Ripped with Itunes in aac @256
File size: 146.37mb
1 Main Title (Young Peter)
2 Becoming Spider-Man
3 Playing Basketball
4 Hunting For Information
5 The Briefcase
6 The Spider Room (Rumble In The Subway)
7 Secrets
8 The Equation
9 The Ganali Device
10 Ben`s Death
11 Metamorphosis
12 Rooftop Kiss
13 The Bridge
14 Peter`s Suspicions
15 Making A Silk Trap
16 Lizard At School!
17 Saving New York
18 Oscorp Tower
19 I Can`t See You Anymore`
20 Promises (Spider-Man End Titles)
Download Spidey Horner.rar from Sendspace.com – send big files the easy way (http://www.sendspace.com/file/qqzg9k)
!!!!! Link to FLAC Version !!!!!
File Size: 322.85mb
Free File Hosting – Online Storage; Upload Mp3, Videos, Music. Backup Files (http://www.peejeshare.com/files/363210091/spidey_horner_FLAC.rar.html)
Enjoy and please show your appreciation and keep this thread and link alive for other members to also enjoy 🙂
… but what can i say, completely destroyed.
But wait. "Becoming Spider-Man" at 3:42. Is that a spaceship?
Oh yes, live long and prosper, the Enterprise.
Too bad.
corrected, new link added. enjoy 😉
Ripped with Itunes in aac @256
File size: 146.37mb
1 Main Title (Young Peter)
2 Becoming Spider-Man
3 Playing Basketball
4 Hunting For Information
5 The Briefcase
6 The Spider Room (Rumble In The Subway)
7 Secrets
8 The Equation
9 The Ganali Device
10 Ben`s Death
11 Metamorphosis
12 Rooftop Kiss
13 The Bridge
14 Peter`s Suspicions
15 Making A Silk Trap
16 Lizard At School!
17 Saving New York
18 Oscorp Tower
19 I Can`t See You Anymore`
20 Promises (Spider-Man End Titles)
Download Spidey Horner.rar from Sendspace.com – send big files the easy way (http://www.sendspace.com/file/qqzg9k)
Enjoy and please show your appreciation and keep this thread and link alive for other members to also enjoy 🙂
If you have the cd could you up-load a Lossless version….Thanks
Uhhhhhh, it’s an iTunes version. In other words, the exact antithesis of a cd.
Oh, and AAC is lossless anyway 🙂
Too bad.
I could say the same about your post.
Uhhhhhh, it’s an iTunes version. In other words, the exact antithesis of a cd.
Oh, and AAC is lossless anyway 🙂
iTunes AAC files they sell are NOT lossless.
You can rip your own CDs using iTunes and set it to Apple Lossless but that’s not what the iTunes store sells.
However, my virus scan picked up adware/spyware – not from you, but your host probably!
High level constructive argumentation.
Gar�on, a pinch of humor please…
Oh, and AAC is lossless anyway 🙂
Yeah I just noticed that….I had thought that he had the CD and ripped it using itunes as he had this in his post…………..or You guys who would like an alternative format
Ripped with Itunes in aac @256 ………
🙂
Gar�on, a pinch of humor please…
You wrote off an entire score, condemning it based on a brass fanfare that lasts all of 10 seconds.
There’s no humor in that. It’s just ridiculous.
Thats all Im gonna say. I don’t love the score, its not comparable to danny elf man’s psiderman, this is too different. I do think it is not at all an appropriate use in a spiderman film, and I am definitely going to hate on the film, because what they’re turned it into is a despicable horror mix of a punk spiderman and explosions that would even make michael bay’s mouth water. Yeah, I tried to keep it PG lol End of rant.
You ‘don’t have the score’ and at the same time it’s not comparable and it’s too different, and have you seen the film or….?
What you’ve said just doesn’t make sense the way you’ve worded it (and spelled it so maybe that’s part of it, I don’t know).
You ‘don’t have the score’ and at the same time it’s not comparable and it’s too different, and have you seen the film or….?
What you’ve said just doesn’t make sense the way you’ve worded it (and spelled it so maybe that’s part of it, I don’t know).
chill its just a typo. I don’t ‘LOVE’ the score, but I don’t hate it. And no I never want to see that god awful film, just the trailer makes me sick.
i haven’t watch yet this film, got no plans at all. maybe when it does came out in cable, lol.
Excuse me, but what’s going on here? RELAX.
This score is a mix of Horner work of the last 15 years. And therefore not particularly exciting.
