ragnar9
11-20-2017, 11:15 AM
Please sign this if you want a share, thank you!

https://www.change.org/p/warner-bros-zack-snyder-s-director-s-and-tom-holkenborg-s-score-for-home-release-e90fef07-11c6-4a9a-9ae8-375c7717dafa

PonyoBellanote
11-20-2017, 12:53 PM
http://i0.kym-cdn.com/photos/images/facebook/000/855/687/33e.php

GodofTime
11-20-2017, 08:57 PM
I really don't get this petition. Didn't Snyder leave before post production even started? Wouldn't we at best get the scenes that were cut to fit in with WB's stupid 2hr mandate?

pottyaboutpotter1
11-20-2017, 10:14 PM
Since the parts of the film people are praising (humour, character interactions) are all Whedon's... more of Snyder's stuff isn't going to magically improve the film.

AFMG
11-21-2017, 08:12 AM
(Fan)Boys will be (fan)boys.

Imperivm
11-22-2017, 05:01 PM
I really don't get this petition. Didn't Snyder leave before post production even started? Wouldn't we at best get the scenes that were cut to fit in with WB's stupid 2hr mandate?

Snyder left in the middle of post-production, long time after the principal photography ended, but weeks (or even days) before additional filmings started (which at the time were meant to be much shorter).
So, there should be all the material for an hypothetical "Snyder Cut".

The main problem is that to make it Snyder should go back and make even more reshoots (those originally planned for Snyder's direction, before Whedon came in and considerably cut and changed the film), he should do all the editing, the post-production, Junkie XL should go back to his score (maybe he only made demos) and go throught all the recording and finishing the score... This means that ANOTHER TON OF MONEY should be spent to finish the "Snyder Cut".

And considering that it would be a consistently different version compared to the one released in theaters right now, it would make even more confusion for the general audience and for the future films of the DCEU, so I hardy believe it will happen.

Well, for sure if that would ever happen, it would save the film and make it feel much more cohesive to the previous ones and coherent with itself. And much more enjoyable as well.

---------- Post added at 05:00 PM ---------- Previous post was at 04:53 PM ----------


Since the parts of the film people are praising (humour, character interactions) are all Whedon's... more of Snyder's stuff isn't going to magically improve the film.

Oh really? Maybe just a few of the overall humor worked. But I cannot stand many of the awful lines Flash, Batman and Superman say in the film. And after Wonder Woman, Whedon did an awful treatment of Gal Gadot (many shots at her back and Flash landing of her breasts... just shameful!).
Yeah, maybe Whedon fixed some character interactions, but he also ruined the villain, which the actor said he wanted to be free from the "slavery" of Darkseid, a whole character backstory which would have improved Steppenwolf a lot!

And let's not talk of Danny Elfman's awful score for the film.

---------- Post added at 05:01 PM ---------- Previous post was at 05:00 PM ----------


(Fan)Boys will be (fan)boys.

Snyder haters are always gonna hate.

ZenLogic
11-22-2017, 05:36 PM
[QUOTE=Imperivm;3697836]
And let's not talk of Danny Elfman's awful score for the film.

---------- Post added at 05:01 PM ---------- Previous post was at 05:00 PM ----------


It's by far the best score DC has done since Superman Returns!
It's not perfect but it's definitely light years ahead of the most recent scores DC has put out.
Sure their are aspects of Man of Steels score that I can enjoy but for the most part it's repetitive ambience and drum repetitive phrases and don't me started with BVS! Wonder Woman also sounded for the most part bland and uninteresting with a forced "EPIC" sound. JL has some actual musicality coming from Elfman and doesn't sound like every other film coming out today. The only problem is that he has to sound like whats come before and that means add a remote control sound to the mix. (Which is so much better than Zimmer and Junkie XL might I add) Also JL features some of the best quieter intimate music that has been really missing in the DCEU.

Imperivm
11-22-2017, 06:50 PM
That's your perception of the score. But without doubt he destroyed the musical continuity he proclaimed to defend... only with words.
I'm not saying that Zimmer & Co's music is perfect, they do have their amount of flaws (for instance, I find BvS way more "loud" than it is necessary). But that's mostly because of musical preferences and tastes, IMO.

And I don't care if Elfman's work can be considered "music" by some... the problem is that Joss Whedon and Elfman turned Justice League into a generic MCU film... including the breaking of the musical continuity that, may you have liked it or not, EXISTED in the previous films.

