Download Link: EugenieDeSade70.zip (271,91 MB) - uploaded.to (http://uploaded.net/file/z4vw34gf)

GENRE: Score
DATE: 2005 (1970)
COUNTRY: Italy
AUDIO CODEC: MP3
QUALITY: 320 kbs
PLAYTIME: 1:48:20




CD1

01. Sky Scrapers (1:08)
02. Drug Party (3:43)
03. Eugenie (2:56)
04. Maranhao (2:04)
05. Pyscho Meeting (5:06)
06. Eugenie (1:02)
07. Criminal Sex (2:34)
08. Mary (4:14)
09. Voice In The Night (2:10)
10. Cheek To Cheek (4:34)
11. Valzer Promenade (3:31)
12. Drug Party (6:03)
13. De Sade '70 (2:46)
14. Voice In The Night (2:31)
15. Paraiba (2:22)
16. Criminal Sex (2:33)
17. De Sade '70 (3:21)
18. Il Cielo Cade (0:55)
19. Sky Scrapers (1:03)

CD2

01. Sky Scrapers (Alternate Long Version) (1:59)
02. Maranhao (Alternate Version) (2:04)
03. Cheek To Cheek (Alternate Version) (4:35)
04. Eugenie (Alternate Version) (1:06)
05. Pyscho Meeting (Alternate Version) (5:07)
06. Tropical (4:13)
07. Voice In The Night (2:25)
08. Pyscho Meeting (Alternate Version) (3:51)
09. Pyscho Meeting (Alternate Version) (3:09)
10. Valzer Promenade (Alternate Version) (1:38)
11. Pyscho Meeting (Alternate Version) (4:49)
12. Voice In The Night (Alternate Version) (3:46)
13. Il Cielo Cade (Alternate Long Version) (3:55)
14. Criminal Sex (Alternate Version) (2:06)
15. Voice In The Night (Alternate Version) (2:12)
16. Circles (3:29)
17. Sky Scrapers (Alternate Version) (3:20)

Excellent Lockdown


MOVIE INFO

One of five adaptations of the Marquis de Sade's Philosophy in the Boudoir directed by cult filmmaker Jesus Franco, this version was perhaps the most subdued, although it was still explicit enough to encounter censorship problems. Maria Rohm stars as Mme. de St. Ange, who reads the Marquis' book and fantasizes about its excessive content. St. Ange has sex with a man named Mistival (Paul Muller) in exchange for permission to take his lovely daughter Eugenie (Marie Liljedahl) to her vacation island. When they arrive, St. Ange and her lover Mirvel (Jack Taylor) seduce Eugenie into joining their bizarre sexual role-playing. A party follows, during which Eugenie is drugged and forced to submit to sadomasochistic games directed by Dolmance (Christopher Lee) and his oddly-dressed followers. When she awakens from her stupor, however, Eugenie finds that the games have turned to murder. Nino Korda and Herbert Fuchs co-star in this provocative exploitation film. Christopher Lee's role as the narrator Dolmance was originally accepted by George Sanders, whose personal crises forced him to withdraw prior to production. Franco returned to the same source material for Eugenie de Sade (1970), Plaisir a Trois (1973), Cocktail Special (1978), and Eugenie, Historia de Una Perversion (1980). ~ Robert Firsching, Rovi

~ Thebloodypitofhorror
Eugenie... the Story of Her Journey Into Perversion (1969)
... aka: De Sade 70
... aka: Eugenie
... aka: Marquis de Sade
... aka: Marquis de Sade - Eugenie
... aka: Marquis de Sade's 'Philosophy in the Boudoir'
... aka: Philosophy in the Boudoir
... aka: Story of Her Journey Into Perversion, The

Directed by:
Jesus Franco

Madame Marianne Saint Ange (Maria Rohm) seduces Monsieur de Mistival (Paul Muller) and gets him to agree to let her take his impressionable, sheltered 15-year-old daughter Eugenie (played by 19-year-old Marie Liljedahl) away to her tropical island mansion (only accessible via boat) for the weekend. She promises no harm will become of his virginal little girl in the process. Upon arriving, Eugenie is showered with attention, fancy wardrobe, ocean-front dinners, wine and smoke by her libertine hostess, who also enjoys bathing and rubbing lotion on her guest in various states of undress. Eugenie is also introduced to Marianne's step-brother (and lover) Mirvel (Jack Taylor), who immediately falls in love with the naive young beauty, a black handyman named Augustin ("Kablan" / Anney Kablan) and reclusive, mute maid Therese (Uta Dahlberg). Seems harmless - and typical - late 60s/early 70s soft-focus soft-core fluff, right? Not so fast, sucker. This is actually an adaptation of the Marquis de Sade's controversial, oft-banned and (some say) socio-political 1795 book La Philosophie dans le boudoir ("Philosophy in the Bedroom"). There's sadism galore, druggings, rapings, beatings, nightmares, murders and a strange cult dressed in Victorian era garb and headed over by Christopher Lee as Dolmance. Said cult seems to want to get their hands on a human heart for some kind of ceremony.

