Tracklist:
01-Oblivation (1m3v5a) (2:15)
02-Oblivation (1m3v5b) (2:10)
03-Voldemort (1m5v2) (5:11)
04-Harry’s closet – Polyjuice (1m6v5) (4:33)
05-Sky battle (2m7v3pt3) (1:28)
06-Sky battle (2m7v6pt2) (2:20)
07-Taking off (2m7v4) (0:57)
08-Taking off (2m7v5) (0:58)
09-Landing at the Burrows (2m8v2) (4:25)
10-Landing at the Burrows (2m8v4) (3:56)
11-Harry tries to leave (2m11v2) (2:00)
12-Headlines – Kiss (2m12) (1:26)
13-Tent up – Scrimgeour arrives (2m14v2) (0:46)
14-The will (2m15) (3:25)
15-Wedding attack (2m19v2) (0:32)
16-Cafe oblivation (3m24v2) (1:31)
17-Grimmauld place (3m25v3) (1:13)
18-Sirius’s room (3m27) (1:23)
19-Kreacher & the locket (3m29v4) (2:23)
20-Deatheaters searching (3m30-31-32v1) (1:46)
21-Kreacher, Doby and Mundungus (3m34v8) (3:51)
22-Into the ministry of magic (3m38v5) (3:33)
23-The detonators (4m41v7) (2:36)
24-The courtroom (4m43v2) (2:30)
25-Stealing locket (4m44v5) (1:39)
26-To the fireplaces (4m45v8a) (1:04)
27-To the fireplaces (4m45v8b) (1:04)
28-Scabior smells Hermione (4m48) (1:49)
29-Exodus (5m49v3) (3:24)
30-Exodus (5m49a) (3:17)
31-Exodus (5m49av2) (3:08)
32-Part 1 (5m50v2) (1:41)
33-Traveling montage (5m51v3) (2:19)
34-On the rocks (5m53) (2:06)
35-The graveyard (5m55) (3:13)
36-Bathilda bagshot (6m56v2) (2:39)
37-Hermione’s parents – Patronus (6m59v3) (4:05)
38-The sword of Griffondor (6m60v3) (1:25)
39-Destroying the locket (6m62) (2:31)
40-Ron’s speech (6m63v2) (1:30)
41-Xenophilius lovegood (7m65) (0:58)
42-The deathly hallows (7m68) (2:23)
43-The deathly hallows (7m68v2) (3:21)
44-Leaving lovegood’s (7m69v2) (0:32)
45-Scabior spots Harry (7m72) (1:22)
46-Harry to Malfoy’s manor (7m73v1) (0:51)
47-Harry to Malfoy’s manor (7m73v8) (0:48)
48-Draco – Harry – Sword – Bellatrix (8m74) (1:42)
49-Doby appears (8m76) (0:51)
50-Hymn 2 (1:29)
Total time: 1:48:19
Don’t ask for a better bitrate, the quality from these demos is originally very poor.
92
http://www.megaupload.com/?d=F7GPEQPU
Password: MiNT
Am I the only one getting "temporarily unavailable"?
Am I the only one getting "temporarily unavailable"?
I was able to download it straight away… Just keep trying.
Interesting though… even in these demos they don’t have the film version of "Stealing Locket". This demo still seems to be what appears on the album. Listen to that part in the film and you can tell it has been re-scored. Maybe it was a last minute effort.
I think the same thing also happened to part of "Bathilda Bagshot".
I solemnly swear I’m going to download it!
Knox!!!
A ton of unused music
Hopefully the real sessions will leak!
The piece is called ‘Humours of Glendart’ from the CD ‘Spirit of Ireland’ on KPM/EMI, written by Greg Knowles and Mike Taylor.
It’s weird that the beginning of Bellatrix was supposed to be used for the destruction of Lovegood’s House but that they decided not to put it. Also, you can see that Snape to Malfoy Manor was first used for Harry’s arrival at the manor with the Snatchers. It’s interesting when you ear these demos and then the real album, you realise how much work the composers put on the scores to make them as great as possible.
The beginning of the Bellatrix track on the bonus disc was always Leaving the Lovegood’s; they just edited together some cues for the CD. And not everything is in the demos; I think Snape to Malfoy’s Manor was always scored like that – Desplat just used the same motif later on.
Here’s my explanation:
Basically they are sequenced versions of the tracks that are made using sample libraries like EWQLSO. They’re made to ‘try out’ the cues before they’re orchestrated for the recording sessions.