And replacing the established themes that should have been used for the character moments (take for example Zimmer's piano theme for Superman) with utterly bland, generic, "emotional" "music" is just plain awful. And I'm not talking of the reprise of the classic Batman and Superman themes, they're fine if they're used in a proper way and integrated with the other themes by Zimmer & Co.
And Elfman wasn't even able to reprise said themes in a proper way... he just made 5 to 10 seconds reprises, totally deprived of their energy and emotional power.

HunterTech
11-24-2017, 07:44 AM
Oh for fuck sake.....

Look, as much as the DCEU is something I'm very critical of, I can at least say the fans certainly have passion. And Snyder, for his faults, is certainly a very unique director. It's a shame what happened to him and his family, and I do think that under a better script, he could really shine. And while I hate MoS, BvS at least managed to be weird enough to the point that I managed to enjoy the one viewing I had of it.

That being said, Warner Bros. are absolutely clueless as to how to run a universe. They start off by making a movie that learned the wrong lesson from the Nolan Dark Knight trilogy, and made it this depressing and bleak film that really misunderstood the character of Superman. When they saw it hadn't quite worked out, they figured that throwing in Batman was gonna save the next one. Except they ended throwing even more shit into the basket that it became too convoluted, and ended up making a movie that should've come after several had already been made. Cue even more visceral reactions. At the same time, we had another movie, where the director was given too little time to do the script, and then was edited to hell once WB decided that people liked the trailers too much for the film to not resemble them. Even more negative reactions come. And when they saw all the criticisms that had been lobbied at them. they pretty much decided to do heavy course correction once Snyder had done main shooting. And when he left, they pretty much went to Whedon, who was already hired when Snyder was to do reshoots. But they gave him so many mandates and very little time, it resulted in a messy post production. The final product ended up with the most mixed reactions of the universe so far.

Only Wonder Woman managed to be successful, primarily because they decided to actually trust the director and the crew on it. Even with all the doubts that they might've had, they managed to pull through, and now on track for a sequel. One that was very much decided because it did well.

And yet, only now is the DCEU in trouble because Justice League was deemed "Disnified" by fanboys, despite it's history stemming from the already complicated histories of the previous films? Fuck off.

I do not blame Whedon and Elfman in the slightest. They were only hired to do their jobs, and did the best they could with the time they had. If they were allowed to completely rework the movie, then I do think that the film would've been much more warmly received. However, because the executives pressed them and put them in a specific mindset, they weren't able to deliver. Adding to the fact that Elfman hasn't been as good in the recent years, as well as Whedon having issues with his ex-wife, it simply wasn't the best of times. So please, leave these men be.

Especially regarding the music. I'm incredibly pissed off by how petty RCP fans have been regarding Tom Holkenborg's firing and subsequent trashing of Elfman's score. I'm perfectly fine with people not being a fan of the score, particularly with the usage of the older themes being out of place. What I do not approve of is people thinking that Junkie XL's score will be better purely because of "musical continuity." Face it, the continual usage of themes between movies means absolutely nothing when the score sucks anyway. I thought the music in BvS was a huge downgrade from MoS, and the repeated themes did absolutely nothing but remind me how much better Zimmer could be. Generally, when making a film score, you want to make something that fits the picture and has progression throughout. Though JL didn't quite fit the picture at all times, it at least had an attempt at progression within itself. Since BvS prove to be mostly noise, I sincerely doubt the pay off would've been there to truly justify the progression. Especially when Holkenborg hasn't quite proven himself to me.

I think what Warner Bros. should've done was finish what Snyder initially had prepared, which would've allowed them to show a complete film in time. They would've been able to prepare accordingly, should the film had not done well. However, because they decided to suddenly change course and rapidly shifted everything accordingly, it led the situation we're currently at. I have no faith they could do anything now, except letting Whedon salvage what's there and giving him the time to make a proper movie.

But who am I kidding. The DCEU fanboys are gonna shit on it anyway. After all, if their god Snyder isn't doing it, why bother?

I'm totally unjustified for my current ranting :p

And if this doesn't show how it's all studio meddling, then I don't know what does. (https://www.comicbookmovie.com/justice_league/danny-elfman-describes-justice-leagues-chaotic-production-had-to-score-storyboards-not-actual-footage-a155619)

JHFan
11-24-2017, 07:51 AM
This person above me speaks the truth. Fanboys will be fanboys that's for sure, but at least there are precious few, like the man above, who have a semblance of reason and can see both sides of the story.

