I like the second one best because of the veiw…damn its so well balanced…I think the only thing it could use is color…wich is obvious…unless you dont want it to and.. wel… My head hurts.
I’m not pretending I draw near the level of Rokudenashi BLUES by the way. But Morita-san was 29 when he started. I’ll have no problem catching him.
I for one like your characters, it’s a very interesting look. They don’t overall match the realism of your backgrounds, but you know if you try to do that, the detail of the background wouldn’t even be so impressive anymore. The two would cancel each other out…
I see our tree conversation come to light here, you obviously spent time with the trees there, and I hope sometime soon to take the time to actually practice producing such background work, I do a little more than a lot of 16 year olds I’m sure but it’s not enough.
Yet again you help to inspire me rezo, these are absolutely great to me, I have nothing bad to say of them.
The new pose and position of the girl in the first picture is a VAST improvement from the first version, isn’t it great when you struggle and struggle with composition and finally all it once it just falls in place?
Its like when you draw from a photo. The shadows and proportions WILL be better than what you usually produce. You understand this, because you aren’t responsible for creating them anymore, its just your ability to produce. Now, drawing from a photo proves you have the ability to create shadows and proportions and perspective at the level of the reproduction. Its just about applying that higher level of ability to your own drawings.
I have the same "hot-shot" mentality as you do. Unfortunately,
Whenever I do a lot of quick drawings(only for comics) I can’t stand the quality and angrily throw them away. not angrily. but, you know.
I’ll stop here.