ribonucleic
10-06-2013, 09:01 PM
He possessed a particular genius for writing memorable melodies that, while often complex, were always designed for the ear to follow. He excelled at marrying them to modern rhythms (usually funk-based), and coupled with his rich, colourful style of orchestration, gave his music a unique and distinctive sound. Whether he was writing a hard-hitting theme for a detective or documentary series, a delicate underscore for a romantic interlude, a period piece or a humorous �throwaway� number, the common factor uniting them all were his lavish, flamboyant arrangements. - Oliver Lomax (http://www.syddale.co.uk/biography/syddalebioa.html)



Legends of Library

1. Disco-Tek (2:59)
2. Quite Contrary (1:44)
3. Knock On Wood (2:47)
4. Let Me Take You There (3:20)
5. March On The Run (2:02)
6. Secret Service (2:22)
7. Night Raider (2:38)
8. Miss World (1:35)
9. The Hellraisers (2:17)
10. The Explorers (2:07)
11. Lucky Seven (2:28)
12. The Washington Affair (2:13)
13. Portobello Market (2:23)
14. Piece Worker (1:13)
15. Sunshine Express (2:41)
16. The Penthouse Suite (1:54)
17. London Life (2:18)
18. Boogaloo Blues (2:40)
19. Not So Private Eye (1:16)
20. Walk In A Nightmare (3:01)
21. Minor Crisis (2:08)
22. Number One Spy (2:26)
23. Come One Come All (2:45)
24. Looks Like Trouble (0:51)
25. Base Line (2:50)
26. Impending Danger (2:13)
27. Beauty Parade (2:09)
28. The Groupie (2:16)
29. Forewarning (0:44)
30. Shank's Pony (2:37)


https://mega.co.nz/#!mAsFWI7A!HEhFfEjIxGJ6RQaAFbIEcBO4_dYicG14N-nbeFDQzTY

lounge legend
10-06-2013, 09:52 PM
a genius, no mistaking. Thanks

jimmy C
02-17-2014, 04:38 PM
Merci!!!!