laohu
09-13-2013, 04:13 AM
Ike Reiko - Kokotsu No Sekai 1971 (2005, FLAC+320)
Cover is censured
Not anymore!!!! :D :D
Tracklist
01) Onna Wa Sore Wo Gaman Dekinai (A Woman Can't Stand It)
02) Yokohama Tasogare (Yokohama Evening)
03) Memai (Dizzy)
04) Ame Ga Yandara (When The Rain Stops)
05) Yoake No Skyat (Dawn Scat)
06) Sasurai No Gitaa (Wandering Guitar)
07) Watashi Toiu Onna (I Am A Woman, or The Woman I Am)
08) Ame No Hi No Bruusu (Rainy Day Blues)
09) Koi No Dorei (Slave Of Love)
10) Keiken (Experience)
11) Tenshi Ni Narenai (I Can't Be An Angel)
12) Ai No Kizuna (Bonds Of Love)
FLAC - https://mega.co.nz/#!iwJHBaJD!fgqcXTC_Zf-k5MrFxRfWLR8F40EZRbjspVLtUL1f9kI
---------- Post added at 04:13 AM ---------- Previous post was at 04:13 AM ----------
Japanese erotica pop from singer and actress Ike Reiko – recorded around the time of her most popular pink films/sexploitation acting gigs – and a record that really lays the erotica theme on thickly! The sound is late 60s/early 70s seedy soundtrack style – with sultry rhythms, sax, chimes other thematic arrangements – nothing subtle about it, but plenty groovy! Ike's vocals are as explicit as they could get away with – moans, coos and occasional singing! Titles include "I Am A Woman", "Wandering Guitar", "After The Rain Stops", "Not An Angel", "Bond Of Love", "Love Slave", "Experience" and more.
One of Japan's rarest erotic artifacts in stunning condition – best copy that will ever cross your path. Unbelievable, here you have the HOLY GRAIL of Japanese Iroke gems, copies just never turn up – until now. Rare does not even come remotely close to describe the scarcity of this disc, the most depraved erotic and sexiest disc ever to have been put down on wax. In 1971, the same year as her big screen debut, Ike recorded the album K�kotsu no Sekai for Teichiku Records. In spite of her tender years (having just turned 17), she single-handedly transformed the album's conventional track list of covers and kay�kyoku melodies into an unprecedented maelstrom of eroticism and sexual depravity. Ike's vocals breathe with an astonishing naturalness, dripping honeyed and golden-tongued into the ears with angelic ease. Her erotic presence flutters across a multitude of erogenous non-verbal modes - moaning and uttered shrieks of ecstatic pleasure, sibilating suffocated whispers of excitement, and grunting and growling like a bitch in heat. When Ike does sing, it is in a subdued, husky voice about sex, submissive love and seduction. Although all the songs are cover versions, Ike confines herself to whispering but a small part of the original lyrics, spending the remainder on guttural erotic incantations backed by the desolate sound of a cheesy organ and a muffled yet ecstatic mellifluous vocal sound that is reminiscent of the 13th Floor Elevators' Tommy Hall breathing down a jug. The entire recording is suffused with a unique atmosphere, a ripe and heady Japanese eroticism now sadly overwhelmed by the intrusive and infelicitous import of cheap Westernized thrills and assorted uneuphonious cultural junk. Nevertheless, K�kotsu no Sekai launched Ike as the nightingale of the “pink new wave”.
If we were doubted that the previous was Japanese psych porn ,this is 100% psychedelic porn music,yet very beautiful!
The only album by the 70s Japanese porno actress Ike Reiko - and all the lyrics are about sex. The whole album is smothered with an echo effect, like she's singing in some dingy bar. Her husky voice echoes up from the night, and it totally sexy. Totally different from Gainsbourg's music, this record is suffused with an extremely fleshy, real sort of eroticism - you can almost smell the scent of her body. For me, all this represents a uniquely Japanese, moist kind of eroticism that has now vanished.And to top things of, her lifestyle was totally rock (she lied about her age when she was 17 to make her porno debut, made a total mess of her attempt to become a serious actress when she was at the height of her fame, returned tomaking pornos, retired with an addiction to stimulant drugs, and finally married some big successful businessman).
