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I have what your asking for….here is the link. Hotfile.com: One click file hosting: DMDWP.rar (http://hotfile.com/dl/101395143/42e5457/DMDWP.rar.html)
Has poster and cover art.
Scott
The name of the cd is Miklos Rozsa Film Music Vol. 2 It is the only soundtrack I am aware of that was released for the film. Hope this helps…
Scott
I checked out the link and I gotta say its awesome. The music is great, I love it.. Thanks so much, been looking for it for a few years now with no luck. I do have the dvd when it first came out, but Im still waiting for a BLU RAY version , the 1st dvd wasnt that great but better than nothing. Again thanks so much…
David
Scott
Track Listing
1. Universal Studios Fanfare – (with Mikl�s R�zsa)
2. Prelude/Car Crash/Rigby Reardon-Private Dick/Enter Juliet – (with Mikl�s R�zsa)
3. Friends and Enemies of "Carlotta"/The Alan Ladd Hit/Sucking the Bulle – (with Mikl�s R�zsa)
4. Cleaning Woman! /Rigby’s Story – (with Mikl�s R�zsa)
5. Clue in the Cookie Jar – (with Mikl�s R�zsa)
6. Swede, The – (with Mikl�s R�zsa)
7. Train Station, The – (with Mikl�s R�zsa)
8. Keys, The – (with Mikl�s R�zsa)
9. Walking Down 5th Street – (with Mikl�s R�zsa)
10. Beating, The – (with Mikl�s R�zsa)
11. Rigby Reardon — Cross Dresser – (with Mikl�s R�zsa)
12. Captain Cody Jarret/Prison Break, The – (with Mikl�s R�zsa)
13. Juliet & Rigby – (with Mikl�s R�zsa)
14. Phone Call/Juliet Leaves, The – (with Mikl�s R�zsa)
15. Island of Carlotta, The – (with Mikl�s R�zsa)
16. Kitty and Rigby – (with Mikl�s R�zsa)
17. Kitty Drugs Rigby/Chase Begins, The – (with Mikl�s R�zsa)
18. Final Instructions/Rigby’s Victory, The – (with Mikl�s R�zsa)
19. End, The – (with Mikl�s R�zsa)
20. End Credits – (with Mikl�s R�zsa)
21. Love Theme – (with Mikl�s R�zsa)
review
[-]by Bruce Eder
Miklos Rozsa’s final soundtrack never had an official release from MCA Records, but Prometheus Records of Belgium has released this fine 45-minute CD of the complete score for the Carl Reiner-directed film noir parody, starring Steve Martin. Rozsa was well into his seventies and in declining health when this project came along, and by all accounts — including the evidence before our ears — it was an invigorating experience, enjoyable and challenging all at once. Asked to return to his mid-’40s film noir style, the composer revived the dark orchestral timbres and the violent rhythms from that period in his writing; in the process, he proved once again that a great score can make a good movie distinctly better, in this case both funnier and yet more reverential to its source of inspiration. The one thing that Rozsa couldn’t do was reuse his old material directly (which was especially funny since some of the old movie clips used in the Reiner film had been scored by Rozsa in the first place, 35 years earlier), and he rose to the occasion by recreating a sound and a style without quoting directly from any specific score; in the main title theme, he managed to mimic his old ’40s style and even give a nod to his contemporary, Max Steiner, as well. As listening material, the music holds up very well — one of the reasons that Rozsa had so much respect from the musical community (apart from the academics who resented the fact that he wrote "archaic" tonal music) was that his music for films stood well on its own, separate from the movies themselves. This soundtrack is always moving forward, carrying the listener through a series of moods as well as musical passages that hold together extremely well, sustaining themselves for the full running time of the piece, which is all one can ask. The material is dramatic and atmospheric, but it’s also distinctive and complex music, with room for jazzy and comic interludes ("Walking Down 5th Street," "Rigby Reardon — Cross Dresser") that hold up equally well. The recording quality is excellent, with good presence and a particularly gorgeous tone on the strings (solo or massed), and the transfer is very clean. The annotation could be more thorough and the price is steep (around $23), but this is a very entertaining and musically illuminating CD.