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Wendy Carlos
Wendy Carlos (born Walter Carlos; November 14, 1939) is an American composer and performer, known for her use of electronic instruments to play classical music, and for her film scores.
Carlos first came to prominence in 1968 with Switched-On Bach, a recording of music by J.S. Bach assembled phrase-by-phrase on a Moog synthesizer, at the time a relatively new and unknown instrument. The album earned three Grammy Awards in 1969 and other classical recordings followed.
Carlos later began releasing original compositions, including the first album of synthesized environmental sounds, Sonic Seasonings (1972) and an album exploring alternate tunings Beauty in the Beast (1986). She has worked in film music, writing and performing scores for two Stanley Kubrick movies, A Clockwork Orange (1971) and The Shining (1980), as well as Walt Disney's Tron (1982).
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Career
Carlos was a musical prodigy who started piano lessons at six and at ten composed "A Trio for Clarinet, Accordion, and Piano". In 1953 (aged 14), Carlos won a Westinghouse Science Fair scholarship for a home-built computer, well before "computer" was a household word. After graduating from St. Raphael Academy, a Catholic high school in Pawtucket, RI, Carlos earned a B.A. in music and physics at Brown University (1962) and an M.A. in music from Columbia University (1965). Carlos studied with Vladimir Ussachevsky, a pioneer in electronic music, as well as Otto Luening and Jack Beeson, working in the famed Columbia-Princeton Electronic Music Center.
Carlos met Dr. Robert Moog at the 1963 Audio Engineering Society show and became one of his earliest customers, providing advice and technical assistance for his further development of the Moog synthesizer. Carlos convinced Moog to add touch sensitivity to the synthesizer keyboard for greater dynamics and musicality, among other improvements.
Around 1966, Carlos met Rachel Elkind, who went on to produce Switched-On Bach and other early albums. With the proceeds from Switched-On Bach, the two renovated a New York brownstone, which they shared as a home and business premises, installing a studio for live and electronic recording on the bottom floor where all subsequent recordings have been produced. Carlos took the unusual step of enclosing the entire studio in a Faraday cage, shielding the equipment from radio and television interference.
Carlos contributed a review of the then-available synthesizers to the June 1971 edition of the Whole Earth Catalog, contrasting the Moog, Buchla and Tonus (aka ARP) systems. She was dismissive of smaller systems like the EMS Putney and the Minimoog as "toys" and "cash-ins".
Carlos is also an accomplished solar eclipse photographer.
Work
In addition to the aforementioned "Trio for Clarinet, Accordion and Piano", Carlos composed numerous student works. Two which saw later release (on 1975's By Request) are "Dialogues for Piano and Two Loudspeakers" (1963) and "Episodes for Piano and Electronic Sound" (1964). Others include "Variations for Flute and Electronic Sounds" (1964), "Episodes for Piano and Tape" (1964), "Pomposities for Narrator and Tape" (1965), and "Noah" (1965), an opera blending electronics and normal orchestra. Her first commercial release was "Moog 900 Series � Electronic Music Systems" (R. A. Moog Company, Inc., 1967), an introduction to the technical aspects of the Moog synthesizer, part of her compensation for this recording was in Moog equipment.
Switched-On Bach (1968) was Carlos' break-through album, one of the first to draw attention to the synthesizer as a genuine musical instrument. Multitrack recording techniques played a critical role in the time-consuming process of creating this album, when it was significantly more difficult than it is today. Switched-On Bach was the last project in a four-year-long collaboration with Benjamin Folkman and won gold records for both Carlos and Folkman. The album then became one of the first classical LPs to sell 500,000 copies, going gold in August 1969 and platinum in November 1986. It remained at the top spot on the Billboard Magazine classical album chart for two years and 49 weeks.
A sequel of additional synthesized baroque music, The Well-Tempered Synthesizer, followed in 1969. The title is a play on Bach's Well-Tempered Clavier (1722). A second sequel, Switched-On Bach II, was released in 1973, continuing the style of the previous two albums and adding a Yamaha Electone organ to the Moog for certain passages in Bach's 5th Brandenburg Concerto.
