
Recording Sessions
Composed by Patrick Doyle
69 Tracks, 112 minutes.
MOD EDIT: link removed. No Patrick Doyle links allowed.
Try PM the OP.
Please read more about music that may not be posted.
Thread 49829
Please report posts with links (active or not) music that may not be posted.
Thank you for understanding.
1. 1m01 CHASING THE STORM (3:07)
2. 1m02 PROLOGUE (3:06)
3. 1m03 SONS OF ODIN (1:46)
4. 1m03PU SONS OF ODIN (1:47)
5. 1m06 A NEW KING (2:59)
6. 1m06alt A NEW KING ALT (1:17)
7. 2m07 YOU’RE NOT KING (0:28)
8. 2m09 RIDE TO OBSERVATORY (1:02)
9. 2m09alt RIDE TO OBSERVATORY ALT (1:14)
10. 2m10 BIFROST AND BEYOND (1:49)
11. 2m10b TO JOTUNHEIM (0:34)
12. 3m11 LAUFEY (3:39)
13. 3m12 FROST GIANT BATTLE (1:59)
14. 3m13 RUUUN (2:33)
15. 3m14 ODIN ARRIVES (1:57)
16. 3m15 BANISHMENT (1:51)
17. 4m16 THOR TASERED (1:08)
18. 4m17 HOSPITAL BRAWL (0:33)
19. 4m18 BANISHED NOT DEAD (0:37)
20. 4m19 CRISIS IN ASGARD (2:19)
21. 4m20 ODIN CONFESSES (2:50)
22. 5m21 HAMMER FOUND (1:09)
23. 5m21alt HAMMER FOUND ALT END (1:30)
24. 5m22 THOR IN IMAGE (0:30)
25. 5m23 THOR MISSING (0:23)
26. 5m25 WE’VE FOUND IT (0:32)
27. 5m26 URGENT MATTER (2:23)
28. 5m29 WHERE ARE YOU GOING (0:24)
29. 6m30 RESEARCH GONE (0:33)
30. 6m31 SELVIG IN LIBRARY (0:43)
31. 6m32 ODIN SLEEP (0:58)
32. 6m32PU ODIN SLEEP (1:11)
33. 6m33 ARRIVING AT THE COMPOUND (0:46)
34. 6m34 THOR ENTERS COMPOUND (0:42)
35. 6m35 CHASE FOR HAMMER (2:39)
36. 6m36 NOT WORTHY (3:37)
37. 7m37 INTERROGATION (1:14)
38. 7m38 LOKI’S LIE (1:54)
39. 7m38alt LOKI’S LIE ALT (1:07)
40. 7m40 SELVIG FREES THOR (0:34)
41. 7m41 MY BASTARD SON (2:39)
42. 7m42 TROUBLED GATEKEEPER (1:02)
43. 7m45 CARRYING SELVIG HOME (0:47)
44. 7m46 SCIENCE AND MAGIC (2:52)
45. 7m47 UNDER HOUSE ARREST (1:07)
46. 8m48 JANE AND THOR AWAKEN (0:48)
47. 8m48alt JANE AND THOR AWAKEN ALT (0:48)
48. 8m50 WARRIORS TRAVEL TO EARTH (1:15)
49. 8m50b WARRIORS DOWNTOWN (0:28)
50. 8m51 LOKI FREEZES HEIMDALL (1:16)
51. 8m52 WARRIORS FIND THOR ALT (0:17)
52. 9m53 DESTROYER RELEASED (1:52)
53. 9m53b MOVE IT PEOPLE (0:29)
54. 9m54 DESTROYER ATTACK (1:03)
55. 9m55 DESTROYER RETURNS (1:55)
56. 9m56 GIVES HIMSELF UP (2:37)
57. 9m57 HAMMER KILLS DESTROYER (2:33)
58. 9m57PUv3 HAMMER KILLS DESTROYER (1:35)
59. 9m57PUv4 HAMMER KILLS DESTROYER (1:35)
60. 9m58 MAY I TAKE YOU (2:44)
61. 10m59 LAUFEY KILLED (1:55)
62. 10m60 BIFROST ATTACK (1:17)
63. 10m61 THIS IS MADNESS (1:22)
64. 10m62 BROTHERS FIGHT (2:52)
65. 10m63 LOKI LET’S GO (3:16)
66. 10m64 CAN YOU SEE JANE (2:55)
67. 10m64end CAN YOU SEE JANE END (2:25)
68. 11m65 EARTH TO ASGARD (1:54)
69. 11m65alt EARTH TO ASGARD (2:30)
^^^^^^
DAMN YOU SCOREPRANOS! MY EARS CAN’T STOP FAPPING!