Being the greatest Desplat fan, I am so very excited to get ma hands on Demos for one of his scores! THIS IS DEFINITELY A FIRST!
Thanks Thanks Thanks to the uploader of these Demos! If there are any Desplat works/Demos that you get your hands on, then please share them!!!
Also, Thanks to the AlbumArt Cover uploader! Nice cover! I’m using it!
Complete Demos.rar (http://www.mediafire.com/?6u6uyjsdvarcaqy)[COLOR="Silver"]
I hope that the demos for Part 2 get leaked. The final mix excluded a lot of interesting details of the score (bass, chorus, Desplat’s synth pulse played in Statues, The Grey Lady, In The Chamber Of Secrets and Courtyard Apocalypse). And also, there’s some music from the disc which it’s not on the demos of Part 1 (Farewell To Dobby, The Elder Wand, the film version of Dobby Appears, and Harry & Ron To The Rescue). And obviously, the recording sessions of both scores.
So leak them yourself? 😀
Obrigado
Isaias Caetano
Rio de Janeiro – Brasil
Obrigado
Complete Demos.rar (http://www.mediafire.com/?6u6uyjsdvarcaqy)
Can you imagine any director accepting the On Stranger Tides demos? Granted, they’re not in a horrible quality, but I think many would agree with me in that they suck.
The On Stranger Tides demos are much more better, these HP7.1 demos sound like someone recreated them with Sibelius ore something like that by typing the score.
Just to make that obvious, I’m not talking about musical quality, but about how the mockups are produced. On Stranger Tides is no score you could compare with Depslat’s Potter at all, no doubt.
Some director’s don’t need stellar quality. They know that it’s not what the final product would sound like, the purpose of the demos is to show some tunes, moods, instrumentation, it has absolutley nothing to do with quality. Zimmer may have better software to produce his demos, but so what? The point was to simply have an output for Desplat’s musical ideas so the director could hear them before anything was recorded, in no way were they meant to be as good as the final product, nor are any demos for that matter, if the point was to make them sound amazingly produced then why bother recording the score in the first place, [sarcasm] just throw the amazingly produced demos in there, that’ll be fine. [sarcasm]
David Yates always said that he puts a lot of attention on the music, he mentioned it in Creating The World Of Harry Potter: Sound And Music.
Same with Cuaron in Prisoner Of Azkaban, thanks to him, Williams created a masterpiece that truly represented the Harry Potter’s world and characters.
"1m6pt Harry’s Closet (With Choir)"
1m6pt1 Harry’s Closet (With Choir) by zeeky5678 on SoundCloud – Create, record and share your sounds for free (http://soundcloud.com/zeeky5678/1m6pt1-harrys-closet-with)
I’m hoping to, at some point, make it full length, and resemble the film version of when Ron Leaves, but of course with my own spin on it. And of course it’s not done yet. Just having some fun with it.
Broomsticks And Fire (Louder Choir Mix).mp3 (http://www.mediafire.com/?4bsez10peu02f7p)
Cues.rar (http://www.mediafire.com/download.php?534nzyu62cmhq9b)
Voldemort’s End (Louder Choir Mix).mp3 (http://www.mediafire.com/?llcn69gywdmwbli)
It’s preliminary.
Thanks,
Rob
which thread is that? Can I please get a link to that thread. I’d be ever so grateful to you.
Broomsticks And Fire (Louder Choir Mix).mp3 (http://www.mediafire.com/?4bsez10peu02f7p)
Cues.rar (http://www.mediafire.com/download.php?534nzyu62cmhq9b)
Voldemort’s End (Louder Choir Mix).mp3 (http://www.mediafire.com/?llcn69gywdmwbli)
It’s preliminary.
Hi, could you re-upload these edits?
Rob
Yeah, and although it wouldn’t be the final take, it might add some weight to the theory that the finale might just be tracked material.
The finale actually was tracked from Sorcerer’s Stone, not COS, but yeah. The cue listing confirm that they’re just re-recorded cues from Chamber of Secrets and Sorcerer’s Stone
That’s not actually tracking if they re-recorded cues. I do suspect the finale is tracked in from Philosopher’s Stone, though – the instrumentation is very, very close. If it’s not, Desplat might have brought in the original instrumentalists and had them set up the same way Williams did for the first film.