In 1971, Carlos composed and recorded music for the soundtrack of A Clockwork Orange, directed by Stanley Kubrick and based on the 1962 eponymous novel by Anthony Burgess. Additional music not used in the film was released in 1972 as Walter Carlos' Clockwork Orange. Some portions of her work for this film reappeared in her Tales of Heaven and Hell (2003), in movement 3 A Clockwork Black.
She worked with Kubrick again on the score for The Shining (1980). While in the end Kubrick mostly used the pre-existing music by avant-garde composers he had used as guide tracks, Carlos' contribution was notable for her reinterpretation of the "Dies Irae" (Day of Wrath) section of Berlioz's Symphonie fantastique used during the opening scene. Carlos's complete contributions were finally released 25 years later, in 2005.
Sonic Seasonings (1972) was packaged as a double album, with one side dedicated to each of the four seasons and each side consisting of one long track. The album blended field recordings with synthesized sounds, occasionally employing melodies, to create an ambient effect. Though not as popular as Carlos' earlier albums, it significantly influenced other artists who went on to create the ambient genre.
In 1982, she scored the film Tron for The Walt Disney Company. This score incorporated orchestra, chorus, organ, and both analog and digital synthesizers. Some of her end-title music featuring the Royal Albert Hall Organ was replaced with a song by Journey, and the music originally composed for the lightcycle scene was dropped. Digital Moonscapes (1984) switched to digital synthesizers from the analog synthesizers that were the trademark of her earlier albums. Some of the unused material from the Tron soundtrack was incorporated into it.
Beauty in the Beast (1986) saw Carlos experimenting with various tunings, including just intonation, Balinese scales, and several scales she invented for the album. (One scale she invented, the Harmonic Scale, involved setting a "root note" and retuning all of the notes on the keyboard to just intonation intervals from the root note. There are a total of 144 possible notes per octave in this system: 12 notes in a chromatic scale times 12 different keys.) Other scales included Carlos' Alpha, Beta, and Gamma scales, which experimented with dividing the octave into a non-integral number of equally-spaced intervals. These explorations in effect supplemented the more systematic microtonal studies of the composer Easley Blackwood, Jr., whose etudes on all 12 equal-tempered scales between 13 and 24 notes per octave had appeared in 1980.
Secrets of Synthesis (1987) is a lecture by Carlos with audio examples (many from her own recordings), expounding on topics she feels to be of importance. Some of the material is an introduction to synthesis, and some (e.g., a discussion of hocket) is aimed at experienced musicians. This release harkens back to The Nonesuch Guide to Electronic Music (1967) by Beaver & Krause, released some 20 years earlier.
Beginning in 1998, all of her catalog was digitally remastered by Carlos herself, requiring that she retrieve and in some cases purchase her masters from Columbia Records. In 2005, the two-volume set Rediscovering Lost Scores was released, featuring previously out-of-print material, including the unreleased soundtrack to Woundings, and music composed and recorded for The Shining, Tron, and A Clockwork Orange that was not used in the films. These reissues have since gone out-of-print because of changes to the music business involving East Side Digital, a music publisher.
Personal life
Gender transition
Carlos became aware of her gender dysphoria at an early age; she told Playboy, "I was about five or six... I remember being convinced I was a little girl, much preferring long hair and girls' clothes, and not knowing why my parents didn't see it clearly". In 1962 (aged 22), when she moved to New York City to attend graduate school at Columbia University, she came into contact for the first time with information about transgender issues (including the work of Harry Benjamin). In early 1968, she began hormone treatments and soon began living full-time as a woman. In her Whole Earth Catalog review of synthesizers (1971), Carlos asked to be credited simply as "W. Carlos". After the financial success of Switched-On Bach, Carlos was finally able to undergo sex reassignment surgery in May 1972.
Carlos chose to announce herself as the featured interview in May 1979's Playboy magazine, picking Playboy because, "The magazine has always been concerned with liberation, and I'm anxious to liberate myself". She has since come to regret the interview, has created a "Shortlist Of The Cruel" page on her website, and gave Playboy's editors three "Black Leaf" awards, meaning "Arrogant selfish prig, with a genuine sadistic streak".