Though he has received his fair share of criticism over the years - some of it earned and some of it by yours truly - director Jess Franco deserves much credit for what he delivers here. Not many filmmakers actually had the nerve to film de Sade during this era, not many filmmakers actually had the nerve to film erotica involving such then-taboo subjects as incest, lesbianism, interracial relations and S&M and not many directors could do it with an actual budget, actual actors and attention paid to both location and art direction. Furthermore, not many directors could do it all with an intoxicating signature style. Visually-speaking, this is a very interesting piece of work for both the director and cinematographer Manuel Merino, especially in regard to camera focus. Yes, this film does go out of focus to blur quite often. Image being out of focus is often regarded as an elementary technical error, but done intentionally in this context it's an interesting and creative technique that manages to up the dreamy allure and dark sensuality of the film considerably.

Acting-wise, the film makes a particularly fine showcase for Rohm, who previously had played the title role in Franco's murder-mystery VENUS IN FURS (1968). Rohm, who was married to writer and producer "Peter Welbeck" (Harry Alan Towers) and sometimes got sidelined in these productions, gets a wicked, manipulative role to sink her teeth into and makes the most of it. Liljedahl, who'd just made a name for herself in the international erotic hit INGA (1968), is just adequate but at least looks the part of a teenager. Both actresses spend much of their screen time nude. Euro-horror staples Taylor (the male lead in Franco's FEMALE VAMPIRE) and Muller (the male lead in Franco's EUGENIE DE SADE) don't quite get the showcase the ladies do here but are fine nonetheless. Maria Luisa Ponte (billed as "Inga Swenson" and horribly dubbed) has just one scene as Eugenie's overbearing mother but would go on to win many prestigious European film awards later in her career. Colette Giacobine (star of Franco's NIGHTMARES COME AT NIGHT), Herbert Fux (from Franco's JACK THE RIPPER, LOVE LETTERS OF A PORTUGUESE NUN and others) and Franco himself also appear in small roles.

The part played by Lee was originally offered to George Sanders, who turned it down either for personal reasons or illness (the stories vary), and then to Wolfgang Preiss, who turned it down because of his wife's passing. Lee would later claim he had no idea this was soft-porn until he actually saw the movie (it premiered with an X rating). According to him, his scenes were shot, and then edited in with the sex scenes later on. Though he claimed to be dissatisfied with the end result, he'd still go on to act in several other Franco films (1969's THE BLOODY JUDGE amongst them) and his imposing presence here during the cult scenes is definitely a plus.

It was filmed in Barcelona, Spain and also boasts an evocative Bruno Nicolai score. The DVD was released in America through Blue Underground.

~ Thebloodypitofhorror

Eug�nie de Sade (1970)
...aka: De Sade 2000
...aka: Eugenia
...aka: Eug�nie de Franval
...aka: Eugenie de Sade
...aka: Eug�nie de Sade
...aka: Eugenie Sex Happening

Directed by:
Jesus Franco

The opening credits, which don't waste any time getting right down to the nitty gritty by having a full-blown lesbian scene going on as names splash across the screen, state this is "based on a novel by the Marquis de Sade." That novel is "Eug�nie de Franval," something I haven't read. And while I can't speak for this film as an adaptation (the 18th century tale has been moved to a modern day setting), I do know enough about de Sade to say this does justice to certain Sadean themes, such as finding exhilaration and comfort in the sexually forbidden and romanticism in cruelty, torture and death. The lesbian scene that opens the film is interrupted when a man comes into the room, one of the women leaves, the man acts as if he's going to make love to the other woman and then suddenly strangles her to death. All of this turns out to be a home movie that was filmed by a pair of serial killers. The man screening it is a reporter by the name of Attila Tanner (played by director/writer Franco under the name "Franco Manera"). Attila follows the viewing with a trip to the hospital to visit a mortally wounded young woman named Eug�nie Radeck ("Susan Korday"/ Soledad Miranda), the female accomplice seen in the film, and listens to her deathbed confession, which is then recounted for us.

Eug�nie (whose mother died just days after giving birth to her) lives in a large, snowbound home in Germany with her stepfather Albert (Paul Muller), a well-known and controversial erotica writer. Completely infatuated in a decidedly unhealthy way with the man who has raised her since birth (and vice versa), Eug�nie begins sneaking into his library to read his sexually-sadistic books and finds herself becoming intrigued. She tauntingly exposes herself to him; giving him glimpses of her legs, staring intently and hanging on his every word. Albert tells her of the pleasures to be had in inflicting pain upon others and wants her to experience it first hand, so he arranges for Eug�nie to accompany him on a French press tour. The two sneak a flight over to Brussels, hire a nude model (Alice Arno) and dear old dad takes pictures while his daughter murders her. The two return home, pick up a hitchhiker and then smother her to death, making passionate love after it's all over. Before long, the two have claimed a handful of victims, sinking their bodies in a nearby ice-covered lake. For an encore, Albert wants Eugenie to seduce a man, make him fall in love with her, break his heart and then kill him; something he plans on filming. He selects an overly-sensitive, virginal jazz trumpeter named Paul ("Andre Montcall"/Andr�s Monales) as their prey. Eugenie starts dating him and finds herself falling in love; which turns out to be the undoing of both father and daughter.