I’m sorry I misspoke, I simply meant the finale music is taken from Sorcerer’s Stone, the sheet music for it. It’s NOT the same music however, I can confirm this, i’ve put the Sorcerer’s Stone version and the Deathly Hallows Part 2 version up against each other, they’re different. The instrumentation is very close because it’s the exact same sheet music, it doesn’t mean it was the exact same people who played it in the first film, granted they COULD have, but I highly doubt they would take the time to track down the exact people who did it in the first film. I’m honestly not sure why they didn’t just go ahead and track everything in, I did up basically the exact same cue using Sorcerer’s Stone and Chamber of Secrets material, but it’s still not the same. I can confirm they’re different
While I agree that the Cos finally would’ve been much grander, I think they used Sorcerer’s Stone for the simple reason that it was the finale of the first film, and now they’re ending with the same cue for the last film, it’s just symbolic really
John Williams is renowned for taking each of his cues several times over. There are most likely several takes to the two cues comprising the finale piece, which could have been used. Look at Star Wars as an example: when music from TPM is used, it’s not always the same take that TPM itself used.
I highly doubt that’s the case. The cue lists NEVER include the tracked cues, Chamber of Secrets had cues tracked from Sorcerer’s Stone, but they didn’t say which cues from Sorcerer’s Stone they used because they directly used the same takes from Sorcerer’s Stone, I had to go through the Sorcerer’s Stone sessions to figure out what they used, and Deathly Hallows Part 2 had the tracked cues in their cue listings, which means the sheet music had to be there with the other cues, therefore, why would they need the sheet music if they were just tracking it. Plus, the performances sound alike yes, but it’s obviously a different orchestra, The cue in the finale they re recorded from Chamber of Secrets as an insert "Dumbledore and Harry" sounds VERY different from it’s Chamber of Secrets counterpart. Not slightly, VERY, I could tell immediately it wasn’t apart of the Chamber of Secrets recordings.
It’s the same orchestra. The London Symphony Orchestra did all eight films.
Well, it’s a very different performance by different players then, it just sounds too different to be an alternate take. And still doesn’t explain why the sheet music was required for Dh 2
Possibly, but again using TPM as an example, I’ve heard takes that sound very, very different. I’ll willingly believe that it’s a new version, but it definitely sounds like it could have come from the TPS/CoS recordings. Maybe that’s what he was going for.
Nicholas Hooper used the Chamber Orchestra Of London.
He apparently used the LSO for Order of the Phoenix, but I couldn’t find any info on the orchestra for HBP (without looking at the DVD), so I assumed it was the same.
He apparently used the LSO for Order of the Phoenix, but I couldn’t find any info on the orchestra for HBP (without looking at the DVD), so I assumed it was the same.
I’d be happy to show you more what I was talking about. I’m more referring to the instruments even sound different rather than just the performance
I know what you’re talking about, but maybe I could use this to illustrate my meaning a bit better: Comparison of TPM TakeToToyurShips.mp3 (http://www.mediafire.com/?8a44d7mqcuayp23)
This is from the Phantom Menace: two takes of the exact same cue, both very, very different from each other. The instruments and instrumentation sound different, but they’re from the same scoring sessions. The point I was trying to get across is that you can’t rely on the instruments or instrumentation as an argument to say they come from someplace else. But, alas, unless the sessions come out, we’ll probably be talking about this for a long time.
This is from the Phantom Menace: two takes of the exact same cue, both very, very different from each other. The instruments and instrumentation sound different, but they’re from the same scoring sessions. The point I was trying to get across is that you can’t rely on the instruments or instrumentation as an argument to say they come from someplace else. But, alas, unless the sessions come out, we’ll probably be talking about this for a long time.
They honestly don’t sound all that different. It sounds more like it could be an Alternate rather than a different take of the exact same cue. Here let me do up a comparison on the Chamber of Secrets portion
The album cover you created was so awesome. Any chance of a reupload of that? I’d appreciate it so much!
From as I understand it, that was take 1. The other take is a later take, but they are indeed from the same cue. Williams is known to alter instrumentation on the spot, that’s evident in many of his movies.
I do get that it’s a different piece, but the point I was trying to get across was that given how many takes Williams tends to do, it muddies things a tad bit. We don’t have any of his other takes for CoS for comparison, and getting a clean section from a DVD rip is not going to be easy.
I do get that it’s a different piece, but the point I was trying to get across was that given how many takes Williams tends to do, it muddies things a tad bit. We don’t have any of his other takes for CoS for comparison, and getting a clean section from a DVD rip is not going to be easy.