Carlos prefers not to discuss her transition and has asked that her privacy regarding the subject be respected.
Lawsuit
In 1998, Carlos sued the songwriter/artist Momus for $22 million for his satirical song "Walter Carlos" (which appeared on the album The Little Red Songbook, released that year), which suggested that if Wendy could go back in time she could marry Walter. The case was settled out of court, with Momus agreeing to remove the song from subsequent editions of the CD and owing $30,000 in legal fees.
Awards and honors
Switched-On Bach was the winner of three 1969 Grammy Awards:
Album Of The Year, Classical
Best Classical Performance � Instrumental Soloist Or Soloists (With Or Without Orchestra)
Best Engineered Recording, Classical
In 2005, Carlos was the recipient of the SEAMUS Lifetime Achievement Award "in recognition of lifetime achievement and contribution to the art and craft of electro-acoustic music" by the Society for Electro-Acoustic Music in the United States.
Discography
1968 Switched-On Bach
1969 The Well-Tempered Synthesizer
1972 Sonic Seasonings
1972 Wendy Carlos's Clockwork Orange (all the music composed or realized for the film.)
1973 Switched-On Bach II
1975 By Request
1979 Switched-On Brandenburgs (first album originally issued as 'Wendy Carlos')
1982 Tron (soundtrack)
1984 Digital Moonscapes
1986 Beauty In the Beast SYNCD 200, Jem Records, South Plainfield, NJ
1987 Secrets of Synthesis CBS Records, MK42333.
1988 Peter and the Wolf (with "Weird Al" Yankovic)
1992 Switched-On Bach 2000 Telarc Int. Co., CD80323.
1998 Tales of Heaven and Hell (contains a track using 15 equal temperament)
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Tracklist
Switched-On Bach
1-1 Sinfonia To Cantata #29 3:20
1-2 Air On A G String 2:27
1-3 Two-Part Invention In F Major 0:40
1-4 Two-Part Invention In B-Flat Major 1:30
1-5 Two-Part Invention In D Minor 0:55
1-6 Jesu, Joy Of Man's Desiring 2:56
1-7 Prelude And Fugue #7 In E-Flat Major (From Book I Of The Well-Tempered Clavier) 7:07
1-8 Prelude And Fugue #2 In C Minor (From Book I Of The Well-Tempered Clavier) 2:43
1-9 Chorale Prelude Wachet Auf 3:37
Brandenburg Concerto No. 3 In G Major
1-10 I - Allegro 6:35
1-11 II - Adagio (First, 1968 Version) 2:50
1-12 III - Allegro 5:05
Bonus Brandenburg Track:
1-13 II - Adagio (Second, 1979 Version) 1:04
1-14 Initial Experiments Narrator � Wendy Carlos 8:35
The Well-Tempered Synthesizer
2-1 Orfeo Suite: Toccata; Ritornello I; Choro II; Ritornello II; Choro II; Ritornello II Composed By � Claudio Monteverdi 3:15
2-2 Sonata In G Major, L. 209/K. 455 Composed By � Domenico Scarlatti 1:38
2-3 Sonata In D Major, L. 164/K. 491 Composed By � Domenico Scarlatti 3:50
Water Music Composed By � Handel*
2-4 Bourr�e 0:43
2-5 Air 2:42
2-6 Allegro Deciso 2:57
2-7 Sonata In E Major, L. 430/K. 531 Composed By � Domenico Scarlatti 1:52
2-8 Sonata In D Major, L. 465/K. 96 Composed By � Domenico Scarlatti 2:25
Brandenburg Concerto #4 In G Major
2-9 I - Allegro 8:03
2-10 II - Andante 3:30
2-11 III - Presto 4:40
2-12 Monteverdi: Domine Ad Adjuvandum (From The 1610 Vespers) Composed By � Claudio Monteverdi 2:13
2-13 Stereo Alignment Tones 0:10
2-14 Well-Tempered Experiments 9:08