Dave999
11-24-2017, 12:57 PM
Anyone with half a brain should realize that Snyder has great vision and is a talented director. He did a fantastic job on Watchmen, arguably still the best modern comic book film. Even Sucker Punch (the director's cut at least) has a great story to tell, if you're actually smart enough to interpret what is happening on screen. Like HT said, in the case of Batman/Superman/JL it's almost completely down to studio interference and, indeed, the only exception being Wonder Woman. I don't know why, but in this misogynistic world, you'd expect Snyder to get creative freedom and Patty Jenkins to be put on a (figurative) leash, but it ended up being the complete opposite.

Imperivm
11-24-2017, 06:02 PM
Totally agree with Dave here.

As for what Hunter said... I didn't consider how much studio interference was involved in JL and the previous films. For JL in particular, I thought they "only" ordered the forced 2-hour runtime, the thing that mostly might have ruined the film. Maybe even delaying the film's release would have been wise, but that should have been done as soon as Snyder left the post-production.
The reason why I didn't consider the consistent problems of MoS and BvS is that I appreciated (to some extent) how the characters were twisted. But I totally agree that MoS took the wrong lesson from The Dark Knight trilogy and BvS made the critical error to introduce Batman, Wonder Woman and Lex Luthor out of thin air. But still, there was a character progression in BvS (both Superman and Batman's discovering their humanity and heroic side) that I cannot help but love. Still, I totally see why they are criticized (though IMO way too more than they deserve).

As for the score, you're right, maybe Junkie XL would have done a mediocre score and simply rehash everything Zimmer did in MoS and BvS. I'm not sure if it was already Snyder's intention to add the classic Batman and Superman themes (I think he was considering doing that) and I am perfectly fine with the idea of using said classic themes. To me, it's a marvellous way to show that the Batman and Superman portrayed in JL were no more the "twisted" version presented in MoS and BvS but they were finally being their truer selves.
But despite Junkie's effort might not have been that great after all, Zimmer's themes DO carry something in the film. They carry emotions. In MoS whenever Clark is talking with Martha or Jonathan Kent, the piano theme plays. All Clark's character moments are deeply related with Zimmer's music. The only thing Elfman had to do was going to his piano and play it whenever the film needed it. When (SPOILER!) the resurrected Clark is talking with Lois and Martha in the corn field? That's where it had to be used. Character moments. I don't mind if Zimmer's action, drum-filled music isn't in JL (though I think I'd have loved it), Elfman's cues for "The Tunnel Fight" and "The Final Fight" are adventurous enough to be good. He might have used Wonder Woman's theme much more than in the final film. So many scenes are calling for the previous themes but Elfman simply ignored it because of his super-fucking-ego (https://youtu.be/prR2JTFlXm8?t=121)
It's exactly as if Danny Elfman had replaced Hans Zimmer for The Dark Knight Rises and all of a sudden he's using his classic Batman theme instead of Zimmer & James Newton Howard's music for the previous two films. It's nonsense. The characters grew in MoS and BvS with certain themes, and by completely removing them (especially Superman's) he ruined, in a certain way, the characters themselves. Now if he had used in every character moment the classic Batman and Superman themes, I would still be kinda happy. But he didn't do that either. It's just bullshit.
And did you noticed when he used The Avengers' theme? Yeah, he did that as well. "Justice League United" (https://youtu.be/g8TtCl7N4rE?t=36), from 0:33 to 0:41.
Also, if he really cared of using his own Batman theme, why he didn't whenever he could? The opening sequence (beautiful set, btw) with Batman? Not a trace of it.

If he was called to do, let's say, BvS I wouldn't have minded. It's how Marvel scores have done for 2 full Phases, each composers either replacing the previous themes or being shy to use their own for its sequel (Civil War and Age of Ultron). But if you are stepping in after 3 films (maybe 2.5 since Wonder Woman didn't use the MoS ones) are using a certain list of themes, you have to use them in a proper way.

But enough for the comparison stuff.
If you listen to Elfman's score (especially after viewing the film) and pretend MoS and BvS and WW didn't exist at all musically, it's an enjoyable score. Not the best on original thematic material (it's almost entirely empty) but it does its job. And as I said, the two long fight tracks have that adventurous vibe that make them enjoyable.

