing memorable about it, nothing close to the greatness of Jerry Goldsmith’s score for the original. I really want to enjoy this remake (loving the futuristic look of it) but the music just sounds awful and does not fill me with hope.

Aye, not that I expected anything different… I listened to about thirty seconds of this trash before switching off in disgust and putting on the deluxe edition of Goldsmith’s score to take away the nasty taste. There’s more music in Goldsmith’s cheesy "For The Memory Of A Lifetime…" cue than there is in this entire score.

Yet another Hollywood remake that has no reason to exist; still, between the endless, generic wise-cracking-animals in the zoo / forest / big city / desert / sea / arctic / tropics / China / fairytale land CGI monstrosities, I suppose there’s always room for yet another creatively-void, paint-by-numbers remake of a twenty year-old vastly superior movie…

Oh, well… The original will always be there. (And it’s a fine movie. And a beautiful one, as well! Physical VFX, a smattering of early CGI – which still looks excellent, lashings of atmosphere, great action, great story, a director who understood, and a powerhouse score.

Harry Gregson-Williams has some amazing chops – but he rarely gets to flex them. Imagine how great he could be by now. He might even have been a Goldsmith in waiting.

Thank you

Aye, not that I expected anything different… I listened to about thirty seconds of this trash before switching off in disgust and putting on the deluxe edition of Goldsmith’s score to take away the nasty taste. There’s more music in Goldsmith’s cheesy "For The Memory Of A Lifetime…" cue than there is in this entire score.

Yet another Hollywood remake that has no reason to exist; still, between the endless, generic wise-cracking-animals in the zoo / forest / big city / desert / sea / arctic / tropics / China / fairytale land CGI monstrosities, I suppose there’s always room for yet another creatively-void, paint-by-numbers remake of a twenty year-old vastly superior movie…

Oh, well… The original will always be there. (And it’s a fine movie. And a beautiful one, as well! Physical VFX, a smattering of early CGI – which still looks excellent, lashings of atmosphere, great action, great story, a director who understood, and a powerhouse score.

Harry Gregson-Williams has some amazing chops – but he rarely gets to flex them. Imagine how great he could be by now. He might even have been a Goldsmith in waiting.

i agree, goldsmiths score is most certainly a work of genius. The new one isnt that bad tho, it isnt the most organic score out there but it is different. The dudstep-ish sound effects to me maybe for certain moments in the movie to bring a bit of the wow factor. this score may work much better with the movie. i have to admit i am enjoying it for what it is, a RCP over the top score.

I’m heading to the theater this afternoon. Let you know what I thought of the film.

Aye, not that I expected anything different… I listened to about thirty seconds of this trash before switching off in disgust and putting on the deluxe edition of Goldsmith’s score to take away the nasty taste. There’s more music in Goldsmith’s cheesy "For The Memory Of A Lifetime…" cue than there is in this entire score.

Yet another Hollywood remake that has no reason to exist; still, between the endless, generic wise-cracking-animals in the zoo / forest / big city / desert / sea / arctic / tropics / China / fairytale land CGI monstrosities, I suppose there’s always room for yet another creatively-void, paint-by-numbers remake of a twenty year-old vastly superior movie…

Oh, well… The original will always be there. (And it’s a fine movie. And a beautiful one, as well! Physical VFX, a smattering of early CGI – which still looks excellent, lashings of atmosphere, great action, great story, a director who understood, and a powerhouse score.

Harry Gregson-Williams has some amazing chops – but he rarely gets to flex them. Imagine how great he could be by now. He might even have been a Goldsmith in waiting.

I just want to point out that this is not a remake of the movie. It is just a different adaptation of the original source novel by Philip K. Dick called (if I recall) We Can Remember It For You Wholesale. I have never read it, but I understand it never took place on Mars… The Original film surely has little connection to the original story plots, and I expect no less from the new one.

It is like if a person were to make a new Blade Runner, based off of Do Androids Dream of Electric Sheep. It would not be an actual remake of the movie but rather a new interpretation of the source.

Mysek, I am looking forward to Recall. (the movie not the…err…score..)

As much as like Zimmer and the like, this is pretty awful.

thanx ,man . i really love this

I must say, I was a bit surprised by the disgust…waiting for a horrible score…that just did not really happen…

Sure if you’re expecting a Goldsmith piece, or even an orchestrated/symphonic piece of music… than you’ll be in for a big surprise (not a nice one).
But can anyone point out why this is such a bad score? It’s electronic, so? It uses a lot of sounds we already know…so?

enlighten me 😉

My main problem is the lack of theme really. There are a lot of moods and textures, ideas and rhythms. Plus a lot of coolness thrown in (which I must admit I like :D). But somehow this Recall theme – and there is one – is just two shifting chords. It might not be on the same level as Zimmers Dark Knight epicness in terms of loudness, but it’s so similar in approach, that it becomes very dull. Filmtracks had a nice review up saying that Goldsmiths work on the Verhoeven version and Gregson-Williams work on this new one really show how the approach to filmmusic has changed. Goldsmith’s work is very extroverted in terms of theme, while Gregson-Williams is more subtle and restrained. What they both share is propulsiveness, which should proove to some that having a bold thematic score can be just as driving and powerful as the current trend.

This soundtrack definately has it’s moments but I find the generic approach to thematic material very boring. Some loud chords here and there, theme, there you go. Epic. The best comparison would be the opening "The Dream" on both albums.

Thank you! I saw the movie for the first time today and a lot of the score really stood out, for me. My immediate thought was ‘gotta get the OST!’ hehe.

curious to hear if it holds a candle to jerry’s original. thanks!

My main problem is the lack of theme really. There are a lot of moods and textures, ideas and rhythms. Plus a lot of coolness thrown in (which I must admit I like :D). But somehow this Recall theme – and there is one – is just two shifting chords. It might not be on the same level as Zimmers Dark Knight epicness in terms of loudness, but it’s so similar in approach, that it becomes very dull. Filmtracks had a nice review up saying that Goldsmiths work on the Verhoeven version and Gregson-Williams work on this new one really show how the approach to filmmusic has changed. Goldsmith’s work is very extroverted in terms of theme, while Gregson-Williams is more subtle and restrained. What they both share is propulsiveness, which should proove to some that having a bold thematic score can be just as driving and powerful as the current trend.

This soundtrack definately has it’s moments but I find the generic approach to thematic material very boring. Some loud chords here and there, theme, there you go. Epic. The best comparison would be the opening "The Dream" on both albums.

Now this is a reaction I can understand…and helps me listen to music differently, may be even learn something. 🙂

Can someone repost? The links are all dead. :/