Switched-On Bach II Selections From Suite #2 In B Minor
3-01 Badinerie 1:25
3-02 Minuet 1:19
3-03 Bourr�e 1:42
3-04 Two-Part Invention In A Minor 1:22
3-05 Two-Part Invention In A Major 1:10
3-06 Sheep May Safely Graze (From Cantata No. 208) 5:07
Suite From Anna Magdalena Notebook
3-07 Musette In D Major 1:10
3-08 Minuet In G Major 1:43
3-09 Bist De Bei Mir 2:16
3-10 Marche In D Major 1:04
Bonus Track:
3-11 Little Fugue In G Minor 3:44
Brandenburg Concerto #5 In D Major
3-12 Allegro 10:45
3-13 Affettuoso 5:35
3-14 Allegro 4:50
Switched-On Brandenburgs
Brandenburg Concerto #1 In F Major
4-1 I - Allegro 4:10
4-2 II - Adagio 4:06
4-3 III - Allegro 4:23
4-4 IV - Menuuetto, Trio I, Polocca, Trio II 4:23
Brandenburg Concerto #2 In F Major
4-5 I - Allegro 5:48
4-6 II - Andante 4:23
4-7 III - Allegro Assai 2:57
Brandenburg Concerto #6 In B-Flat Major
4-8 I - Allegro 6:53
4-9 II - Adagio Ma Non Tanto 4:37
4-10 III - Allegro 5:29
Credits
Composed By � Johann Sebastian Bach (tracks: 1-01 to 1-14, 2-09 to 2-11, 3-01 to 4-10)
Producer � Rachel Elkind
Synthesizer, Arranged By � Wendy Carlos
Notes
Reissue box set of the four "Switched-On" albums, remastered 20-bit Hi-D transfers from the original first generation 1/2" and 1/4" tapes. Includes bonus tracks and a 200 page book.
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Tracklist
Cosmological Impressions
1. Genesis 7:12
2. Eden 4:29
3. I.C. 3:40
Moonscapes
4. Luna 8:20
5. Phobos & Deimos 3:27
6. Ganymede 4:27
7. Europa 4:19
8. Io 4:25
9. Callisto 4:29
10. Rhea 1:50
11. Titan 3:45
12. Iapetus 5:50
Companies, etc.
Phonographic Copyright (p) � Serendip (2)
Copyright (c) � Serendip (2)
Credits
Engineer � Wendy Carlos
Liner Notes � Wendy Carlos
Performer � LSI Philharmonic*
Producer � Wendy Carlos
Remastered By � Wendy Carlos
Sound Designer � Wendy Carlos
Technician [Assistant] � Gus Skinas, Stoney Stockell, Tom Piggott
Notes
12 page booklet.
Barcode and Other Identifiers
Barcode (Text): 0 21561 81542 1
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Tracklist
Sonic Seasonings
1-1 Spring 22:24
1-2 Summer 21:40
1-3 Fall 21:06
2-1 Winter Vocalese [Vocalise] � Rachel Elkind 20:40
+
2-2 Winter Out-take 5:21
Land Of The Midnight Sun
2-3 Aurora Borealis 19:55
2-4 Midnight Sun 19:57
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Copyright (c) � Serendip (2)
Phonographic Copyright (p) � Serendip (2)
Credits
Design [Original Package Design] � Ed Lee, Rachel Elkind-Tourre*
Design, Mastered By, Engineer � Wendy Carlos
Executive-Producer � Annemarie Franklin
Graphics [Remix] � Drew Miller
Liner Notes [1972] � Rachel Elkind
Liner Notes [1998] � Wendy Carlos
Photography By [Tundra] � Jorma Puranen
Producer � Rachel Elkind (tracks: 1-1 to 1-3, 2-1, 2-2), Wendy Carlos (tracks: 2-3, 2-4)
Remastered By � Chris (219), Clare Cooper (3), Eric Klein (2), Georges (6), Joe Winograd, John Klett, John Romkey, Matthew Davidson, Todd (36)
Notes
Original LP: First released 1972 as Columbia PG 31234
With thanks to: R. Dennis Schwartz, Stephen Temmer, Phillip Ramey, Chris Nelson, Sue C. Clarke, Bebe Schwartz.
New CD, remastering: John Romkey, Chris & Todd & Georges @ Arboretum Systems, Eric Klein @ Waves, Joe Winograd @ Aris, Matthew Davidson @ MotU, John Klett, and Clare Cooper.