It actually makes up the better part of "Can You See Jane (10m64)". "Can You See Jane (10m64end)" would seem to be an alternate version, but what’s more surprising: the actual film version of "Earth to Asgard" is absent.
Correction: I made this post not realizing I was missing two tracks and when I used an iTunes script to rename the files the text sequence was naturally two cue shy. Therefore, the end credits would in fact be "Earth to Asgard (11m65)".
I had a failed message with 6m32PU ODIN SLEEP (1:11) file corrupted, but I’ve downloaded it again, and it extracted perfectly.
Using either The Unarchiver or UnRarX I received the error: "The archive is incomplete"; was able to extract, but missing two files. Attempting to re-download.
Thor (Sessions) – Patrick Doyle/5m26 URGENT MATTER.mp3 – CRC failed
4m20 ODIN CONFESSES.mp3 –
3m15 BANISHMENT.mp3
3m13 RUUUN.mp3
2m10b TO JOTUNHEIM.mp3
10m64 CAN YOU SEE JANE.mp3
LOKI LET’S GO.mp3
can someone upload these alone?
I do hope we will get to hear the complete "avengers" score soon
You must spread some Reputation around before giving it to scorepranos again.
:sigh:
Just finished downloading this and i’m getting the same as amanda is
any chance of a re-up
and i’ve tried it the next time i dl’d, problems still persists
! E:\Downloads\Music\No Site\Patrick Doyle – Thor (Recording Sessions).rar: CRC failed in Thor (Sessions) – Patrick Doyle\10m61 THIS IS MADNESS.mp3. The file is corrupt
! E:\Downloads\Music\No Site\Patrick Doyle – Thor (Recording Sessions).rar: CRC failed in Thor (Sessions) – Patrick Doyle\10m64 CAN YOU SEE JANE.mp3. The file is corrupt
! E:\Downloads\Music\No Site\Patrick Doyle – Thor (Recording Sessions).rar: CRC failed in Thor (Sessions) – Patrick Doyle\11m65alt EARTH TO ASGARD.mp3. The file is corrupt
! E:\Downloads\Music\No Site\Patrick Doyle – Thor (Recording Sessions).rar: CRC failed in Thor (Sessions) – Patrick Doyle\1m01 CHASING THE STORM.mp3. The file is corrupt
! E:\Downloads\Music\No Site\Patrick Doyle – Thor (Recording Sessions).rar: CRC failed in Thor (Sessions) – Patrick Doyle\1m06 A NEW KING.mp3. The file is corrupt
! E:\Downloads\Music\No Site\Patrick Doyle – Thor (Recording Sessions).rar: CRC failed in Thor (Sessions) – Patrick Doyle\3m13 RUUUN.mp3. The file is corrupt
! E:\Downloads\Music\No Site\Patrick Doyle – Thor (Recording Sessions).rar: CRC failed in Thor (Sessions) – Patrick Doyle\3m14 ODIN ARRIVES.mp3. The file is corrupt
! E:\Downloads\Music\No Site\Patrick Doyle – Thor (Recording Sessions).rar: CRC failed in Thor (Sessions) – Patrick Doyle\4m16 THOR TASERED.mp3. The file is corrupt
! E:\Downloads\Music\No Site\Patrick Doyle – Thor (Recording Sessions).rar: CRC failed in Thor (Sessions) – Patrick Doyle\5m21alt HAMMER FOUND ALT END.mp3. The file is corrupt
! E:\Downloads\Music\No Site\Patrick Doyle – Thor (Recording Sessions).rar: CRC failed in Thor (Sessions) – Patrick Doyle\6m35 CHASE FOR HAMMER.mp3. The file is corrupt
! E:\Downloads\Music\No Site\Patrick Doyle – Thor (Recording Sessions).rar: CRC failed in Thor (Sessions) – Patrick Doyle\6m36 NOT WORTHY.mp3. The file is corrupt
! E:\Downloads\Music\No Site\Patrick Doyle – Thor (Recording Sessions).rar: CRC failed in Thor (Sessions) – Patrick Doyle\7m38 LOKI’S LIE.mp3. The file is corrupt
