laohu
06-27-2014, 11:33 PM
Antonio Carlos Jobim & Luiz Bonfa - Black Orpheus (2008, FLAC)
01 A Felicidade (Guitar – Henri Crolla) 0:10
01a Bateria De Escola De Samba – Batucada 0:59
02 A Felicidade 2:35
03 Bateria De Escola De Samba – Batucada 2:51
03a Banda De Frevo – Frevo de Orfeu (Flute – Odette Ernest Dias) 1:36
04 Coro E Bateria De Escola De Samba* – O Nosso Amor (Lead Vocals – Vanja Orico, Trombone [Probably] – Raul de Barros) 1:12
05 Bateria De Escola De Samba – O Nosso Amor (Accordion – Chiquinho do Acordeom) 4:22
06 Manh� de Carnaval: Aula de Viol�o (Guitar – Luiz Bonf�) 2:13
07 Manh� de Carnaval (Guitar – Luiz Bonf�) 1:45
07a Manh� de Carnaval - Orfeu (Guitar – Roberto Menescal, Lead Vocals – Agostinho dos Santos*) 1:17
07b Manh� de Carnaval: Cena do Nascer do Sol (Guitar – Luiz Bonf�) 0:52
08 Manh� de Carnaval (Guitar – Luiz Bonf�) 1:34
09 Manh� de Carnaval: Eur�dice (Guitar – Luiz Bonf�, Lead Vocals – Elizeth Cardoso) 3:00
10 Coro E Bateria De Escola De Samba* – O Nosso Amor (Trombone [Probably] – Raul de Barros) 14:56
11 A Felicidade (Guitar – Jo�o Gilberto, Guitar [Or] – Roberto Menescal, Whistle – Agostinho dos Santos*) 2:05
12 Bateria Da Escola De Samba Unidos Da Capela – Bateria da Capela 4:55
13 Terreiro De Macumba, Rio De Janeiro – Pontos de Macumba 13:03
14 Banda De Frevo – Freve de Orfeu (Flute – Odette Ernest Dias) 1:30
15 A Felicidade (Guitar – Jo�o Gilberto, Guitar [Or] – Roberto Menescal) 1:06
16 A Felicidade (Guitar – Roberto Menescal, Lead Vocals – Agostinho dos Santos*) 2:47
17 Samba de Orfeu (Guitar – Luiz Bonf�) 1:24
17a Samba de Orfeu (Lead Vocals – Aurino Cassiano, Jorge dos Santos, Maria Alice) 1:01
Composed By – Ant�nio Carlos Jobim* (tracks: 1 to 5,10 to 11,14 to 16), Luiz Bonf� (tracks: 6 to 9,17)
Lyrics By – Antonio Maria* (tracks: 6 to 9,17), Vinicius de Moraes (tracks: 1 to 5,10 to 11,14 to 16)
2008 remastered Re-Release of the "Black Orpheus" (Orfeu Negro) soundtrack encompassing the original soundtrack EP (tracks 1 to 4) and a wealth of additional material.
https://mega.co.nz/#!L1wnXZzI!ZUXM4ZNGd1c_8lY7x5aFX1vgUJTuKEfyi-5oCgzMMfI
---------- Post added at 11:33 PM ---------- Previous post was at 11:33 PM ----------
Review by Thom Jurek
Black Orpheus the film by Marcel Camus, and its soundtrack, were the signposts by which the world first learned of samba and bossa nova and fell in love with it. Therefore, it is staggering to consider that it took until 2008 for a definitive edition of the soundtrack to be released, one that assembled all the songs and music heard in the film. After all, this is the score that created the partnership of composer Antonio Carlos Jobim and poet Vinicius de Moraes, and introduced the brilliant and influential guitarist Luiz Bonf�. Universal France has assembled all the sound recordings into one 17-track volume. These include the two original 45 EPs, and the 10" 33 rpm album, as well as some tracks that have never appeared before now. Given the wild success of the readily recognizable album on both LP and CD over the decades, this amounts to an entirely new hearing of Brazilian music -- bossa was emerging in Rio at the time too, a brand new genre. The sounds of the various samba schools from the carnival parades are accompanied by the gorgeous instrumental interludes by Bonf� (including the now ubiquitous "Manha De Carnaval," written with poet Antonio Mara), and the songs of de Moraes and Jobim (including "A Felicidade," as sung by Elizeth Cardoso). The songs may be well known now; the music of the favelas, as practiced by the escolas de samba with their agogo bells, atabaques drumming, stomping batacuda solos, and duels, folk line chants, and unusual (even now if one thinks about it) blend of African rhythms, dissonance, and extended harmonics, is still revolutionary today. A 13-minute encore medley by Brazilian guitarist Bola Sete that recorded in 1966 at the Monterey Jazz Festival, has been added as a bonus cut, wedding "Manha de Carnaval," to "A Felicidade," and "Samba de Orfeo." The presentation is handsome. There is an exhaustive historical essay by French scholar Ana�s Fl�chet, complete discographical information, and photos. The sound quality is only fair, but considering the neglect of the original masters, it's actually remarkable.