Graphic remix by Drew Miller @ SmartSet.
Cover art: Islands of Matsushima, attributed to Korin Ogata / Accession number 11.4584 / Fund: Felolfosa-Weld Collection / Courtesy Museum of Fine Arts, Boston.
Disc One is a "hypertext-enhanced" CD containing additional original notes by Phillip Ramey, a high resolution image of the cover painting, and a snapshot of the "living page" www.wendycarlos.com as of August, 1998. From your web browser, choose "Open File" and select index.php.
Hi-D 20-bit
� 1998 ℗ 1972, 1998 Serendip.
Barcode and Other Identifiers
Barcode (Text): 0 21561 81372 4
Barcode (String): 021561813724
Matrix / Runout (Variant 1: Disc One, mirrored): CD-ROM DADR 1DSN2<1012>ESD81372
Matrix / Runout (Variant 1: Disc Two, mirrored): DADR 1DDW1<1012>ESD81382
Mastering SID Code (Variant 1: Disc One, mirrored): IFPI L482
Mastering SID Code (Variant 1: Disc Two, mirrored): IFPI L481
Mould SID Code (Variant 1: Disc One): IFPI 8142
Mould SID Code (Variant 1: Disc Two): IFPI8102
Matrix / Runout (Variant 2: Disc One, mirrored): CD-ROM DADR 1R1G1<1012>ESD81372
Matrix / Runout (Variant 2: Disc Two, mirrored): DADR 1DDW1<1012>ESD81382
Mould SID Code (Variant 2: Disc One): IFPI8101
Mould SID Code (Variant 2: Disc Two): IFPI 8142
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Tracklist
1. Timesteps Composed By � Wendy Carlos 13:50
2. March From A Clockwork Orange Arranged By � Wendy Carlos Composed By � Ludwig Van Beethoven Other [Articulations], Performer � Rachel Elkind 7:00
3. Title Music From A Clockwork Orange Composed By � Henry Purcell Performer � Rachel Elkind 2:21
4. La Gazza Ladra (The Thieving Magpie) Arranged By � Wendy Carlos Composed By � Gioacchino Rossini 5:50
5. Theme From A Clockwork Orange (Beethoviana) Composed By � Wendy Carlos Composed By, Performer � Rachel Elkind 1:44
6. Ninth Symphony: Second Movement (Scherzo) Arranged By � Wendy Carlos Composed By � Ludwig Van Beethoven 4:52
7. William Tell Overture Arranged By � Wendy Carlos Composed By � Gioacchino Rossini 1:17
8. Orange Minuet Composed By � Wendy Carlos 2:35
9. Biblical Daydreams Composed By � Wendy Carlos Composed By, Performer � Rachel Elkind 2:06
10. Country Lane Composed By � Wendy Carlos Composed By, Performer � Rachel Elkind 4:43
Companies, etc.
Copyright (c) � Serendip (2)
Phonographic Copyright (p) � Serendip (2)
Credits
Artwork [Assembly], Graphics, Performer, Remastered By � Wendy Carlos
Painting [Cover Painting] � Chelsea Louviere
Producer � Rachel Elkind
Notes
Track 2 arrangement from Beethoven: Ninth Symphony, Fourth Movement, Abridged.
Track 3 arranged from Purcell's Music for the Funeral of Queen Mary.
Track 4 arrangement from The Thieving Magpie, Abridged.
Original release 1972, but the original version supressed 2 songs: "Orange Minuet" and "Biblical Daydreams".
This is a "hypertext-enhanced" CD containing additional material about this work, as well as a snapshot of the "living page" www.wendycarlos.com as of August, 1998.
(The music score for this album was available on Hanson Publications D 151-out of print)
Barcode and Other Identifiers
Barcode: 0 21561 81362 5
Rights Society: BMI
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Tracklist
1. Transitional 9:15
2. HeavenScent 3:05
3. Clockwork Black 17:47
4. City Of Temptation 4:21
5. Memories 1:46
6. Afterlife 8:24
7. Seraphim 12:49
Companies, etc.