! E:\Downloads\Music\No Site\Patrick Doyle – Thor (Recording Sessions).rar: CRC failed in Thor (Sessions) – Patrick Doyle\7m42 TROUBLED GATEKEEPER.mp3. The file is corrupt
! E:\Downloads\Music\No Site\Patrick Doyle – Thor (Recording Sessions).rar: CRC failed in Thor (Sessions) – Patrick Doyle\8m50 WARRIORS TRAVEL TO EARTH.mp3. The file is corrupt
! E:\Downloads\Music\No Site\Patrick Doyle – Thor (Recording Sessions).rar: CRC failed in Thor (Sessions) – Patrick Doyle\9m57 HAMMER KILLS DESTROYER.mp3. The file is corrupt
! E:\Downloads\Music\No Site\Patrick Doyle – Thor (Recording Sessions).rar: CRC failed in Thor (Sessions) – Patrick Doyle\9m57PUv3 HAMMER KILLS DESTROYER.mp3. The file is corrupt
I also notice that the archive is compressed to 79%.
Set "Compression Method" to "Store". This will compress to 100%, ie. 0 compression to the files.
Then go to the "Advanced" tab and click on "compression…" Set all to "Disable" and remove check marks from all boxes".
http://i.imgur.com/w1fDy.pnghttp://i.imgur.com/8jjoC.png
That will reduce the chances of CRC corruptions.
I hope HP4 and Rise can be leaked (especially the last one, I want to know if they kept the "I got a cookie for you" chant).
I also have some ramdom CRC errors …
I’ve managed to get 63 of 66 files ….
I’ve just finished my Custom Cover
(http://imageshack.us/photo/my-images/163/thorcscustomfrontcover.jpg/)
I will make the back cover as soon as I have a tracklist for a 2 Cd set.
! CRC failed in Thor (Sessions) – Patrick Doyle\1m06 A NEW KING.mp3. The file is corrupt
! CRC failed in Thor (Sessions) – Patrick Doyle\3m11 LAUFEY.mp3. The file is corrupt
! CRC failed in Thor (Sessions) – Patrick Doyle\3m15 BANISHMENT.mp3. The file is corrupt
! CRC failed in Thor (Sessions) – Patrick Doyle\6m34 THOR ENTERS COMPOUND.mp3. The file is corrupt
! CRC failed in Thor (Sessions) – Patrick Doyle\7m46 SCIENCE AND MAGIC.mp3. The file is corrupt
! CRC failed in Thor (Sessions) – Patrick Doyle\9m57PUv4 HAMMER KILLS DESTROYER.mp3. The file is corrupt
! CRC failed in Thor (Sessions) – Patrick Doyle\9m58 MAY I TAKE YOU.mp3. The file is corrupt
– i would like to add my request for anyone capable and willing… 🙂
And I even download the file and was able to unzip it with no problems. Maybe sendspace was timing out on
some of you since some on here said they had no issues extracting it.
Anyways I uploaded another version and I tested it before I did with no errors. If some of you continue to
have errors, this issue is on your end. Not mine.
And I even download the file and was able to unzip it with no problems. Maybe sendspace was timing out on
some of you since some on here said they had no issues extracting it.
Anyways I uploaded another version and I tested it before I did with no errors. If some of you continue to
have errors, this issue is on your end. Not mine.
Thank you for re-uploading, it worked now!
MOD EDIT: link removed. No Patrick Doyle links allowed.
Try PM the OP.
Please read more about music that may not be posted.
Thread 49829
Please report posts with links (active or not) music that may not be posted.
Thank you for understanding.
MOD EDIT: link removed. No Patrick Doyle links allowed.
Try PM the OP.
