Purrr
04-13-2005, 01:21 AM
Like most every new Final Fantasy installment, this one introduces an entirely new cast of characters and takes place in a unique setting--though, incidentally, this game does share its setting with the recently released Final Fantasy Tactics Advance as well as the original Final Fantasy Tactics. Longtime fans of Square (before it became Square Enix) will recognize the distinctive art style in the game as resembling that of Square's unusual action adventure game Vagrant Story--which is entirely a good thing, because that game's visuals were exceptionally good for its time. And, indeed, if only from looks alone, Final Fantasy XII is also very impressive. However, what surprised me wasn't the look, but the gameplay.
This does not play like any previous Final Fantasy games. In fact, you could easily mistake it for an action adventure game rather than a standard console RPG, but don't take that remark the wrong way. All it means is that Final Fantasy XII does away with the awkward, yet ancient, role-playing conventions of random battles and jarring transitions between exploration and combat. Instead, in Final Fantasy XII, you'll never get taken out of the core gameplay experience, except when the game shows you a cinematic cutscene or when you access your status menus.
That means combat occurs seamlessly within the game's fully 3D environments--no screen-shattering, no your-guys-on-one-side-bad-guys-on-the-other-side battle screen, no signature Final Fantasy victory music as you collect your gil and cure potions after you win. None of that. And you know what? I got the distinct impression that this is the best thing to happen to the series in a while. By extension, it may well be representative of a refreshing, new direction for the console role-playing genre to head toward.
Admittedly, that last statement may be a bit over the top. The truth is, Square's Vagrant Story actually played similarly, only it featured a weird location-based, rhythm-based combat system, whereas Final Fantasy XII is more by the book and lets you command up to three characters at a time instead of just one (and you see all three characters running around in the environment). Basically, the action occurs in real time, but you can always pause to issue new orders. The simplest order is to make all your characters attack a given foe, in which case they'll stand there and dish out the pain as often as they're able to attack, which is fundamentally similar to combat in previous Final Fantasies.
However, you can get pretty tactical with this system and use the physical location to your advantage. You can have your ranged attackers hang back and fire away while your melee fighters suffer the pain on the front lines, for example. The signature spells of Final Fantasy all seem to be here, though I didn't get to try out any summoning spells or anything too spectacular. Still, I felt good about the combat, which comes across as more dynamic and somehow more plausible than in previous games.
It wouldn't be a Final Fantasy without some strange gameplay "system," and this next chapter will be no exception. This time you can assign "gambits" to your characters, which work like tactical orders. The basic gambit determines whether or not members of your party will follow the main character's lead, but other gambits may allow characters to deploy different strategies in battle by default. Such systems tend to be pretty deep, and frankly, I didn't get to explore this aspect of the game in too much detail during my relatively brief time spent with the game.
I did get to see a lot of the game's cutscenes, which are as beautifully produced and choreographed as ever. The characters emote subtly, and their respective personalities come across very well--or, in other words, I kind of wanted to just stand there and play Final Fantasy XII all day to figure out what the game was all about.
For that, I read an interview with FFXII director Yasumi Matsuno, the erstwhile director of Final Fantasy Tactics and Vagrant Story for new story and gameplay details. He was understandably quiet about the plot, though he did confirm that there are no direct connections to any previous game set in Ivalice--it's the same world, but don't expect any familiar faces. Matsuno also expanded on the gambit system, telling that there will be 10 gambit categories and that new gambits will be treated like items (that is, you'll typically buy them from vendors or find them dropped by slain monsters).
Given FFXII's impressive character animation system, which includes emotive facial expressions, Matsuno said the team is attempting to keep as much of the game's cinematic content in-engine as possible. However, CG will still be used for grandiose scenes of battle or the flight of airships, for instance. On the game's music, Matsuno said he has asked composer Hitoshi Sakimoto to create a slightly more up-tempo and optimistic score than the characteristically moody fare he's provided for previous games such as Vagrant Story. Series composer Nobuo Uematsu will be creating the game's theme song, which has a theme of love. Matsuno noted that Uematsu's love song has even influenced a slight change in the game's storyline.
Matsuno also said his design philosophy for Final Fantasy XII is one that marries the best aspects of off- and online RPGs. That's not to say the game will have stilted online components--quite the contrary; it's as focused on story and role-playing as any game in the Final Fantasy series. Matsuno told that, while there are gameplay elements of online RPGs that he finds appealing, he's annoyed by the compulsion to be social in such games. FFXII will therefore bring aspects of MMORPG design, such as the aforementioned open-ended combat system, to the defined narrative structure that Final Fantasy is known for.