Copyright (c) � Serendip (2)
Phonographic Copyright (p) � Serendip (2)
Credits
Artwork [Rear Cover Paintings, And "The Tree Man"] � Hieronymus Bosch (3)
Computer � John Romkey, Matthew Carlos
Electronics � Bennett Sykes, Chris Martirano, Gordon Raphael, Hal Chamberlin, Jim Cooper (3), Joe Ierardi
Executive-Producer � Annemarie Franklin
Music By, Producer, Artwork [Cover Artwork], Design [Image Design] � Wendy Carlos
Performer � Tom O' Horgan
Sampler, Producer [Assistant], Computer � Matthew Davidson
Strings, Sounds [Additional Original Samples] � Ken Hiskey, Scott Levitin
Vocals [Vocal Effects, Crying Performance] � Ann Feldman
Voice � Gregory Purnhagen, John Olund, Stephen Rosser
Voice, Voice [Chants, Vocal Effects] � Jeffrey Johnson
Notes
Featuring Clockwork Black and other works
Contains genuinely scary material. Use caution when listening alone or in the dark.
� & ℗ 1998 Serendip
Barcode and Other Identifiers
Barcode: 0 21561 81352 6
Matrix / Runout (Mirrored): CD-ROM DADR 1CTV2<1012>ESD81352
Rights Society: BMI
Mould SID Code: IFPI8117
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Tracklist
From "The Shining"
1. Colorado 1:16
2. The Rocky Mountains 1:47
3. Chase Music 1:13
4. Nocturnal Valse Triste 1:25
5. Greetings Ghosties 2:22
6. Horror Show 1:06
7. A Haunted Waltz 0:43
8. Psychic Shout #237 1:15
9. Danny 1:30
10. Heartbeats And Worry 2:12
11. Subliminal Ballroom 1:18
12. Thought Clusters 0:58
13. A Ghost Piano 2:02
14. Visitors 2:20
15. Dark Winds And Rustles 1:51
16. Bumps In The Night 3:05
17. Setting With Medea 2:13
18. Two Polymoog Improvisations 1:51
19. Fanfare And Drunken "Dies" 1:35
20. Clockworks (Bloody Elevators) 2:21
21. Danny Bells Ascending 1:21
22. Postlude 1:16
From "A Clockwork Orange"
23. Stately Purcell 2:16
24. Pop Purcell 1:14
25. Trumpet Voluntary 0:36
From Several UNICEF Films
26. The Children Of Peru 2:34
27. Shanty Town And Farewell 2:04
28. Daycare And The Colonel 2:18
29. Two Distant Walks 3:01
30. Ethiopian Life 1:49
31. Tanzanian Scenes 2:04
32. Three Hopeful Places 3:13
Companies, etc.
Phonographic Copyright (p) � Serendip (2)
Copyright (c) � Serendip (2)
Made By � Disque Americ
Credits
Composed By, Remastered By, Artwork [All Images Created By], Liner Notes � Wendy Carlos
Layout � Diane Waller
Producer � Rachel Elkind
Notes
℗ 1972 - 2005, � 2005 Serendip LLC
Barcode and Other Identifiers
Matrix / Runout: DADR 3DXE1<1012>ESD81752
Mastering SID Code: IFPI L483
Mould SID Code: IFPI 81B0
Other (In mould): AD/CA
Barcode (Printed): 0 21561 81752 4
Barcode (Scanned): 021561817524
Rights Society: BMI
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Tracklist
From "The Shining" (Orchestra & Studio Music, 1980):
1. Shining Title Music 3:55
2. Paraphrase For 'Cello 3:26
3. Where's Jack? 5:24
4. The Overlook 3:57
5. Psychic Scream 1:29
6. Day Of Wrath 1:08
7. Paraphrase For Brass 1:38
8. Title Music "Dies" 3:47
9. Clockworks "Dies" 2:24
From "Tron" (1982):
10. Creation Of Tron V. I 0:36
11. Creation Of Tron V. II 0:36
12. Lightcycle Games 2:07
13. Anthem (Studio Version) 1:25
14. Little Interludes 0:57
15. Trinitron 2:20
From "Split Second" (1991):
16. Visit To A Morgue 1:24
17. Return To The Morgue 2:50
From "Woundings" (1997-98):
18. Woundings Title Music 3:12
19. Angela's Walk 1:06
20. Jimmy 1:38
21. Louise 0:57
22. Doug Does Angela 1:38
23. Scattering Ashes 1:33
24. Angela's Aftermath 3:48
25. Jimmy Kills Louise 2:33
26. In A Cemetary 0:58
27. Fly Away And End 1:41
From Two Dolby Demos (1981-82):
28. Jiffy Test: Bee Dee Bei Mir 1:25
29. Listen: Tannhauser 2:18
Companies, etc.