Cover is censured
Not anymore!!!! :D :D
Tracklist
01) Onna Wa Sore Wo Gaman Dekinai (A Woman Can't Stand It)
02) Yokohama Tasogare (Yokohama Evening)
03) Memai (Dizzy)
04) Ame Ga Yandara (When The Rain Stops)
05) Yoake No Skyat (Dawn Scat)
06) Sasurai No Gitaa (Wandering Guitar)
07) Watashi Toiu Onna (I Am A Woman, or The Woman I Am)
08) Ame No Hi No Bruusu (Rainy Day Blues)
09) Koi No Dorei (Slave Of Love)
10) Keiken (Experience)
11) Tenshi Ni Narenai (I Can't Be An Angel)
12) Ai No Kizuna (Bonds Of Love)
FLAC - https://mega.co.nz/#!iwJHBaJD!fgqcXTC_Zf-k5MrFxRfWLR8F40EZRbjspVLtUL1f9kI
---------- Post added at 04:13 AM ---------- Previous post was at 04:13 AM ----------
Japanese erotica pop from singer and actress Ike Reiko – recorded around the time of her most popular pink films/sexploitation acting gigs – and a record that really lays the erotica theme on thickly! The sound is late 60s/early 70s seedy soundtrack style – with sultry rhythms, sax, chimes other thematic arrangements – nothing subtle about it, but plenty groovy! Ike's vocals are as explicit as they could get away with – moans, coos and occasional singing! Titles include "I Am A Woman", "Wandering Guitar", "After The Rain Stops", "Not An Angel", "Bond Of Love", "Love Slave", "Experience" and more.
One of Japan's rarest erotic artifacts in stunning condition – best copy that will ever cross your path. Unbelievable, here you have the HOLY GRAIL of Japanese Iroke gems, copies just never turn up – until now. Rare does not even come remotely close to describe the scarcity of this disc, the most depraved erotic and sexiest disc ever to have been put down on wax. In 1971, the same year as her big screen debut, Ike recorded the album K�kotsu no Sekai for Teichiku Records. In spite of her tender years (having just turned 17), she single-handedly transformed the album's conventional track list of covers and kay�kyoku melodies into an unprecedented maelstrom of eroticism and sexual depravity. Ike's vocals breathe with an astonishing naturalness, dripping honeyed and golden-tongued into the ears with angelic ease. Her erotic presence flutters across a multitude of erogenous non-verbal modes - moaning and uttered shrieks of ecstatic pleasure, sibilating suffocated whispers of excitement, and grunting and growling like a bitch in heat. When Ike does sing, it is in a subdued, husky voice about sex, submissive love and seduction. Although all the songs are cover versions, Ike confines herself to whispering but a small part of the original lyrics, spending the remainder on guttural erotic incantations backed by the desolate sound of a cheesy organ and a muffled yet ecstatic mellifluous vocal sound that is reminiscent of the 13th Floor Elevators' Tommy Hall breathing down a jug. The entire recording is suffused with a unique atmosphere, a ripe and heady Japanese eroticism now sadly overwhelmed by the intrusive and infelicitous import of cheap Westernized thrills and assorted uneuphonious cultural junk. Nevertheless, K�kotsu no Sekai launched Ike as the nightingale of the “pink new wave”.
If we were doubted that the previous was Japanese psych porn ,this is 100% psychedelic porn music,yet very beautiful!
The only album by the 70s Japanese porno actress Ike Reiko - and all the lyrics are about sex. The whole album is smothered with an echo effect, like she's singing in some dingy bar. Her husky voice echoes up from the night, and it totally sexy. Totally different from Gainsbourg's music, this record is suffused with an extremely fleshy, real sort of eroticism - you can almost smell the scent of her body. For me, all this represents a uniquely Japanese, moist kind of eroticism that has now vanished.And to top things of, her lifestyle was totally rock (she lied about her age when she was 17 to make her porno debut, made a total mess of her attempt to become a serious actress when she was at the height of her fame, returned tomaking pornos, retired with an addiction to stimulant drugs, and finally married some big successful businessman).