Yes, this is very distasteful, unsubtle, exploitative and sometimes disturbing material that not everyone is going to want to see, but it's still a worthwhile piece due to how it's executed. Franco manages to effectively capture the sick relationship between an intelligent, twisted, manipulative and jaded murderer and his equally warped, painfully subservient daughter while keeping true to the spirit of the source author by imbuing the film with a dreamy, (very) darkly erotic feel. He also manages to get good performances from his two leads. Muller is very good in his role but the beautiful Miranda really walks away with this one. She's often seen sitting in a fetal position, almost hugging herself, and gazing blankly at her father; someone she's almost elevated to God-like status in her own mind. Miranda manages to create a sort of tragic anti-heroine here, who's disturbed yet oddly naive and innocent all the same. Just looking at who raised her, and his motivations for doing so, is enough to make her a somewhat sympathetic figure regardless of the terrible things she ends up doing. Franco, on the other hand, is something of a minor debit in his acting role. Though important to the structure of the film, Franco himself is far too wooden to really bring the character, who seems to be stalking the father, to life.

This French/Liechtenstein co-production also boasts a haunting score from Bruno Nicolai, as well as superb cinematography from Manuel Merino, which primarily plays off whites and reds as the cold, wintery isolation of the Radeck home (where father and daughter live in their own little world) clashes with the red warmth of the jazz club (where Eugenie actually gets a chance to interact with others and potentially experience what a more 'normal' relationship is like). It's loaded with nudity and sex (though the director doesn't linger on it for a boring eternity like he does in some of his other films) and while there is some blood, there's no real effects work here. In other words, the blood is simply smeared on victims and that's that.


~ Digitmovies

EUGENIE - DE SADE '70
Bruno Nicolai


For celebrating the thirty CD issue, Digitmovies is proud to releae a special edition double CD set featuring the complete soundtrack in full stereo composed and conducted by Maestro Bruno Nicolai for the 1969 European Sex exploitation cult movie directed by Jess Franco Eugenie De Sade '70. This motion picture had various titles during its distribution time like La Isla de la muerte,Eugenie... the Story of Her Journey Into Perversion, Les Inassouvies, Die Jung frau und die Peitsche, Philosophy in the Boudoir, Die Wildkatze and the movies released with two differently edited versions.This motion picture, that got the best digital presentation through the definitive 2002 uncut version DVD produced by Bill Lustig and his Blue Underground, is a psyhedelic representation of Sado Masochistic world of Marquis De Sade placed in an exotic island circa 1969 starring the gorgeous svedish acctress Marie Liljedhal as Eugenie, the cute young girl who is initiated into a world of pleasure and pain, Maria Rohm (of Marquis De Sade's Justine fame),Jack Taylor (of Succubus fame) and the great Christopher Lee as sadist Dolmance. Jess Franco is undoubtfully a true cult director who shooted this motion picture in Exotic locations where this story is placed. Originally in year 1969 an album on Gemelli label with 14 selections was issued (some in mono sound,some in stereo sound). For this CD release we were able to listen to the many master tapes we did found in the Edipan archives.When did discovered so many tapes we could suddenly realize the Bruno Nicolai had written and recorded for this movie a lot of music. So we started to listen to carefully the tapes, kept for until today in terrific conditions and with a great stereo sound: first we found all the tracks used for the original album, but later we could very happily discover on the original sessions elements that some of them were shorter versions than those actual ones featured here, so for the first time...we can listen to the uncut takes of some them. So we could assemble the entire 108 minutes long score and alternate versions on a two discs set.

Thanks.

Beautiful upload!
Thank you very much.

Thanks very much! :)

So nice! Thank you very much!

very good score indeed, thank you

Great score, Thanks.

Thank You!!!

Thank you very much!

Thank you very much!

Thanks

Eugenie De Sade ’70 / Eugenie… The Story Of Her Journey Into Perversion (1970) (2005) Soundtrack Score > Bruno Nicolai

Link MP3 320k: http://ulozto.net/xCDPzcUb/eugeniedesade70thestoryof-prowler-rar http://uploaded.net/file/z4vw34gf
Tracklist:
CD1
01. Sky Scrapers (1:08)
...
9. Sky Scrapers (1:03)
CD2
01. Sky Scrapers (Alternate Long Version) (1:59)
...
17. Sky Scrapers (Alternate Version) (3:20)