Please read more about music that may not be posted.
Thread 49829
Please report posts with links (active or not) music that may not be posted.
Thank you for understanding.
It contains all Tracks with no errors ?
Thanks scorepranos 🙂
MOD EDIT: link removed. No Patrick Doyle links allowed.
Try PM the OP.
Please read more about music that may not be posted.
Thread 49829
Please report posts with links (active or not) music that may not be posted.
Thank you for understanding.
Thanks so much – this worked perfectly!
Thanks again to you, scorepranos for uploading this.
Thanks scorepranos 🙂
I think so since I had no errors with scoreprano’s link.
Big thanks!
Overall: 4.5 out of 5.
LMAO. I totally agree with you. The complete score is so much more enjoyable than the CD.
I do hope we will get to hear the complete "avengers" score soon
I’m more into Doyle’s Eragon, do you have that one scorepranos?
Rob
(also agree with FunnyML I would love to have a complete for Doyle’s Eragon! The score was about the only good thing about that entire movie!!)
Love Thor, Love Patrick Doyle’s works, Love that this is a Recording Sessions post! However, I have been wondering whether these sessions that uploaders post are really sessions or you guys making tracks out of the movie. I mean Are These Legitimate Recording Sessions that the Composer and Orchestra recorded????
No offense, I love ur guys’s works and efforts! I salute you!
Love Thor, Love Patrick Doyle’s works, Love that this is a Recording Sessions post! However, I have been wondering whether these sessions that uploaders post are really sessions or you guys making tracks out of the movie. I mean Are These Legitimate Recording Sessions that the Composer and Orchestra recorded????
No offense, I love ur guys’s works and efforts! I salute you!
It’s 100% legit, hyut7. After listening to the tracks, it’s the real thing. Trust us, we know.
because he may be new at all this, and likely has been burned by fakes and/or rips before, as we all have at one time or the other. Remember, if he doesn’t ask the question, he can’t know the answer.
Lost Scores: Thor (sessions) – Patrick Doyle (http://lostscores-pagemaster.blogspot.com/2012/08/thor-sessions-patrick-doyle.html)
That was probably tracked.
Thor Soundtrack (CS-RS) – Patrick Doyle � The Score Designs (http://thescoredesigns.wordpress.com/2012/08/06/thor-soundtrack-cs-rs-patrick-doyle/)
What does tracked mean??? lol always wondered
In other words, it’s a complete film score.
its almost complete actually its missing a cue? maybe. when Thor as about to get crowned. I suppose its called "A New King" on the film its different. 🙁
Free Cloud Storage – MediaFire (http://www.mediafire.com/view/?k91yda942m4d0z8)
Free Cloud Storage – MediaFire (http://www.mediafire.com/view/?k91yda942m4d0z8)
Two thumbs up! Thanks for sharing it!
What does the PU stand for?
BTW, Thank you.
THOR4cues.zip (http://www.mediafire.com/download.php?o52nyyu953blxuw)
Well, you won’t find it. 192 kbps is fine.
No, it’s not. I have some Doc Martin music at 56 kbps. 56.
And they sound just fine.
Maximum quality is achieved when, regardless of listening conditions, you are unable to detect a difference between the MP3 and the original. As demonstrated by blind ABX tests, LAME-encoded MP3s typically achieve this level of transparency when encoded with the default settings, at bitrates well below maximum. Encoding with other settings will have no effect on the quality.
For archiving, only lossless formats like WavPack, FLAC, etc. are ideal; they will preserve the audio with no changes, sample-for-sample, regardless of encoder settings. In contrast, lossy formats like MP3 are designed to save space by changing the audio in subtle, often imperceptible ways, even at the encoder’s maximum settings.
[edit] Very high quality: HiFi, home, or quiet listening, with best file size
-V0 (~245 kbps), -V1 (~225 kbps), -V2 (~190 kbps) or -V3 (~175 kbps) are recommended.
These VBR settings will normally produce transparent results. Audible differences between these presets may exist, but are rare.
[edit] Very high quality: HiFi, home, or quiet listening, with maximum file size
-b 320 is an alternative to the VBR settings above.