There is a lack of ideas, many cues are generic, unfortunately.
It is just a commissioned work, and it also sounds so. Annoying …
This is absolutely no question of love or hatred, that’s an observation.
Better than many other scores, but not the best Horner.
This is not Tyler Bates. I expect more from a James Horner.
Postscript: The fanfare was just one of many examples …
Ak ok so I didn�t misunderstand the thread title….If you have the CD would you mind uploading a lossless version…a version of the score in ALAC….ripped using iTunes
Thanks
Thanks
im planning to up a lossless version. 😉
ENJOY 😉
ENJOY 😉
Thanks A million 🙂
iTunes – Music – The Amazing Spider-Man (Music from the Motion Picture) by James Horner (http://itunes.apple.com/us/album/amazing-spider-man-music-from/id534265228)
It definitely sounds different compared the other series, but if your going to reboot a series, don’t use the same music.
I know yeah. I was shocked when it come through the post. Hopefully the same will happen with TDKR as well lol
there was no digital booklet :/
Thats all Im gonna say. I don’t love the score, its not comparable to danny elf man’s psiderman, this is too different. I do think it is not at all an appropriate use in a spiderman film, and I am definitely going to hate on the film, because what they’re turned it into is a despicable horror mix of a punk spiderman and explosions that would even make michael bay’s mouth water. Yeah, I tried to keep it PG lol End of rant.
Ooook then. You wanted a score to sound more like Elfman’s, preserving the feel of the first 2 films? And this new direction is too different? I could say the same for Batman. Batman Begins and Dark Knight sound NOTHING like Elfman’s Batman. Which in turn sounds nothing like the 60’s show which….I don’t see how you can feel a piece is inappropriate because it sounds different than what has gone before. Now mind, I am not speaking to whether it is good or bad. I admit I have not listened to it yet, not really. But just because it is different than what you envisioned does not mean it doesn’t work in the film.
As for the film, I just don’t get the hate. I am stoked to see it. All it is is basically an interpretation of ultimate Spiderman. They take Pete back to school. Give him an attitude. It’s good. Non-organic web-shooters. (gasp, he’s a SCIENTIST-yay!). He’s got clothes in a backpack (he needs to change sometime). Actually the backpack thing is classic from waaaayyyy back. He’d have to stash it somewhere, all webbed up, but since the web compound breaks down after a while, if he took too long to get back, clothes on the ground, or gone even. The non-organic web-shooters (FINALLY!!) are gonna be good too. The poses, the smart mouth, cocky kid-like behavior all fits well within the norm of the Spidey-verse. Based on what I see in the trailers, I like it. ‘Course, without seeing the film can’t say. But spidey ought to full of big action and stunts. of course it should. And the Lizard? A villain who ain’t the Goblin..wheeeeee
I have the feel of this being a lot like Disney XD’s Ultimate Spidey. I admit it took getting used to, but I am digging it now.
———- Post added at 06:26 AM ———- Previous post was at 06:21 AM ———-
And, remember. Pete has to grow. In the beginning he was careless and flippant. It was only through tinme and experience that he started to grasp the scope of his power and responsability.
I want to see a new story, not the same with other actors. Peter Parker back to school? Super, I know it already.
The story revolves in a circle and that is a problem. The studios do not take any more risks, and thus stifle any innovation.
The score has the same problem. Of course I do not want to hear a Elfman "update", I want new musical approaches.
Do you feel that this is the case here?
In the end only one thing is crucial. Is it good or bad.
It’s very unlikely the new Superman movie will have anything to do with a – very hypothetical – Justice League Movie.
And the same goes with Spiderman, maybe Sony and Marvel will get along with each other on a future crossover between the two franchises but the road is long yet.
I think the Batman movies are a good example. More or less they tell the same story, but the approach is completely different.
Tim Burton’s Batman is a wild roller coaster ride, quirky, morbid, dark, emotionally ambiguous with a lone hero, a dark knight.
Christopher Nolan’s Batman is stylish, a team player, plagued by self-doubt, more of the martyrs.
The same goes for the music. Danny Elfman’s theme reflects the indifference of the main character perfectly.
James Newton Howard tried the same with Batman Begins, but unfortunately Hans Zimmer was in the way.
I do not want to see the 80 year old, arthritis-ridden Peter Parker climbing the walls to his retirement home.
The Amazing Spider-Man is not a bad movie, the music is better than expected. Just not very exciting.
That was also the major problem of the Superman reboot. He was simply unnecessary.
Nobody needs the same movie twice.