Phonographic Copyright (p) � Serendip (2)
Copyright (c) � Serendip (2)
Credits
Layout � Diane Waller
Liner Notes, Music By, Remastered By, Artwork [All Images Created By] � Wendy Carlos
Producer � Rachel Elkind-Tourre* (tracks: 1 to 9), Wendy Carlos (tracks: 10 to 29)
Notes
Remastered by Wendy Carlos with a special thanks to: Ioan Allen and Dolby Labs, Clare Cooper, Manya Zuba, John Romkey, and Mike Burg.
29 Tracks of unheard music
℗ 1972-2005, � 2005 Serendip LLC
Hi-D 20-bit
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Tracklist
1. �Wendy Carlos Creation Of Tron
2. �Journey Only Solutions Written-By � Jonathan Cain, Neil Schon*, Steve Perry
3. �Wendy Carlos We've Got Company
4. �Wendy Carlos Wormhole
5. �Wendy Carlos Ring Game And Escape
6. �Wendy Carlos Water Music And Tronaction
7. �Wendy Carlos Tron Scherzo
8. �Wendy Carlos Miracle And Magician
9. �Wendy Carlos Magic Landings
10. �Wendy Carlos Theme From Tron
11. �Journey 1990's Theme Written-By � Jonathan Cain, Neil Schon*
12. �Wendy Carlos Love Theme
13. �Wendy Carlos Tower Music - Let Us Pray
14. �Wendy Carlos The Light Sailer
15. �Wendy Carlos Sea Of Simulation
16. �Wendy Carlos A New Tron And The MCP
17. �Wendy Carlos Anthem
18. �Wendy Carlos Ending Titles
19. �Wendy Carlos Tronaction (Original Version)
20. �Wendy Carlos Break In (For Strings, Flutes And Celesta)
21. �Wendy Carlos Anthem For Keyboard Solo
Credits
Artwork By [Direction And Design] � Steve Sterling
Conductor � Douglas Gamley
Directed By [The Ucla Chorus] � Donn Weiss
Executive Producer � Ron Miller
Music By � Wendy Carlos (tracks: 1, 3 to 10, 12 to 21)
Orchestra � The London Philharmonic Orchestra (tracks: 1, 3 to 10, 12 to 21)
Orchestrated By � Jorge Calandrelli
Organ [Royal Albert Hall] � Martin Neery*
Other [Assistant To The Composer] � Annemarie Franklin
Synthesizer [Gds And Moog], Arranged By, Mixed By, Producer � Wendy Carlos
Technician [Cue And Sync Preparation] � Jeffrey Gussman
Technician [Synchronization] � Paul Blank
Notes
Tracks 19, 20, & 21 are listed as bonus tracks.
℗ 1982, 2003 Walt Disney Records under exclusive license to EMI Records Ltd.
� 1982, 2006 Disney under exclusive license to EMI Records Ltd.
� 2006 Disney under exclusive license to EMI Records Ltd.
Barcode and Other Identifiers
Barcode: 094637118122
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Tracklist
Peter And The Wolf
1. Introduction 3:58
2. Peter & The Wolf 27:52
The Carnival Of The Animals - Part Two
3. Introduction 1:20
4. Aardvark 1:47
5. Hummingbirds 0:58
6. Snails 2:03
7. Alligator 1:15
8. Amoeba 1:52
9. Pigeons 1:56
10. Shark 2:17
11. Cockroaches 1:40
12. Iguana 0:35
13. Vulture 3:14
14. Unicorn 1:25
15. Poodle 2:51
16. Finale 2:53
Companies, etc.