I wasn’t going for entirely clean. 😛 If we could do that, then we’d all have a feild day here. Williams isn’t the only one who does that, in fact TONS of composers do it. Thomas Newman, Harry Gregson-Williams, Michael Giacchino, etc. But I was just going to do it for a mix comparison, in DH2 The Oboe, or English Horn or whatever it is that plays the notes, is panned more to the right then in the CoS sessions, which could mean that the soloist is sitting in a different position, not sure why Williams would change around his orchestra for One Take. In fact, it almost sounds more like a trumpet in Dh 2. I’m also saying that they had the sheets in the sessions, otherwise they wouldn’t be listed as part of the cue listing, which they were. But here’s the catch, "Dumbledore’s Farewell" WAS tracked onto the end of "Severus and Lily" and that is acknowledged in the End Credits, BUT "Dumbledore’s Farewell" is NOT listed in the cue listing, so why would some tracked cues be listed and others not? Because they didn’t use the sheet music for Dumbledore’s Farewell, but DID use the Williams sheet music, which means they were re-recorded.
As I understand it, Abbey Road’s setup for the LSO, at least in films I know of, consists of 24 microphones for the orchestra, to allow certain post-production tweaking, such as panning. Of course, you are probably right in this case, but the DVD mixes are quite often actually different even from the mixes on the sessions discs.
As I said, we won’t absolutely know for sure unless the sessions leak out. It’s possible they recorded the cue but added elements from the Williams mixes in, maybe they used it as a temp track, maybe they used it as a guide. All I know is they tried their damndest to make it sound like it could have been directly lifted from those sessions.
As I said, we won’t absolutely know for sure unless the sessions leak out. It’s possible they recorded the cue but added elements from the Williams mixes in, maybe they used it as a temp track, maybe they used it as a guide. All I know is they tried their damndest to make it sound like it could have been directly lifted from those sessions.
True, but in the recent sessions for The Hobbit, material from the original Lord of the Rings trilogy was re-recorded for certain places.
You bet your ass it was. "Old Friends" is the second track (pretty sure it’s the second track) on The Hobbit OST, and the Rivendell theme can be heard again. It plays (obviously) before they arrive at Rivendell. I’m pretty sure I heard some other themes as well during the film
Not only that, and the ones on both versions of the Public Release, but even in some secondary sessions, Jackson literally had him re-record exact cues from the trilogy, as well as overlays that are not present in the album versions. Most particularly from memory, I know the flute or recorder solo playing the Shire theme when the actual Hobbit logo comes up, is an overlay and not present on the Album version of "My Dear Frodo"
It’s quite funny you should mention that, actually, because I’ve heard that a lot of the new score got ditched in favour of tracking from LOTR cues.
If the score was released in January, it would be a lot different than the CD which it was edited long before the December recording sessions.
Anyway, I hope the DH2 demos get leaked soon.
If the score was released in January, it would be a lot different than the CD which it was edited long before the December recording sessions.
Anyway, I hope the DH2 demos get leaked soon.
On the OST, it was rewritten, but im saying in the film itself, there were secondary sessions that were re-recordings of LOTR cues, and also overlays, and etc. just for the film.
And ggctuk2005 I have heard the same, a LOT of material on the OST was unused in favor of re-recorded LOTR cues, not tracked, but re-recorded.
And ggctuk2005 I have heard the same, a LOT of material on the OST was unused in favor of re-recorded LOTR cues, not tracked, but re-recorded.
Couldn’t have put it better myself: I used ‘tracking’ because that’s what everybody was saying it was on another forum.
dh demos.rar (http://www.mediafire.com/download.php?iotx189drd3bklt)
I’ll do an upload of them all in one thread. Reminds me… I haven’t sorted out those ‘Lion King’ theatrical tracks out for you yet! My memory LOL!
Wait what? I didn’t know it was you! 😀
It’s okay, a lot’s been going on by the looks of things. At least that’s one thing sorted out for you.
Do you have the DH2 promo? It has Voldemort’s Influence, which it’s missing from the film and the commercial CD.
It’s okay, a lot’s been going on by the looks of things. At least that’s one thing sorted out for you.
No cause I uploaded it though it’s not the version I’m after!
———- Post added at 02:14 PM ———- Previous post was at 02:14 PM ———-
Do you have the DH2 promo? It has Voldemort’s Influence, which it’s missing from the film and the commercial CD.
I know someone who has, so will borrow it off them.
Yeah, they’re screwy with FYCs. For some reason there’s apparently a rule that came into force a few years back that says that it has to be the film mix.
Thanks mgm, did you get TheDh2 Fyc Album ?
I did a re-up wth a extended version of the demos (68 cues).
I did a re-up wth a extended version of the demos (68 cues).
Kudos to MGM..
I can download because megaupload is broken.
Thanks men!
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