As for Justice League..dunno. DC has not done as well with their live action as the marvel films have. Before JLA, they need to do a really kick ass Wonder Woman. Not watered down. Strong, fast, tough, and can fly. And fights well. The DCU has been much better served by their animated movies, in my opinion. Marvel’s animated stuff just is meh for me. But BTAS, STAS, JL, JLU, Teen Titans, and Young Justice all showcase the DCU in a fairly consistent and well done way.
As for origin stories, I dislike them, because for the most part I don’t think we need them. Like take the first X-Men film. Yea, a bit of back story, enough to get the gist of it. But X-2? No holding back. They hit the ground running and really evolved the story. (sorry bout the pun). We all know Spidey, Bats and Supes. And we all think we know the Hulk, but as of yet, we have not really seen an accurate version of the origin, not even close. (much like no one wants to remember Venom’s origins either). Thor is a good example. We got that he was a God. We saw him in his element, then took that away. Good story, with a lot of Thor smash at the end, for satisfaction. But, not really an origin story per se. On the other hand, Iron Man was, and it turned out really well. But, he was less well known with the general public too. But, they do not open every Iron man movie with an origin flashback. No need, got it the first time. How many damn times have we seen Bruce in the alley with the broken pearls? Or Peter with poor old Uncle Ben. Or Krypton explode, for Christ’s sakes. GOD, everyone has to get their pwas on the Krypton bit. Who the HELL needs to be told that story again? Each time, updated to modern times, to make it "relevant"…
Okay. Thanks for the upload.
People who ordered it online have received it already, and today is the release date in stores.
I’d gladly get the real deal if I could, but I don’t even have cash for food so this ain’t happening.
Avengers had scans. Same thing 😀
As for the score, well Horner truly does know how to bring a scene to life with his works. It really does work as a character for the movie and has a theme that many superhero movies do not have anymore. From emotions to excitement he really did do justice for me. The album works good as a standalone piece but it works even better on screen. However the albums tracks are out of order. I cannot say what order they should be in from one watch.
As for rebooting a film franchise I’m for it if it is an improvement over the original. Burton got a number of things right with his Batman movies but he, in my opinion, never cracked it the way Nolan has. This is probably because Burton, while a talented film maker, last few movies not withstanding, is weak when it comes to crafting a strong narrative. He’s at his best when he can set his films in a fairy tale like world where he can sidestep the rules of logic. Nolan does craft movies with a well thought out plot and more importantly all his movies revolve around some form of aberrant psychology and/or neurology – (‘Memento’ – inability to form new short term memories, ‘Insomnia’- well that one’s obvious, ‘The Prestige’ – identical twins pretending to be the same person. ‘Inception’ -reality vs dreams) and this makes him the perfect film maker to tackle ‘Batman’ because it is a comic where the main characters, heroes and villains are defined by some sort of extreme psychology.
Raimi, like Burton, didn’t quite get ‘Spider-Man’ right either. There was a lot more good than not good until ‘Spider-Man 3’ which was a mess. I am looking forward to seeing ‘The Amazing Spider-Man’ and finding out if it is an improvement or more of the same.
As for the score, well Horner truly does know how to bring a scene to life with his works. It really does work as a character for the movie and has a theme that many superhero movies do not have anymore. From emotions to excitement he really did do justice for me. The album works good as a standalone piece but it works even better on screen. However the albums tracks are out of order. I cannot say what order they should be in from one watch.
A film order track list for Amazing was posted elsewhere. I am not sure of the source, but I have already rearranged my set to it.
Here is the list. As I said, having not seen the film or heard the album yet, i can’t vouch.
1. Main Title / Young Peter (4:54)
2. The Briefcase (3:14)
3. Secrets (2:30)
4. The Spider Room / Rumble in the Subway (3:20)
5. Hunting for Information (2:07)
6. The Equation (4:22)
7. Playing Basketball (1:22)
8. The Ganali Device (2:28)
9. Ben’s Death (5:41)
10. Becoming Spider-Man (4:16)
11. Metamorphosis (3:04)
12. Rooftop Kiss (2:34)
13. The Bridge (5:15)
14. Peter’s Suspicions (3:01)
15. Making a Silk Trap (2:52)
16. Lizard at School! (2:57)
17. Saving New York (7:52)
18. Oscorp Tower (3:22)
19. "I Can’t See You Anymore" (6:50)
20. Promises / End Titles (4:52)
1. Main Title / Young Peter (4:54)
2. The Briefcase (3:14)
3. Secrets (2:30)
4. The Spider Room / Rumble in the Subway (3:20)
5. Hunting for Information (2:07)
6. The Equation (4:22)
7. Playing Basketball (1:22)
8. The Ganali Device (2:28)
9. Ben’s Death (5:41)
10. Becoming Spider-Man (4:16)
11. Metamorphosis (3:04)
12. Rooftop Kiss (2:34)
13. The Bridge (5:15)
14. Peter’s Suspicions (3:01)
15. Making a Silk Trap (2:52)
16. Lizard at School! (2:57)
17. Saving New York (7:52)
18. Oscorp Tower (3:22)
19. "I Can’t See You Anymore" (6:50)
20. Promises / End Titles (4:52)
The source is FSM via JWFan. Other places copied it from there.