Mastered At � Sterling Sound
Credits
Adapted By [Text] � Al Yankovic* (tracks: 1, 2)
Arranged By � Wendy Carlos (tracks: 1, 2)
Illustration [Cover Illustration] � Robert Grossman
Mastered By � Ted Jensen
Music By � Sergei Prokofiev (tracks: 1, 2), Wendy Carlos (tracks: 3 to 16)
Narrator � "Weird Al" Yankovic
Orchestra � LSI Philharmonic*
Producer [Associate] � Annemarie Franklin
Programmed By, Technician [Assembly], Mixed By � Wendy Carlos
Technician [Digital Transfers And Editing] � Rhonda Epstein Schoen*
Written-By [Poems] � Al Yankovic* (tracks: 3 to 16)
Notes
Special thanks to: Jim Cooper, Dave Yost, Ralph Muha and team, Charlie Ugenti, and Paul Rochon.
Title spelled "Peter & The Wolf" on cover, "Peter And The Wolf" everywhere else.
UPC: 0 7464-44567-2
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Tracklist
1. Introduction 2:06
2. Examples Of Analog Timbres 3:46
3. Choral Tone, Vibrato, Articulation 2:55
4. Vocal Synthesis 6:52
5. Performance Values 4:31
6. Simple Orchestration 2:23
7. Electronic Pointillism & Hocketing 3:36
8. For Spatial Motion 1:11
9. Ensemble Performance Via Click-Tracks 2:31
10. Imitative Synthesis 0:59
11. Musique Concrete Plus Synthesizer 2:21
12. Orchestra With Synthesizer 0:53
13. Digital Synthesis 5:46
14. Digital Vs. Analog 5:59
15. Hybrid Timbres 3:08
16. Alternative Tunings--The Future 3:24
Credits
Producer � Wendy Carlos
Notes
Originally released on LP in 1986
UPC: 021561817029
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Tracklist
1. Incantation 6:47
2. Beauty In The Beast 3:57
3. Poem For Bali 17:40
4. Just Imaginings 12:07
5. That's Just It 3:36
6. Yusae-Aisae 3:12
7. C'est Afrique 6:13
8. A Woman's Song 4:09
Credits
Artwork By [Cover Painting] � W.Y. Weca
Engineer � Wendy Carlos
Mastered By [Restored & Remastered] � Wendy Carlos
Other [Enhanced Cd Layout & Formatting] � Drew Miller
Photography [1986 Photo Of Wendy Carlos] � Vernon Smith
Producer � Wendy Carlos
Notes
The tracks are indexed at significant musical transitions.
This is a "hypertext-enhanced" CD containing additional information about this work as well as a snapshot of the "living page" www.wendycarlos.com as of 6/1/2000.
Originally releases in 1986 as Audion SYN 200.
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Tracklist
Three Dances From "Nutcracker Suite"
1. Russian Dance Written-By � P. Tchaikovsky*
2. Dance Of The Sugar-Plum Fairy Written-By � P. Tchaikovsky*
3. Dance Of The Reed-Pipes Written-By � P. Tchaikovsky*
4. Dialogues For Piano And Two Loudspeakers Written-By � W. Carlos*
5. Episodes For Piano And Electronic Sound Written-By � W. Carlos*
6. Geodesic Dance (Electronic Etude) Written-By � W. Carlos*
7. Brandenburg Concerto No. 2 In F Major (1st Movement) Written-By � J. S. Bach*
8. "Little" Fugue In G Minor Written-By � J. S. Bach*
9. What's New, Pussycat? Written-By � B. Bacharach , H. David*
10. Eleanor Rigby Written-By � J. Lennon, P. McCartney*
11. Wedding March Arranged By � W. Carlos* Written-By � R. Wagner*
12. Pompous Circumstances (Variations & Fantasy On A Theme By Elgar) Written-By � W. Carlos*
Credits
Other [Thank You] � Clare Cooper, Jim Cooper, John Romkey, Mike Burg
Producer � Rachel Elkind
Remastered By [Remastering] � Wendy Carlos
Notes
New artwork
Original material from 1975
Barcode and Other Identifiers
Barcode: 021561816923
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