
Second original soundtrack from the popular anime series "Blue Exorcist" composed by Hiroyuki Sawano
Japanese Tracklist
BGM的ーsuite 1st-Mov.:E戦場ーAria
BGM的ーsuite 2nd-Mov.:Technology ORCH.
BGM的ーsuite 3rd-Mov.:Hyou�(依+変)
BGM的ーsuite 4th-Mov.:BOBOBOぼ~ん
IiMuRoYa-$.feat 1st-Mov.:M
IiMuRoYa-$.feat 2nd-Mov.:CHaos+CHorus
IiMuRoYa-$.feat 3rd-Mov.:HEiW@→KiZUN@
IiMuRoYa-$.feat 4th-Mov.:N-tone
日常用 de SUIT 1st-Mov.:銃剣兄弟GEKIBANger
日常用 de SUIT 2nd-Mov.:銃剣兄弟GEKIBANger-Returns
日常用 de SUIT 3rd-Mov.:銃剣兄弟GEKIBANger-Forever
日常用 de SUIT 4th-Mov.:銃剣兄弟GEKIBANger-The Final
交響$weet 1st-Mov.:st-RING
交響$weet 2nd-Mov.:STN-blood
交響$weet 3rd-Mov.:call ME
交響$weet 4th-Mov.:f
CORE PRIDE (TV size)
Take off (TV size)
IN MY WORLD (TV size)
Wired Life (TV size)
English Tracklist
A BGM-suite 1st-Mov.: E-Aria battlefield
A BGM-suite 2nd-Mov.: Technology ORCH.
A BGM-suite 3rd-Mov.: Hyou � (odd + yo)
A BGM-suite 4th-Mov.: I-com BOBOBO
IiMuRoYa-$. Feat 1st-Mov.: M
IiMuRoYa-$. Feat 2nd-Mov.: CHaos + CHorus
IiMuRoYa-$. Feat 3rd-Mov.: HEiW @ → KiZUN @
IiMuRoYa-$. Feat 4th-Mov.: N-tone
For routine de SUIT 1st-Mov.: GEKIBANger brother bayonet
For routine de SUIT 2nd-Mov.: GEKIBANger brother bayonet-Returns
De SUIT 3rd for the day-Mov.: GEKIBANger brother bayonet-Forever
De SUIT 4th for the day-Mov.: GEKIBANger brother bayonet-The Final
$Weet 1st Symphony-Mov.: St-RING
$Weet 2nd Symphony-Mov.: STN-blood
$Weet 3rd Symphony-Mov.: Call ME
$Weet 4th Symphony-Mov.: F
CORE PRIDE (TV size)
Take off (TV size)
IN MY WORLD (TV size)
Wired Life (TV size)
It came early just as everyone was expecting
Credits go to Original Uploader 🙂
http://gotupload.com/5gtn1wolmjr3/%5Banime-mp3.blogspot.com%5D_Ao_no_Exorcist_Original_Soundt rack_2.rar.html
mp3@320 (139mb)
SH.BE.2.zip (http://www.mediafire.com/download.php?ao8ef1qg18croam)
Nearly all of the tracks are two or three separate tracks carefully mixed together to segue seamlessly for 4-7 minutes on average. The first four tracks set the tone, basically, for the diversity and the energy of this score. Track 1 is an eerie score utilizing choral and one-woman wails to their fullest extent. Track 2 is a Remote Control battle track that makes Remote Control battle tracks cower in fear. Track 3 dubs ethnic wails over an electric guitar snarl. Track 4 starts off pensive and electronic-based before turning into a suspenseful piece utilizing plucked strings done in a Western style over carefully pounding ethnic drums.
At times gentle, at times enraged, at times melancholy, the emotions for this score are never lost despite all of the instruments utilized. The core theme is not lost. And, in the end, the final track fades out much like the final track of Wolf’s Rain OST 2, as a piano breaking through static seems to whisper to you, telling you it is time to go.
Though there are J-pop tracks as an epilogue, and fittingly, they have their own unique and diverse qualities. CORE PRIDE has a jazzy swing inserted into upbeat hard rock. Take-Off sounds like a Japanese N’SYNC (more like a Korean N’SYNC actually). IN MY WORLD is the most typical track of the bunch, a straightforward pop-punk piece that seems taken out of FLOW’s playbook. And finally, "Wired Life" seems to be a kind of electronic/shoegaze combination, and IMO the most resonant of the four . . .
Finally, if you put all of the tracks together in a looped playlist, "Wired Life" segues into the very first track of OST 1 nicely. They planned out this release very carefully. And the effort is much appreciated.
=)
Nearly all of the tracks are two or three separate tracks carefully mixed together to segue seamlessly for 4-7 minutes on average. The first four tracks set the tone, basically, for the diversity and the energy of this score. Track 1 is an eerie score utilizing choral and one-woman wails to their fullest extent. Track 2 is a Remote Control battle track that makes Remote Control battle tracks cower in fear. Track 3 dubs ethnic wails over an electric guitar snarl. Track 4 starts off pensive and electronic-based before turning into a suspenseful piece utilizing plucked strings done in a Western style over carefully pounding ethnic drums.
At times gentle, at times enraged, at times melancholy, the emotions for this score are never lost despite all of the instruments utilized. The core theme is not lost. And, in the end, the final track fades out much like the final track of Wolf’s Rain OST 2, as a piano breaking through static seems to whisper to you, telling you it is time to go.
Though there are J-pop tracks as an epilogue, and fittingly, they have their own unique and diverse qualities. CORE PRIDE has a jazzy swing inserted into upbeat hard rock. Take-Off sounds like a Japanese N’SYNC (more like a Korean N’SYNC actually). IN MY WORLD is the most typical track of the bunch, a straightforward pop-punk piece that seems taken out of FLOW’s playbook. And finally, "Wired Life" seems to be a kind of electronic/shoegaze combination, and IMO the most resonant of the four . . .
Finally, if you put all of the tracks together in a looped playlist, "Wired Life" segues into the very first track of OST 1 nicely. They planned out this release very carefully. And the effort is much appreciated.
Exactly my thoughts. In my book it’s pretty impossible to top both OSTs this year.
Thanks for the upload btw 🙂
Thanks
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