Here is the list. As I said, having not seen the film or heard the album yet, i can’t vouch.
1. Main Title / Young Peter (4:54)
2. The Briefcase (3:14)
3. Secrets (2:30)
4. The Spider Room / Rumble in the Subway (3:20)
5. Hunting for Information (2:07)
6. The Equation (4:22)
7. Playing Basketball (1:22)
8. The Ganali Device (2:28)
9. Ben’s Death (5:41)
10. Becoming Spider-Man (4:16)
11. Metamorphosis (3:04)
12. Rooftop Kiss (2:34)
13. The Bridge (5:15)
14. Peter’s Suspicions (3:01)
15. Making a Silk Trap (2:52)
16. Lizard at School! (2:57)
17. Saving New York (7:52)
18. Oscorp Tower (3:22)
19. "I Can’t See You Anymore" (6:50)
20. Promises / End Titles (4:52)
Thanks for the list. It really irritates me when they don’t put the tracks in film order.
Not my scans but here they are: Free File Hosting – Online Storage; Upload Mp3, Videos, Music. Backup Files (http://www.peejeshare.com/files/363233053/The_Amazing_Spider-Man.rar.html)
Or go the even easier route and listen to it on YouTube.
People who liked Raimi’s more ‘gothic’ approach may find this film a little different, but for me it was refreshing in that even my wife was totally blown away by it. The on-screen chemistry was spot on for me, and Peter’s pain was well portrayed and believable.
A surprise hit!!!
People who liked Raimi’s more ‘gothic’ approach may find this film a little different, but for me it was refreshing in that even my wife was totally blown away by it. The on-screen chemistry was spot on for me, and Peter’s pain was well portrayed and believable.
A surprise hit!!!
I agree.

Genre : Soundtrack
Label : 2012 Columbia Pictures Industries
Format : m4a
Size : 155 MB
Store Date : Jun 25, 2012
James Horner has scored over 100 films, frequently collaborating with acclaimed directors such as James Cameron and Ron Howard. His body of work is notable for including the scores to the two highest-grossing films of all time, Titanic and Avatar, and his credits also include the scores for Braveheart, A Beautiful Mind, Aliens and Field of Dreams. Horner is a two-time Academy Award-winner, and has received a total of 10 Oscar nominations. He has won numerous other awards, including a Golden Globe Award and a Grammy Award. His score to the 1997 film Titanic remains the best selling orchestral film soundtrack of all time and has sold over 26 million albums worldwide.
Tracklist :
1 Main Title – Young Peter
2 Becoming Spider-Man
3 Playing Basketball
4 Hunting for Information
5 The Briefcase
6 The Spider Room – Rumble in the Subway
7 Secrets
8 The Equation
9 The Ganali Device
10 Ben’s Death
11 Metamorphosis
12 Rooftop Kiss
13 The Bridge
14 Peter’s Suspicions
15 Making a Silk Trap
16 Lizard at School!
17 Saving New York
18 Oscorp Tower
19 I Can’t See You Anymore
20 Promises – Spider-Man End Titles
Filefactory:
http://www.filefactory.com/file/1x3nulq5ix3f/n/JamesHornerrar
Bitshare:
http://bitshare.com/files/k65wr6cd/JamesHorner.rar.html
Turbobit:
http://turbobit.net/8loeqszliwrn/JamesHorner.rar.html
Rapidgator:
1.Main Title (Young Peter)
2.The Briefcase
3.Secrets
4.The Spider Room
5.Hunting for Information
6.The Equation
7.Playing Basketball
8.The Ganali Device
9.Ben’s Death
10.Becoming Spider-man
11. Metamorphosis and beyond are all in proper order already..
I double checked so it should be perfect, enjoy