This whole experience indicated that the game is well along in development (between the variety of settings and the already-apparent level of polish to the game), despite the recent announcement of the game's delayed release. At any rate, I figure Square Enix is going to use all that Final Fantasy X-2 money to make sure this next one's as good as it can be.
Thanks to Gamespot.
This does not play like any previous Final Fantasy games. In fact, you could easily mistake it for an action adventure game rather than a standard console RPG, but don't take that remark the wrong way. All it means is that Final Fantasy XII does away with the awkward, yet ancient, role-playing conventions of random battles and jarring transitions between exploration and combat. Instead, in Final Fantasy XII, you'll never get taken out of the core gameplay experience, except when the game shows you a cinematic cutscene or when you access your status menus.
That means combat occurs seamlessly within the game's fully 3D environments--no screen-shattering, no your-guys-on-one-side-bad-guys-on-the-other-side battle screen, no signature Final Fantasy victory music as you collect your gil and cure potions after you win. None of that. And you know what? I got the distinct impression that this is the best thing to happen to the series in a while. By extension, it may well be representative of a refreshing, new direction for the console role-playing genre to head toward.
Admittedly, that last statement may be a bit over the top. The truth is, Square's Vagrant Story actually played similarly, only it featured a weird location-based, rhythm-based combat system, whereas Final Fantasy XII is more by the book and lets you command up to three characters at a time instead of just one (and you see all three characters running around in the environment). Basically, the action occurs in real time, but you can always pause to issue new orders. The simplest order is to make all your characters attack a given foe, in which case they'll stand there and dish out the pain as often as they're able to attack, which is fundamentally similar to combat in previous Final Fantasies.
However, you can get pretty tactical with this system and use the physical location to your advantage. You can have your ranged attackers hang back and fire away while your melee fighters suffer the pain on the front lines, for example. The signature spells of Final Fantasy all seem to be here, though I didn't get to try out any summoning spells or anything too spectacular. Still, I felt good about the combat, which comes across as more dynamic and somehow more plausible than in previous games.
It wouldn't be a Final Fantasy without some strange gameplay "system," and this next chapter will be no exception. This time you can assign "gambits" to your characters, which work like tactical orders. The basic gambit determines whether or not members of your party will follow the main character's lead, but other gambits may allow characters to deploy different strategies in battle by default. Such systems tend to be pretty deep, and frankly, I didn't get to explore this aspect of the game in too much detail during my relatively brief time spent with the game.
I did get to see a lot of the game's cutscenes, which are as beautifully produced and choreographed as ever. The characters emote subtly, and their respective personalities come across very well--or, in other words, I kind of wanted to just stand there and play Final Fantasy XII all day to figure out what the game was all about.
For that, I read an interview with FFXII director Yasumi Matsuno, the erstwhile director of Final Fantasy Tactics and Vagrant Story for new story and gameplay details. He was understandably quiet about the plot, though he did confirm that there are no direct connections to any previous game set in Ivalice--it's the same world, but don't expect any familiar faces. Matsuno also expanded on the gambit system, telling that there will be 10 gambit categories and that new gambits will be treated like items (that is, you'll typically buy them from vendors or find them dropped by slain monsters).
Given FFXII's impressive character animation system, which includes emotive facial expressions, Matsuno said the team is attempting to keep as much of the game's cinematic content in-engine as possible. However, CG will still be used for grandiose scenes of battle or the flight of airships, for instance. On the game's music, Matsuno said he has asked composer Hitoshi Sakimoto to create a slightly more up-tempo and optimistic score than the characteristically moody fare he's provided for previous games such as Vagrant Story. Series composer Nobuo Uematsu will be creating the game's theme song, which has a theme of love. Matsuno noted that Uematsu's love song has even influenced a slight change in the game's storyline.
Matsuno also said his design philosophy for Final Fantasy XII is one that marries the best aspects of off- and online RPGs. That's not to say the game will have stilted online components--quite the contrary; it's as focused on story and role-playing as any game in the Final Fantasy series. Matsuno told that, while there are gameplay elements of online RPGs that he finds appealing, he's annoyed by the compulsion to be social in such games. FFXII will therefore bring aspects of MMORPG design, such as the aforementioned open-ended combat system, to the defined narrative structure that Final Fantasy is known for.
This whole experience indicated that the game is well along in development (between the variety of settings and the already-apparent level of polish to the game), despite the recent announcement of the game's delayed release. At any rate, I figure Square Enix is going to use all that Final Fantasy X-2 money to make sure this next one's as good as it can be.
Thanks to Gamespot.