laohu
12-19-2013, 02:32 AM
Telemann - Burlesque de Quixotte (Simon Standage) (2003, FLAC)
(http://imageshack.us/photo/my-images/703/gk93.jpg/)
Cast:
Collegium Musicum 90
Simon Standage, director
Tracks:
01-05. Ouverture in G major for 2 oboes, violin concertante and strings
06-13. Burlesque de Quixotte in G major
14-20. Ouverture in B minor for 2 oboes, 2 solo violins, 2 bassoons and strings
21-24. Concerto in D major for 2 violins, bassoon and strings
https://mega.co.nz/#!nNdhEZyL!VPEqUCvOxm-9SZI8XB6zIChMyr5KNEYs-GEJQEUr6RM
---------- Post added at 01:32 AM ---------- Previous post was at 01:32 AM ----------
Telemann is never more irresistible than when he's in light-hearted pictorial mode, and both these new releases feature one of the most entertainingly evocative of all his overture-suites for strings, the Burlesque de Quixote. Taking episodes from the Cervantes novel as its inspiration, it provides us with a memorable sequence of cameos, from the deluded Don tilting at windmills and sighing with love, to Sancho Panza tossed high in a blanket, to portrayals of the pair's respective steeds. Telemann achieves all this with such humour and descriptive precision that, when you hear it, you'll surely laugh in delighted recognition. What a good film composer he would have been! Both performances strike an appropriate tongue-in-cheek attitude. Northern Chamber Orchestra show good style and a pleasingly light and clear texture, unclouded by excessive vibrato or over-egged string tone. Only at the bass end does the sound occasionally become a little thick, but this is really quibbling when what we actually have is a good demonstration of how to perform Baroque music on modern strings. It still makes quite a contrast with Collegium Musicum 90, however, whose period instruments, recorded more intimately, sound slighter and sparkier.
Having already recorded so much of Telemann's music, they sound more at home and have that extra ounce of freedom to enjoy themselves.
The couplings of the Chandos disc are more interesting. For all that the NCO offer another attractive string suite, La Lyra, containing a typically realistic and beguiling hurdy-gurdy impersonation, the D major Overture isn't especially memorable; CM90 have found more colourful stuff in the strikingly French-accented G major Overture and a thoroughly charming Concerto for two violins, bassoon and strings. A pair of bassoons also makes a delightful appearance in the second Minuet of the Overture in B minor.
(http://imageshack.us/photo/my-images/703/gk93.jpg/)
Cast:
Collegium Musicum 90
Simon Standage, director
Tracks:
01-05. Ouverture in G major for 2 oboes, violin concertante and strings
06-13. Burlesque de Quixotte in G major
14-20. Ouverture in B minor for 2 oboes, 2 solo violins, 2 bassoons and strings
21-24. Concerto in D major for 2 violins, bassoon and strings
https://mega.co.nz/#!nNdhEZyL!VPEqUCvOxm-9SZI8XB6zIChMyr5KNEYs-GEJQEUr6RM
---------- Post added at 01:32 AM ---------- Previous post was at 01:32 AM ----------
Telemann is never more irresistible than when he's in light-hearted pictorial mode, and both these new releases feature one of the most entertainingly evocative of all his overture-suites for strings, the Burlesque de Quixote. Taking episodes from the Cervantes novel as its inspiration, it provides us with a memorable sequence of cameos, from the deluded Don tilting at windmills and sighing with love, to Sancho Panza tossed high in a blanket, to portrayals of the pair's respective steeds. Telemann achieves all this with such humour and descriptive precision that, when you hear it, you'll surely laugh in delighted recognition. What a good film composer he would have been! Both performances strike an appropriate tongue-in-cheek attitude. Northern Chamber Orchestra show good style and a pleasingly light and clear texture, unclouded by excessive vibrato or over-egged string tone. Only at the bass end does the sound occasionally become a little thick, but this is really quibbling when what we actually have is a good demonstration of how to perform Baroque music on modern strings. It still makes quite a contrast with Collegium Musicum 90, however, whose period instruments, recorded more intimately, sound slighter and sparkier.
Having already recorded so much of Telemann's music, they sound more at home and have that extra ounce of freedom to enjoy themselves.
The couplings of the Chandos disc are more interesting. For all that the NCO offer another attractive string suite, La Lyra, containing a typically realistic and beguiling hurdy-gurdy impersonation, the D major Overture isn't especially memorable; CM90 have found more colourful stuff in the strikingly French-accented G major Overture and a thoroughly charming Concerto for two violins, bassoon and strings. A pair of bassoons also makes a delightful appearance in the second Minuet of the Overture in B minor.