This CBR mode will maximize the MP3’s bitrate and overall file size. The extra space may allow for some parts of the audio to be compressed with fewer sacrifices, but to date, no one has produced ABX test results demonstrating that perceived quality is ever better than the highest VBR profiles described above.[2]
[edit] Portable: listening in noisy conditions, lower bitrate, smaller file size
-V4 (~165 kbps), -V5 (~130 kbps) or -V6 (~115 kbps) are recommended.
-V6 produces an "acceptable" quality, while -V4 should be close to perceptual transparency.
[edit] Very low bitrate, small sizes: eg. for voice, radio, mono encoding etc.
For very low bitrates, up to 100kbps, ABR is most often the best solution. Use –abr <bitrate> (e.g. –abr 80).
–preset voice is only available in the command line front-end, and is there for compatibility. It is currently mapped to –abr 56 -mm, so that means that the recommendation would be to encode in mono, and use ABR.
96kbs: The sound clearly lacks definition: as an example, hall’s noises are perceived as some breath. The result is comparable to a good FM radio.
112kbs: The sound seems less present and less natural than the original. The definition is a bit less good, the voice is less clear. Attacks are less spontaneous. The spatialization is different from the original recording: the sound seems to be located more far and more lower. There is however a very noticeable improvement compared to 96kbs.
128kbs: Hall’s noises are slightly less defined than the original. The violin is a bit less present and the piano attacks a bit less sharp. The voice is nearly identical to the original recording but sibilants are less pronounced. We can notice the same spatialization problem as with the 112kbs’s one although there is again a good improvement compared to the 112kbs rate.
160kbs: The sound is more natural than 128kbs but the improvement is less spectacular than during the two preceding stages. The sound is different from the original, without however being possible to tell in what. I think that the difference resides more in what we feel rather than in what we hear.
192kbs: The sound is not felt as the original recording. It is however totally impossible to tell in what.
256kbs: The sound is indiscernible from the original. It is impossible to make the difference with the original recording.
320kbs: The sound is indiscernible from the original. It is impossible to make the difference with the original recording.
CD Audio : The sound of the burned CD is strictly identical the manufactured CD. This test, although it could appear useless, is however necessary so in order to insure that it is impossible that the burning step introduces differences, that would have falsified tests.
It is clear that the 128kbs rate does not produce a quality equal to a CD on a good quality Hi-Fi installation. We can wonder if Fraunhofer’s institute has not made an error by limiting its ACM pro codec to 128kbs. However, in the context of a computer use, the quality is equal to the one obtained by reading an Audio CD on a CD-ROM reader. The quality at 128kbs is also indentical to the one obtained with the original CD on a mini or midi Hi-Fi installation, and on the vast majority of Hi-Fi installations in separated elements. The test equipment is indeed better than the majority of Hi-fi installations.
Conclusion : For a computer use, the 128kbs rate produces a quality equal to an audio CD. But in the case of an MP3 use in advanced Hi-Fi, it is necessary to use a 256kbs bitrate (ore better) to reach an identical result to the CD sound.
Now is that flac? Cause I don’t do any other format. I guess I would **settle** for tickets to see the orchestra perform it live, if that’s all you got….
192 kbps, just like how scorepranos uploaded it.
Would the live orchestra be FLACed or just hammered?
Skeleton…you do realize I was being funny?
Yeah, just clarifying for anybody who thought it was different from scorepranos’s upload.
Thanks so much !!
Pick-Up. Means it was recorded in a pick-up recording session rather than with the rest of the score.
My understanding was that a Pick-Up is basically a partial take – starting from a later point in the cue to get only a specific part of the music.
Not always: some film pickups record entire cues again. You are technically right though: they re-record only part of the cue, normally with some variation, or maybe an entirely new section.
Seconded (prefer zipshare)
my antivirus blocks zippyshare as unsafe, but don’t worry if it’s a bother m8 im easy :0 lol
http://forums.ffshrine.org/f92/thor-recording-sessions-flac-patrick-doyle-177610/#post2733038
Free Cloud Storage – MediaFire (http://www.mediafire.com/view/?k91yda942m4d0z8)
The link seems no use,please! Send me a new link.Thanks!