01 A Felicidade (Guitar – Henri Crolla) 0:10
01a Bateria De Escola De Samba – Batucada 0:59
02 A Felicidade 2:35
03 Bateria De Escola De Samba – Batucada 2:51
03a Banda De Frevo – Frevo de Orfeu (Flute – Odette Ernest Dias) 1:36
04 Coro E Bateria De Escola De Samba* – O Nosso Amor (Lead Vocals – Vanja Orico, Trombone [Probably] – Raul de Barros) 1:12
05 Bateria De Escola De Samba – O Nosso Amor (Accordion – Chiquinho do Acordeom) 4:22
06 Manh� de Carnaval: Aula de Viol�o (Guitar – Luiz Bonf�) 2:13
07 Manh� de Carnaval (Guitar – Luiz Bonf�) 1:45
07a Manh� de Carnaval - Orfeu (Guitar – Roberto Menescal, Lead Vocals – Agostinho dos Santos*) 1:17
07b Manh� de Carnaval: Cena do Nascer do Sol (Guitar – Luiz Bonf�) 0:52
08 Manh� de Carnaval (Guitar – Luiz Bonf�) 1:34
09 Manh� de Carnaval: Eur�dice (Guitar – Luiz Bonf�, Lead Vocals – Elizeth Cardoso) 3:00
10 Coro E Bateria De Escola De Samba* – O Nosso Amor (Trombone [Probably] – Raul de Barros) 14:56
11 A Felicidade (Guitar – Jo�o Gilberto, Guitar [Or] – Roberto Menescal, Whistle – Agostinho dos Santos*) 2:05
12 Bateria Da Escola De Samba Unidos Da Capela – Bateria da Capela 4:55
13 Terreiro De Macumba, Rio De Janeiro – Pontos de Macumba 13:03
14 Banda De Frevo – Freve de Orfeu (Flute – Odette Ernest Dias) 1:30
15 A Felicidade (Guitar – Jo�o Gilberto, Guitar [Or] – Roberto Menescal) 1:06
16 A Felicidade (Guitar – Roberto Menescal, Lead Vocals – Agostinho dos Santos*) 2:47
17 Samba de Orfeu (Guitar – Luiz Bonf�) 1:24
17a Samba de Orfeu (Lead Vocals – Aurino Cassiano, Jorge dos Santos, Maria Alice) 1:01
Composed By – Ant�nio Carlos Jobim* (tracks: 1 to 5,10 to 11,14 to 16), Luiz Bonf� (tracks: 6 to 9,17)
Lyrics By – Antonio Maria* (tracks: 6 to 9,17), Vinicius de Moraes (tracks: 1 to 5,10 to 11,14 to 16)
2008 remastered Re-Release of the "Black Orpheus" (Orfeu Negro) soundtrack encompassing the original soundtrack EP (tracks 1 to 4) and a wealth of additional material.
https://mega.co.nz/#!L1wnXZzI!ZUXM4ZNGd1c_8lY7x5aFX1vgUJTuKEfyi-5oCgzMMfI
---------- Post added at 11:33 PM ---------- Previous post was at 11:33 PM ----------
Review by Thom Jurek
Black Orpheus the film by Marcel Camus, and its soundtrack, were the signposts by which the world first learned of samba and bossa nova and fell in love with it. Therefore, it is staggering to consider that it took until 2008 for a definitive edition of the soundtrack to be released, one that assembled all the songs and music heard in the film. After all, this is the score that created the partnership of composer Antonio Carlos Jobim and poet Vinicius de Moraes, and introduced the brilliant and influential guitarist Luiz Bonf�. Universal France has assembled all the sound recordings into one 17-track volume. These include the two original 45 EPs, and the 10" 33 rpm album, as well as some tracks that have never appeared before now. Given the wild success of the readily recognizable album on both LP and CD over the decades, this amounts to an entirely new hearing of Brazilian music -- bossa was emerging in Rio at the time too, a brand new genre. The sounds of the various samba schools from the carnival parades are accompanied by the gorgeous instrumental interludes by Bonf� (including the now ubiquitous "Manha De Carnaval," written with poet Antonio Mara), and the songs of de Moraes and Jobim (including "A Felicidade," as sung by Elizeth Cardoso). The songs may be well known now; the music of the favelas, as practiced by the escolas de samba with their agogo bells, atabaques drumming, stomping batacuda solos, and duels, folk line chants, and unusual (even now if one thinks about it) blend of African rhythms, dissonance, and extended harmonics, is still revolutionary today. A 13-minute encore medley by Brazilian guitarist Bola Sete that recorded in 1966 at the Monterey Jazz Festival, has been added as a bonus cut, wedding "Manha de Carnaval," to "A Felicidade," and "Samba de Orfeo." The presentation is handsome. There is an exhaustive historical essay by French scholar Ana�s Fl�chet, complete discographical information, and photos. The sound quality is only fair, but considering the neglect of the original masters, it's actually remarkable.