ZenLogic
11-24-2017, 06:23 PM
Thank You HunterTech
YES! This is how you write a post...factual and a balance opinion! Well thought as well!

rocklegend
11-26-2017, 02:44 AM
Anyone with half a brain should realize that Snyder has great vision and is a talented director. He did a fantastic job on Watchmen, arguably still the best modern comic book film. Even Sucker Punch (the director's cut at least) has a great story to tell, if you're actually smart enough to interpret what is happening on screen. Like HT said, in the case of Batman/Superman/JL it's almost completely down to studio interference and, indeed, the only exception being Wonder Woman. I don't know why, but in this misogynistic world, you'd expect Snyder to get creative freedom and Patty Jenkins to be put on a (figurative) leash, but it ended up being the complete opposite.

Snyder�s 3 hour cut of the movie was shown to execs at Warners which resulting in Zack getting Fired... replaced... the whole thing with Snyder leaving due to a personal tragedy was the Studio in Damage limitation mode. Snyder�s 3hr cut was a morbit mess ... a horrible film.... Snyder just didn�t get these characters right... he was certainly aiming for New Gods. Snyder is a horrible director.... hopeless at story telling and Man Of Steel is an abomination of a film... Batman V Superman... oh dear god

Imperivm
11-26-2017, 12:58 PM
Snyder left not because he was fired but because his daughter committed suicide. And he chose to leave when additional filmings were about to start, because that took place in London and he didn't want to leave his family. He wasn't fired. And unless WB is behind her suicide, what you said is false.
Also, I've never heard about this horrible "3 hour cut" you talk of. There might have been issues and that's why he originally planned some additional filmings with Joss Whedon having written them.

And if you cannot differenciate between a writer and a director's job, nor appreciate a director's vision and talent beyond the huge issues the scripts have... well, that tells something about your understanding of a film.

trolencio
12-07-2017, 08:05 AM
So many scenes are calling for the previous themes but Elfman simply ignored it because of his super-fucking-ego (https://youtu.be/prR2JTFlXm8?t=121)

https://media.giphy.com/media/6J9EYB2Z27Qg8/giphy.gif

I thought you were exaggerating, and saw the video.

WTF.

Really.

WTF.

Maybe that interview part is total out of context but... What an egomaniac asshole.

His Batman works are great scores, but I think Neal Hefti, Hans Zimmer & James Newton Howard, and specially Shirley Walker can argue that his theme is the ultimate theme...

The_Sleeper_Awakened
12-07-2017, 08:09 AM
Nothing short of Divine Intervention could have saved this movie. Also, it's worth pointing out that whatever one thinks of Whedon's directorial shortcomings, his script changes were all approved by Snyder and would have wound up in the finished movie regardless.

HunterTech
12-07-2017, 08:42 AM
https://media.giphy.com/media/6J9EYB2Z27Qg8/giphy.gif

I thought you were exaggerating, and saw the video.

WTF.

Really.

WTF.

Maybe that interview part is total out of context but... What an egomaniac asshole.

His Batman works are great scores, but I think Neal Hefti, Hans Zimmer & James Newton Howard, and specially Shirley Walker can argue that his theme is the ultimate theme...

I really do think the statements he issued are mere marketing tactics. Because if this was a philosophy he truly believed in for his whole career, his Batman, Spider-Man, Planet of the Apes, and Alice in Wonderland scores would've turned out far more differently. Nothing more than WB deciding that nostalgia, as well as scraping as much of Snyder's vision as they could, would've been the key. Alas, it wasn't.

And I guess Zimmer calling Elfman's theme "happy and jovial" during the marketing of TDK isn't enough to deserve scrutiny itself?

---------- Post added at 11:42 PM ---------- Previous post was at 11:40 PM ----------


Nothing short of Divine Intervention could have saved this movie. Also, it's worth pointing out that whatever one thinks of Whedon's directorial shortcomings, his script changes were all approved by Snyder and would have wound up in the finished movie regardless.

^^^^^

The only possible improvement we would've seen were perhaps the visuals. Otherwise, WB, no matter what, were gonna keep a strict eye on Snyder after BvS turned out the way it did. And him leaving only made things trickier. Cue mis-blamings from many fans.

trolencio
12-07-2017, 09:48 AM
And I guess Zimmer calling Elfman's theme "happy and jovial" during the marketing of TDK isn't enough to deserve scrutiny itself?

I dont remember that but, if its true what you say, there�s a population in hollywood more numerous than sexual predators: assholes.

daimanmaak2018
08-23-2018, 11:58 AM
another waste of money